Interviewing Terry Brooks decades ago, I never got the feeling that he was particularly mystical in the sense of areas that might be relegated to New Age in the present age. Where I had read an overtly spiritual meaning into the dark magic described in his first trilogy, Brooks informed me that he had the evils of technology and its potential for destroying the entire global environment in mind. Yet, his very practical mindset doesn’t preclude him from creating vivid characters for whom the mystical aspects of fantasy can be instructive once the magic within the story is reduced to an interpretation for more pragmatic folks. Yes, even fantasy can be instructive for the human condition.
Indomitable is a great title for this slim volume illustrated with manipulated black and white photography. Not only is the title a reference to a long-dead hero in the Shannara universe but it is what Jair Ohmsford, youngest of the heroes in early works, needs to become in order to succeed in a quest that, inexplicably he thinks, falls to him. Yes, it begins with the appearance of a girl, Kimber Boh, who fought alongside our heroes long before she matured into the fascinating woman who awakens discomfort and embarrassment in young Jair. But it is her message from her grandfather, Cogline the former druid who cannot quite throw off all vestiges of that life.
The key element of the plot is unveiled early on when Kimber asks if Jair believes in the present being entwined or entangled with past lives. Jair doesn’t really buy into the idea of past lives: “I think we are always reaching back in some way, bringing forward what we remember, sometimes for information, sometimes just for comfort. I don’t remember other lives, but I remember the past of this one. I remember the people who were in it.” (p. 22) His theory may or may not have any merit as he moves toward his personal test.
It turns out that eliminating the evil menace will require Jair to face fears and doubts that he remembers quite clearly from when he was held prisoner in Dun Fee Aran, fortress of the Mwellrets. But before he can summon the courage or, perhaps, obligation to go there, he is assured/inspired in a dream of Jungian proportion and significance—a dream featuring an appearance of one of the earliest characters in the Brooks’ corpus, Allanon. As a result, much of the little book deals with the internal dialogue Jair experiences between his feelings of fear and inadequacy and his memories of those he perceived as more qualified than himself to succeed in this quest.
Fans of the magical and fantastic need not worry. There is a vivid scene in which “magic” is at play, but one can interpret it differently than as a “literal” account of a fantastic event (which, “fantastic,” it was). Yet, I found myself very satisfied with Jair’s inner dialogue after the deed was done. As he observed, “The past is always with us, but sometimes we don’t recognize it right away for what it is.” (p. 96)