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Psalm 119: The Exaltation of Torah

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From the Preface: “The alphabetic acrostic is one of the most easily identifiable poetic forms in the Hebrew Bible. Examples can be found in prophetic discourse (Nahum), the lament over the destruction of Jerusalem (Lamentations), liturgical song (Psalms), and wisdom literature (Proverbs). Yet its very obviousness has tended to deflect deeper exploration of its structure and purpose. Since Mowinckel denigrated the acrostics in the Psalms as a “disintegration of style,’ too often scholars have simply noted and then ignored the form. “There is no a priori reason that alphabetic acrostics should be less creative, expressive, or complex than other psalms. Thus the essays collected here investigate the acrostic format as a legitimate option for Israelite poets rather than as the refuge of uninspired epigones....The fruit of over twenty years’ close reading of these psalms, the following essays reveal the poets’ consummate mastery of the demanding acrostic form and deserve incorporation in future discussions of biblical poetic art.

144 pages, Hardcover

First published January 1, 1999

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David Noel Freedman

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Profile Image for Jonathan Ginn.
186 reviews4 followers
October 25, 2022
2.5 out of 5. This book is a series of essays on the alphabetic acrostic psalms (Pss 9-10, 25, 34, 37, 111-112, and especially 119) dealing with some of the more technical aspects of Hebrew poetry - meter, syllable count, colon length, symmetry, and structure. The essays are largely descriptive and don't offer much by way of an argument or thesis. I found parts of the book helpful, but other parts were a slog.
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