Leech is a series of distorted poetic documents, glitchy environments, proximity readings, and digital meditations on the body and para-site. Approached through our fragmented existence within the parasitic network. The apparatus beckons you. Crawl through the pixelated pages and screens. Slip inside the information systems that work through networks of contact, extractive processes, and the parasitic behaviors within art making. Embrace the psychic slippage. Scry the poetics of contingency. Drink the blood from the leech.
Praise for ZER000 EXCESS JAKE REBER'S ZER000 EXCESS UNLEASHES A HOST OF GRAPHICALLY PIXELATED CONTAGIONS ALONG THE PATHWAY OF THE BOOK. THE RESULTS BLOWN DARK MATTER, BLACK HOLES YOU ARE READING, RECOMBINANT DELAYS, AUTO SCRIPTS SPLICED TO YOUR EYES' FASCINATION. TERMINAL. AND TRANSGENIC. TAN LIN ZER000 EXCESS IS THE DRUG YOU TAKE WHEN YOU'RE DONE WITH POETRY. AMY IRELAND ZER000 EXCESS FINDS A NEW MIAPHYSITISM RESPONSIVE TO RECENT DEVELOPMENTS IN BIOTECHNOLOGIES, AFTER THE END OF LITERATURE, A TECHNO INDIVIDUATION. IF YOU'RE INTERESTED IN HIGHER ORDER CYBERNETICS, I SUGGEST YOU READ IT. MAURE COISE STANDING OUT AS A BOOK WHICH HAS MANAGED TO LEARN FROM ITS INFLUENCES RATHER THAN IMITATE THEM, ZER000 EXCESS FINDS DISTINCT INSPIRATION IN THE CCRU'S WORK ON GEOCOSMIC TRAUMA & TEMPLEXITY, A WORKING METHOD IN 0(RPHAN)D(RIFT>)'S TREATMENT OF INFORMATION AS MATTER, AND, (IF THERE IS A CALL TO STAY IN THE REALM OF "LITERATURE" ITSELF) REITERATES THE IMPORTANCE OF STEVE BEARD'S EXPLICIT FRACTURING OF THE SIGNIFYING CAPACITY OF INSCRIPTION VIS A VIS NARRATION IN HIS LONG-NEGLECTED PERFUMED HEAD. ZER000 EXCESS'S CEPHALOPODIC NETWORKS ENTWINE THE IMAGISTIC CAPACITY OF SPARE LANGUAGE & STUTTERING REPETITION, GRAPHIC MOMENTS OF MONTAGE THAT REVEAL A NEW WAY FOR THE BOOK TO EXPLICITLY DELIVER MOVEMENT, AND THE LATENT PRESENCE OF OBSCURED TEXTUAL FRAGMENTS TO DEMONSTRATE WHAT WE ARE OFTEN TOLD BUT ARE RARELY CALLED TO INFORMATION IS MATERIAL, FORM AND CONTENT SIT WITH EQUAL WEIGHT. REBER'S BOOK IS NOT A BOOK THAT ONE COULD INSIST IS ABOUT ANYTHING, RATHER IT IS AN OBJECT TO BE THRUST INTO THE WORLD QUIETLY, TO BE ENCOUNTERED RATHER THAN DECIPHERED. M KITCHELL IN ZER000 EXCESS, JAKE REBER ADOPTS FORMAL RESOURCES FROM INTERNET WRITING, GRAPHIC NOVELS, VISUAL POETRY AND EXPERIMENTAL FICTION TO COMPOSE A MAGNIFICENT NOVEL-NETWORK RIGHT IN THE INTERFACE BETWEEN TEXT AND THE CYBERORGANIC. FUNCTIONING LIKE A STORAGE SYSTEM CAPABLE OF HOSTING UNEXPECTED GLITCHES, MOLECULAR MODULARITY AND REPRESENTATIONS OF THE OUTSIDE, ZER000 EXCESS MIGHT BE A PRINTOUT FROM THE MIND OF A COSMIC COMPUTER WHICH EXPLORES THE POSSIBILITY OF LIFE SPONTANEOUSLY EMERGING OUT OF INCOMPLETE DATA RECORDS. GERMAN SIERRA
Jake Reber is an artist and writer living in Buffalo, New York, where he cocurates hystericallyreal.com. He is the author of NO RESULTS (LUMA/89plus) and TAPE 181 (Gauss PDF). His recent work has appeared or is forthcoming in West Wind Review, P-Queue, Best American Experimental Writing 2015, PANK, [Out of Nothing], KTBAFC, BlazeVOX. Jake Reber is also the author of Lobster Genesis, Exit Ambition, and Invasive Species. His new book, ZER000 EXCESS is a work of ambient body horror.
This is the coolest book! So creative that it keeps you looking, reading, and injecting yourself with every page. 11:11 Press, really has such an amazing niche catalogue of curiosity. I am shocked every time I get a new book and it’s actually an original concept! Many props to the design, paper, and of course the man behind the book. All the best