OMore of the same, just book four this time.
If I hadn't bought the entire series on special (including the parallel "Italian Summer" six-part accompaniment), I would have stopped reading Ms Zante's struggling efforts after book one of the "Honeymoon Series".
I just refuse not to read books for which I have paid good money. After my detailed reviews of books one and two, I will attempt to repeat myself again.
Where one event, opinion, or negative reaction could be dealt with within one or part of one chapter occurs, unfortunately it gets thrashed to death and repeated frequently in multiple chapters instead of an eloquent, mature discussion, with occasional references in later chapters. This lengthens each book unnecessarily and makes each one drag on and on, until boredom rears its head.
This is where a good editor should come in, one who is unafraid to wield a red pencil firmly and, by shortening a re-worded story arc, renders these particular books far more pleasant to read. As written in one of my earlier reviews, I believe that with such ruthless actions, this five-book series could be turned into two, possibly three, longer but more enjoyable novels.
Required books for authors are a good British English dictionary, and a Thesaurus, which is a reference book of synonyms, being similar words to ones already used in a phrase or sentence, removing the need for doubled-ups, and a section on antonyms. These are used for the same reason but have opposite meanings to words that an author may wish either to replace a double-up or to present on opposing viewpoint.
There are about 300 million speakers of American English, out of an approximate 1.7 billion (or more) people worldwide who mainly speak British English either as a first or second language, which is a leftover from the British Empire.
Many writers on platforms such as Amazon Kindle, Kobo, and the like are native American speakers, and it would be good if they bore that fact in mind, given that American was deliberately "dumbed down" to help the flood of European refugees arriving after the world wars, with no knowledge of the English language. Fortunately, there are some excellent writers from the UK, Canada, Australia, New Zealand, and the Indian subcontinent.
Once again I have given one star for trying, and another star for continuing with the series despite the negative reviews, which, when repeated often enough, are sufficient to tell an author that (to borrow a famous quote), "Houston, we have a problem...".
The gushing five-star reviews that make no mention of creative writing, deeply held emotions, an amazing way with phraseology, or other similar compliments should be taken with a pinch of salt, in my humble opinion.