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Translation Memory

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Translation Memory, a short story from Midge Raymond’s award-winning collection, Forgetting English, is about a couple traveling to Japan on a nearly broken marriage, until they find hope for reconnection in one of the country’s oldest spiritual traditions.

12 pages, Nook

First published February 18, 2011

8 people want to read

About the author

Midge Raymond

17 books203 followers
Midge Raymond is the author of the novels Floreana and My Last Continent and a short-story collection, Forgetting English, which received the Spokane Prize for Short Fiction. Her stories have appeared in TriQuarterly, American Literary Review, North American Review, Bellevue Literary Review, the Los Angeles Times magazine, Poets & Writers, and many other publications.

Midge is also the author of Devils Island, co-authored with John Yunker. She has taught writing at Boston University, Boston's Grub Street Writers, Seattle's Richard Hugo House, and San Diego Writers, Ink.

Midge lives and writes in the Pacific Northwest. Visit her online at www.MidgeRaymond.com and www.MidgeandJohn.com.

"FLOREANA is a beautiful, unexpected, and powerful novel about the fragility of life and love in its many forms — a book that is all at a once a riveting theory on an unsolved historical mystery, a close character exploration of love and loss [that] tackles the themes of motherhood and the innate desire to nurture and be nurtured, the pain of unfulfilled expectations, and the simple beauty and tenuousness of nature. A powerful and totally unique book. Not to be missed!” — Samantha Greene Woodruff, bestselling author of THE LOBOTOMIST’S WIFE and THE TRADE OFF

“In the 1930s, a set of murders straight out of Agatha Christie took place on Floreana Island. Raymond's novel toggles between this old story and a new one, proposing a plausible solution to this enduring mystery. Is this what really happened? Who cares! Raymond’s novel is riveting and revelatory, a murder mystery embedded in other mysteries — of love and regret, loss and redemption, and how we can manage to hold on to the parts of this beautiful world that were never ours in the first place.” — Karen Joy Fowler, New York Times bestselling author of BOOTH and WE ARE ALL COMPLETELY BESIDE OURSELVES

“FLOREANA is a stunning and deeply layered murder mystery, historical novel, and environmental love letter all in one. Midge Raymond beautifully and seamlessly weaves the hidden lives of two women, a century apart, as they negotiate the fragile terrain of the Galápagos Islands along with their own troubled psyches…A haunting tale for our times.” — JoeAnn Hart, author of ARROYO CIRCLE and HIGHWIRE ACT

“Who knows what happened on Floreana Island in the Galápagos in the 1930s? In this suspenseful and immersive novel, Midge Raymond offers a possible series of events leading up to infamous awful fates of a few of the settlers, as well as telling an equally compelling contemporary story. Come for the disastrous love affairs, stay for the careful depiction of efforts being made toward penguin conservation. Much like the fantasy of desert island life, FLOREANA offers a rich bounty of attractions.” — Alice Elliott Dark, author of FELLOWSHIP POINT and IN THE GLOAMING

“FLOREANA masterfully weaves together the tales of two women who escape to the same faraway island almost a century apart. Both storylines feature deeply buried secrets, yearning, questions about what people owe to those that surround them, and the profound need for connection and purpose. The echoes and reverberations in the two timelines—about new beginnings and love and families and conservation and hope—perfectly illustrate how human concerns are universal and timeless. Raymond’s beautiful and absorbing novel kept me turning the pages, eager to find out what and who would fail to thrive on Floreana Island and what might blossom there.” — Karin Lin-Greenburg, author of YOU ARE HERE


"Midge Raymond’s debut novel is a sensitive explora

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