Currently a professor of twentieth century American literature at the University of California at Davis, Clarence Major is a poet, painter and novelist who was born in Atlanta and grew up in Chicago. Clarence Major was a finalist for the National Book Awards (1999). He is recipient of many awards, among them, a National Council on The Arts Award (1970), a Fulbright (1981-1983), a Western States Book Award (1986) and two Pushcart prizes--one for poetry, one for fiction. Major is a contributor to many periodicals and anthologies in the USA, Europe, South America and Africa. He has served as judge for The National Book Awards, the PEN-Faulkner Award and twice for the National Endowment for The Arts. Major has traveled extensively and lived in various parts of the United States and for extended periods in France and Italy. He has lectured and read his work in dozens of U. S. universities as well as in England, France, Liberia, West Germany, Ghana, and Italy.
not easy reading, but interesting. think I'd like to get into a later collection and some criticism to see how people who study him frame his work.
The Doll Believers
This lifeless construction, Yellow hair curled and twisted, The forever motionless face of rubber, The dark marked eyebrows. The flexible pug nose, Spongy red cheecks, Camel’s-hair eyebrows, Moving up and down. Lifting her up, her eyes fly open, They stare into space— An unmoving blueness. Those never winking, moving balls, Controlled from the inside, And that thick rubber body, The imprint of a navel, The undersized hands, The thick soft knees, The screwed-on head, The air hole behind her back, All this in its lifelessness Gives me a feeling That children are amazing To imagine such a thing alive.
It Was
some sense that a whole generation, & not for the first time
knows defeat." I knew even then that it was whole world
taking place in just my mind. Sense of some invalid bullshit.
: the petrified forest of the past, translates a clue to some innermost jive adventure, or get to such literal philosophy of the internal rhythm of how the hazy dry fingers of muted ole 1890 Negroes could diagnose a banjo: or talk about the mathematics of such captured minds surviving easy, in rough prisons of self just outside incense kitchens sweeping out sweetpotato and mustardgreen spells and odors: or briefly cop the vernacular of some obscure, but eternal light leaking thru the autumn dawn of some real forest not yet created or invested with a purpose