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From My Cold, Dead Hands: Charlton Heston and American Politics

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Charlton Heston is perhaps most famous for his portrayal of Moses in Cecil B. DeMille's epic The Ten Commandments and for his Academy Award–winning performance in the 1959 classic Ben-Hur. Throughout his long career, Heston used his cinematic status as a powerful moral force to effect social and political change. Author Emilie Raymond examines Heston's role as a crusader for individual rights and his evolution into a major American political figure with a pivotal role in the conservative movement. Heston's political activities were as varied as they were time consuming. He worked with the Kennedy, Johnson, Nixon, Reagan, and first Bush administrations. He marched in support of black civil rights, served as the president of the Screen Actors Guild, and helped shape policy for the National Endowment for the Arts before taking on his most high-profile position―president of the National Rifle Association. Over the course of his career, Heston became disillusioned with the Democrats; he formally registered with the Republican Party in the 1980s, arguing that the decision was in keeping with his longtime advocacy of individual rights. From My Cold, Dead Hands is far more than a biography―it is a chronicle of the resurgence of American conservative thought and, in particular, the birth of neoconservatism. Heston's brand of neoconservatism differed from that of the exclusively intellectual wing, and he came to represent a previously ignored segment of neoconservatives operating on the basis of more common, emotionally oriented concerns. The neocons brought new life to the GOP, and Raymond convincingly argues that Heston revitalized conservatism in his image of morality, individualism, and masculinity lent the conservative movement credibility with a larger public. He effectively campaigned for conservative candidates and causes, using his popularity and image to fuel and legitimize his political activities. Heston's high degree of political engagement not only paved the way for many of today's Hollywood activists but also helped popularize many of the beliefs of the neoconservative movement. A balanced look at Heston and his offscreen work, From My Cold, Dead Hands explains how this charismatic man of conviction propelled his personal beliefs into the political mainstream of America.

416 pages, Hardcover

First published August 1, 2006

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Displaying 1 - 2 of 2 reviews
Profile Image for Tom Stamper.
661 reviews38 followers
August 4, 2018
Emilie Raymond writes a surprisingly engaging and thoughtful look at how Charlton Heston evolved from Democrat Civil Rights marcher to Republican NRA President. Her main hook is that Heston was experiencing and lamenting American culture from inside a life in the arts while intellectuals like Irving Kristol were lamenting it from inside intellectual circles. The progression of both men as liberals into neo-conservatives is an interesting premise and although I don't know if I would call Heston a neo-con as the result of this comparison, Raymond explains Heston's political transformation better than any other biographer.

Heston's own books do not go into the details that she provides here. It's an especially full account of Heston's experience as President of SAG and his fights with Ed Asner who wanted to make the union into a wing of progressive activism at the expense of representing members. The author makes a great point that Heston's perch as NRA President made him a national political figure and allowed his voice to be heard on any number of political issues as a result. Heston also made the NRA a bigger and stronger organization by weeding out some marginal characters that were influential in the organization beforehand.

This book is a great companion to other political/cultural studies of the 1990s.
Profile Image for James.
Author 6 books16 followers
March 12, 2016
Very well researched history of Heston as a public figure, of neoconservative thought in late-20th Century America, and of celebrity activism. Admirably calm in its style and relatively non-partisan.
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