Actors need actions. They cannot act adjectives, they need verbs. This thesaurus of active verbs helps the actor to refine the action-word until they hit exactly the right one to make the action come alive.
Forget all of those annoying, confusing books that try to teach you how to act, this is all you need. If you're serious about acting, this is a great investment to make.
I took a course called “acting for business professionals” (Shakespeare Theatre in Washington DC)- I bought it after learning how important objectives are when it comes to a speaker wanting to reach an audience. If you can’t articulate what you are seeking from your listener. The foundation for communication is on shaky ground. I’m an English teacher and expect to use it often.
If you are a writer and never heard of actioning, then you need this book. This is a thesaurus of transitive verbs. A transitive verb is one that fits in the sentence: He ___ her, or she ___ him, or I ___ you.
In actioning, actors label each line of dialogue in a script with an action they will be doing as they speak the line. So for example. The actor might be saying: Take your umbrella. But if the verb is love - he will say it and act in a loving way. If the verb is compel, he will say it and act in a forcefully way.
Thinking of a transitive verb that the character is doing while writing a section of dialogue or a section of inner thought works the same way - it will add action to your scene.
Very useful tool for actor's. It provides lists of synonyms for various action verbs. This book is used when working through a script and placing actions behind sections of the text. I am not using the proper jargon here, but I'm a little out of practice using correct terminology, I haven't had to in over ten months.
A fantastic resource for me, as a student actor. Actioning is a great way to explore the depths of the text and find ways to bring meaning and life to it in a way that speaks to the audience and inspires your castmates to greater reactions. The more you give, the more you get.
I think this is a nice book for actors to have. It is pretty simple, but it was helpful when I was doing character development and finding objectives for a character.
I adore this resource as an actor and a director. I constantly come back to this to help myself and my actors stay centered on specific playable actions. A MUST HAVE.
I use this specifically as a thesaurus. If you want to explore different tactics (or Meisner “doings”), I think this book is an incredibly useful tool.
Your Meisner teacher, including mine, will probably tell you not to get this book (god forbid you use a word that may not have originated from your gut!). But I actually think it’s even MORE powerful with Meisner bc it offers roots for exploration of a more colorful spectrum of doings.
For example, are you sick of saying “You’re laughing” or “You’re relaxed” in repetition? After exploring synonyms, you may find they’re not just laughing, they’re actually delighted or cheerful. Are they relaxed, or are they actually content or cheerful? I think that specificity is incredibly useful and true to Meisner’s goal of “be accurate”. By just reading this spectrum of behaviors on the page, you’ll start feeling and recognizing them in your scene partner and pulling them “from your gut” on stage.
That being said, you can do that with any thesaurus or simple internet search, you definitely don’t need this book at all to play with this.
1. Audition - Shurtleff 4. Actions: The Actors Thesaurus - Calderone/Loyd-Williams 5. Freeing The Natural Voice - Linklater 6. The Art Of Acting - Stella Adler 7. The Actor And The Target - Donnellan 8. The Intent To Live: Achieving Your True Potential As An Actor - Moss 9. A Practical Handbook For the Actor - Bruder 10. On The Technique of Acting - Chekhov