With no expectations, I picked up this book on KU and when I did, I didn't put it down again. A day later, here I am. I don't read a lot of contemporary romance, just because I prefer fantasy romance overall, but also because most of it is too tropey for my non-diehard romance tastes. That's no reflection on anything but my own tastes. I read If This Gets Out a couple months ago, and if you've read that, Idol Minds will be very familiar major-conflict-wise. And that's not a detraction. There are only so many ways a romance can exist, and the soul of this story definitely manages to extend beyond the writing itself. There were a couple things I longed for, described below, but overall, I think this is a neat book I'm happy to have found.
The things I felt were missing all revolve around description, some elements were perhaps crafted with less detail than I would like, the biggest being the setting, but also the show-to-tell ratio of the character's inner experiences. The characters tend to move through minimally described spaces, with almost the entire emphasis being on what they're doing and saying, making it somewhat stark when I'm trying to really get into the scene. And rather than a lack of chemistry between the mains, I think this effect contributes to some distance between me as the reader and my sense of full emotional connection in the story. It's amazing how much a few lines of detailed setting, making it so that you can really see the characters in their environment, can contribute to a reader's sense of involvement. At least, it is for this reader. I loved the fashion references and descriptions, as well as the food.
In terms of show versus tell, much of the story is told through dialogue, and sometimes I wanted to be able to drop deeper into their emotional or physical experiences through show language. Although impactful for me, these are smaller things, because again, I finished it in a day. That's the most telling part of this review. All these personal quibbles didn't keep me from absolutely needing to follow the story, needing to see what happened.
And that's the end of my minor, very personalized attempt to explain what didn't work for me.
On to the good stuff. This is a proper romance, for starters. As in, it's neat and tidy and smiley in the end, the stakes are not too high (I could have used a bit more romantic tension), and character growth is emphasized. These two are not enemies to lovers or friends to lovers, tropes I notice more of in books with gay/queer male protagonists written by men. The realism of the hookup is refreshing because it's realistic. The way things are portrayed here isn't usually how gay male protagonists written by women (I'm one of those women) tend to develop their relationships. Male writers don't tend to go in for the slow burn, that's something we women have developed because we adore the trope. So these guys, in a slice of reality, meet and make out in the blink of an eye, even while they are perpetually annoyed with each other. And I found it charming. Neither is particularly likable at first. Jason Park's a dick. He's very much a guy who you've probably met and thought, what a dick. Woo Tae Hyun is stuck on a relationship that ended two years prior. I wanted to shake him and demand that he have a more inflated, idol-appropriate ego. But that's part of what makes them fun. I just really, really wanted more description of them, what they wore, what the rooms they stood in looked like...just, more of all that so I could feel them more, but there was enough to carry on.
Next up, the sex. Because this reads like a romance written by a man, the sex is languaged in a straightforward way (I love when women write this way, too) with proper names for anatomy and all that, and has a very different emotional tone and set-up than I've seen the majority of female writers create. The sex evidences their emotions, but not overtly at first, it takes time. Although surprised about the total absence of condoms (I'm used to them everywhere but in regency England at this point), I suspended that disbelief in favor of just enjoying the incredibly respectful dialogue they fell into as time progressed. As a woman who reads and writes stories with gay male protagonists, one of the elements I'm most drawn to is that there's a strong sense of equality that is of course represented in f/m romance, but isn't so well-represented in real life. I think for a lot of women, this is the draw to m/m romance. These two are sexually and socially equal, and are written as such in a way that although there may not be high-tension stakes between the two leads, something very beautiful is created between them. The romance has a great payoff. In tone, it reminds me a lot of Simon Versus the Homo Sapiens Agenda. Not the sex itself, obvs, but the friendship that underlies the romance, and, like If This Gets Out, a commonality of tropes.
Ok, this is enough. It's all just to say that, in my whatever opinion, this is a very solid debut that's worth a read. Its characters swept me along within the premise, a detailed look at the what-ifs of a Hollywood/K-Pop collision, using a very sweet and gentle love.
But more than anything, it's a hopeful love letter to changes that I choose to believe we're on our way toward as a global culture, and would love to see break the molds in the microcosm of K-Pop.
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Please note: I don't use the star system because I'm a writer and author who thinks that it's not appropriate for us types to star other authors books.