Also known as 矢吹 健太朗. He is a Japanese manga artist. His mentor was Takeshi Obata, the illustrator of Death Note, Hikaru no Go and Bakuman. Yabuki is best known for his series Black Cat which ran from 2000 to 2004 in Weekly Shōnen Jump and later adapted into an anime. Since 2004, he has only been working as illustrator to works written by other authors. Most notably on the series To Love-Ru alongside his former assistant Saki Hasemi.
Very interesting way to tackle the development of Matsuri’s identity with being male in a female body. Just like I thought, towards the end they start having a lot more nudity every chapter. When they split the two stories it kinda seemed a little weird pace since it’s more dramatic before and after that this split is happening. But I am all here for this ending because I really have enjoyed this series and its premise harkening to some of the political discussions around gender identity although not explicitly stated like that.
Only two volumes left and I don’t know how it will end and how I think it should end.
Well we finally get an idea on how things began nearly 2k years ago. The attack which split Matsuri into both male and female is really throwing a curve ball on this story. I am interested to see how this develops. Plus I am curious what shadow Mei knows about things since they hint at it.
This entire review has been hidden because of spoilers.
I didn’t see the splitting of Matsuri coming and to top it off a love triangle with Suzu. This is making these last few volumes very interesting. Coming down to the end and it’s ending in a high notes.