José Guadalupe Posada (1852-1913), a Mexican graphic artist, lived during one of Mexico's most chaotic times. The graphic illustrations he produced for the "broadsheets," the tabloids of the day, distributed on the streets of Mexico City became icons of Revolutionary Mexico, portraying murder, suicides, robberies, and disasters endured by the citizens, especially the Mestizo, of Mexico City. "In this well-written and handsomely illustrated book, art historian Patrick Frank examines the European (i.e. French and Spanish) and Mexican influences on Posada's art as well as the many stories that served as the sources for his illustrations."-- The Historian "Posada's broadsheets detail many stories that were front-page news at the time and include a variety of colorful characters, among them Jesus Negrete, a Mexican Robin Hood-type career criminal, as well as a man who killed his parents and ate his baby son. . . . Frank shows that Posada took the point of view of the working class, not from the defenders of the regime or of its organized opposition."-- Umbrella
Posada's artwork inspired the Mexican Muralists Movement and the movement's heroes David Alfaro Siqueiros, Deigo Rivera, and Jose Clemente Orozco. What's particularly cool about them is often broadsheets would appear to be little more than song lyrics, sensational news stories, or poems etc, when really the subtext was a call to arms against the Porfirio Diaz regime. His dictatorship was so repressive that opponents to it had no voice, so this was a sneaky, clever and creative way for the rebels to get their message out. Posada is remembered as more than just an artist, he's considered a revolutionary.