Edward Merton Dorn was born in Villa Grove, Illinois. He grew up in rural poverty during the Great Depression. He attended a one-room schoolhouse for his first eight grades. He later studied at the University of Illinois and at Black Mountain College (1950-55). At Black Mountain he came into contact with Charles Olson, who greatly influenced his literary worldview and his sense of himself as poet.[citation needed]
Dorn's final examiner at Black Mountain was Robert Creeley, with whom, along with the poet Robert Duncan, Dorn became included as one of a trio of younger poets later associated with Black Mountain and with Charles Olson.
“Comes the quasi inevitable dawn, The blinds are venetian. In Venice, eight hours ahead The Doge, whose shutters Were opened by the porcelain hand Of the singular Roman god Turns and hocks.
My ceiling fan whirls inside The wind twirls in The aeolian Colorado dust The hand with the Atavan, The keeper of the exit Oxycontin could put the dead to sleep—
But Oxycontin can wake the living Just as well, Oxycontin can do anything, Oxycontin can make you feel Nothing And there are times Nothing is exactly What you most desire to feel.” — “Blood pressure normal to perfect as usual. My tumor is watching all this. My tumor is hearing all this. My tumor is interested in what interests me, and she detests who and what I detest. My tumor is not interested in what or who I love, My tumor is not interested in love, no neoplasm is—the blind cells thereof are not interested in love or affection, she sends out little colonies, chipped genes mark their crossing the river, they are without variation, they keep time with terror.” — “I suppose I made a smart remark as usual, my tongue has been my genius and my downfall. The nurse began to collect the specimen with ever increasing pressure on the split flesh I nearly fainted, but not a tear fell from my lid, and not a throb shook my throat until I'd left the collecting station and then I shook and wept, and Jesus, I'm sorry to say I hated that bloodworker even despite the fact that I knew she couldn't help what she had a great irresistable need to do, to hurt me deeply because I was a bearer of cancer.
We had saluted the day when Jenny said WHITE RABBIT. I lay for a while trying to think what would I wish for if such a genie really delivered—a dismissal of the alien? ... no. There are wishes too complex to be granted. I wished (and I'm not supposed to tell you this!) I wished for a needle worker to set up my infusion lines without blowing a vein. And lo and behold, into the waiting room came a nurse like on a half shell except dressed in white and led me to a small room with a TV/ video cassette port
which I'd never reached before. Flawless butterfly insertion uncomplicated, competent anchoring I could have wept at my good fortune but I didn't, I thanked her sincerely and asked for a V-8 juice, I was even drinking it without enzymes.” — “Iodine, Iodine Suffering, lodine. Suffering suffering lodine. Balls of fire, Balls on fire,
Suffering the infusion The euphemism Taking the contrast Illuminating the billboard The environment of poison The ditches of societal suicide.
Throat ripping Ball torching Fire balling Gut trenching, war— The lodine drift In the trenches The blasting of the seat of the soul, loading lodine fire, barbed Wire snaking through the veins.” — “The death was instant I like the sound of that Instant death is God's deliverance lingering death is God's indecision and the Devil's successful advocacy Lingering illness followed by Death is God's wavering and impudence” — “Pain is the prison it's inside, the prism bends the pain. In the artificial prison down the millennia the victim lives inside the prison, lies on the steel cot.” — “Lord, your mercy is stretched so thin to accommodate the need of the trembling earth— How can I solicit even a particle of it for the relief of my singularity the single White Rose across the garden will return next year identical to your faith— the White Rose, whose house is light against the threatening darkness.”