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The Male Animal: A Comedy in Three Acts
"Dismisses you from the theatre in a spirit of dazed hilarity." - N.Y. Times
Tommy Turner has been married for ten years to Ellen, and he is quietly settled in a teaching job at Mid Western University. This is the week end of the Michigan game and Joe Ferguson, the greatest football hero Mid Western has ever had, comes to tow…
Tommy Turner has been married for ten years to Ellen, and he is quietly settled in a teaching job at Mid Western University. This is the week end of the Michigan game and Joe Ferguson, the greatest football hero Mid Western has ever had, comes to tow…
168 pages, Paperback
First published January 1, 1940
1 person is currently reading
39 people want to read
About the author
James Thurber
357 books608 followersThurber was born in Columbus, Ohio to Charles L. Thurber and Mary Agnes (Mame) Fisher Thurber. Both of his parents greatly influenced his work. His father, a sporadically employed clerk and minor politician who dreamed of being a lawyer or an actor, is said to have been the inspiration for the small, timid protagonist typical of many of his stories. Thurber described his mother as a "born comedienne" and "one of the finest comic talents I think I have ever known." She was a practical joker, on one occasion pretending to be crippled and attending a faith healer revival, only to jump up and proclaim herself healed.
Thurber had two brothers, William and Robert. Once, while playing a game of William Tell, his brother William shot James in the eye with an arrow. Because of the lack of medical technology, Thurber lost his eye. This injury would later cause him to be almost entirely blind. During his childhood he was unable to participate in sports and activities because of his injury, and instead developed a creative imagination, which he shared in his writings.
From 1913 to 1918, Thurber attended The Ohio State University, where he was a member of the Phi Kappa Psi Fraternity. He never graduated from the University because his poor eyesight prevented him from taking a mandatory ROTC course. In 1995 he was posthumously awarded a degree.
From 1918 to 1920, at the close of World War I, Thurber worked as a code clerk for the Department of State, first in Washington, D.C. and then at the American Embassy in Paris, France. After this Thurber returned to Columbus, where he began his writing career as a reporter for the Columbus Dispatch from 1921 to 1924. During part of this time, he reviewed current books, films, and plays in a weekly column called "Credos and Curios," a title that later would be given to a posthumous collection of his work. Thurber also returned to Paris in this period, where he wrote for the Chicago Tribune and other newspapers.
In 1925, he moved to Greenwich Village in New York City, getting a job as a reporter for the New York Evening Post. He joined the staff of The New Yorker in 1927 as an editor with the help of his friend and fellow New Yorker contributor, E.B. White. His career as a cartoonist began in 1930 when White found some of Thurber's drawings in a trash can and submitted them for publication. Thurber would contribute both his writings and his drawings to The New Yorker until the 1950s.
Thurber was married twice. In 1922, Thurber married Althea Adams. The marriage was troubled and ended in divorce in May 1935. Adams gave Thurber his only child, his daughter Rosemary. Thurber remarried in June, 1935 to Helen Wismer. His second marriage lasted until he died in 1961, at the age of 66, due to complications from pneumonia, which followed upon a stroke suffered at his home. His last words, aside from the repeated word "God," were "God bless... God damn," according to Helen Thurber.
Thurber had two brothers, William and Robert. Once, while playing a game of William Tell, his brother William shot James in the eye with an arrow. Because of the lack of medical technology, Thurber lost his eye. This injury would later cause him to be almost entirely blind. During his childhood he was unable to participate in sports and activities because of his injury, and instead developed a creative imagination, which he shared in his writings.
From 1913 to 1918, Thurber attended The Ohio State University, where he was a member of the Phi Kappa Psi Fraternity. He never graduated from the University because his poor eyesight prevented him from taking a mandatory ROTC course. In 1995 he was posthumously awarded a degree.
From 1918 to 1920, at the close of World War I, Thurber worked as a code clerk for the Department of State, first in Washington, D.C. and then at the American Embassy in Paris, France. After this Thurber returned to Columbus, where he began his writing career as a reporter for the Columbus Dispatch from 1921 to 1924. During part of this time, he reviewed current books, films, and plays in a weekly column called "Credos and Curios," a title that later would be given to a posthumous collection of his work. Thurber also returned to Paris in this period, where he wrote for the Chicago Tribune and other newspapers.
In 1925, he moved to Greenwich Village in New York City, getting a job as a reporter for the New York Evening Post. He joined the staff of The New Yorker in 1927 as an editor with the help of his friend and fellow New Yorker contributor, E.B. White. His career as a cartoonist began in 1930 when White found some of Thurber's drawings in a trash can and submitted them for publication. Thurber would contribute both his writings and his drawings to The New Yorker until the 1950s.
Thurber was married twice. In 1922, Thurber married Althea Adams. The marriage was troubled and ended in divorce in May 1935. Adams gave Thurber his only child, his daughter Rosemary. Thurber remarried in June, 1935 to Helen Wismer. His second marriage lasted until he died in 1961, at the age of 66, due to complications from pneumonia, which followed upon a stroke suffered at his home. His last words, aside from the repeated word "God," were "God bless... God damn," according to Helen Thurber.
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Displaying 1 - 5 of 5 reviews
February 3, 2023
This is a comedy? So boring!
February 4, 2020
The idea of the male animal in this case refers to the willingness of a man to fight another man to win / possess a woman. Thomas Turner comes to realize the primitiveness of this idea. His more important discovery is that his principles are the most important aspect that separate the animal from the human. It is a timely topic as censorship at a university is the most important theme. Recommend. Kristi & Abby Tabby ** Thurber teamed with college schoolmate (and actor/director) Elliott Nugent to write The Male Animal, a comic drama that became a major Broadway hit in 1939. The play was adapted as a film by the same name in 1942, starring Henry Fonda, Olivia de Havilland and Jack Carson. The play opened at the Cort Theatre and ran from Jan 09, 1940 - Aug 03, 1940. Gene Tierney had a minor role when this play debuted on Broadway.
November 26, 2015
Minor, sometimes amusing, American comedy play.
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July 11, 2022“The Male Animal: A New Comedy,” a dramedy by James Thurber and Elliott Nugent that scored a hit on Broadway in 1940, isn’t very exciting to read, but it illustrates how light entertainment could once raise controversial issues – here a college professor courts trouble for planning to read a controversial political text to a class – without tying itself in knots over the possibility that a someone might find a controversial issue controversial. Three cheers for the playwrights and the prof.
September 4, 2020
Very dated and not very funny with plenty of distinct stereotypes that would be offensive to modern audiences.
Displaying 1 - 5 of 5 reviews