The Tale of the Young Witch

by Joseph Minart

Winner of Literary Titan Silver Book Award – July 2023.
Winner of Readers’ Favorite Bronze Medal – YOUNG ADULT – FANTASY – EPIC – September 2023.
Winner of American Book Fest Best Book Awards 2023 Finalist Medal (Fiction: Fantasy) – November 2023.

When the age of witchcraft and sorcery died out, the world moved on, and most people believed they would never see its magical influences ever again. But it wasn’t so. The past has an uncanny habit of reinventing itself in the present, and the magic surrounding witchcraft cannot easily be undone.

Now, in 1901, 450 years after the perceived death of witchcraft, an unsuspecting teenager, Amelia Twigg, is about to discover that not only does magic and witchcraft still exist, but it has found in her a vessel in which to manifest itself.

When a floating broom in her cellar makes it clear that magic is still around, Amelia is initially skeptical. But when it becomes apparent that she is indeed a witch, with powers that she could scarcely believe, she is hesitant to use them, fearful of the consequences and the future.

All that, however, is quickly put aside when she becomes the target of a secretive cabal that is intent on unlocking the secrets of witchcraft for their own use once more.

Now, relentlessly hunted by this group, Amelia must find a way to stay one step ahead as she comes to terms with her abilities. But can she evade them long enough to learn how to use the powers she has been granted? Or will they find her before the magic inside of her can truly become effective?

The last revision was on January 18, 2026.

Genres: Fantasy, Young Adult, Fiction, Ebooks

551 pages, Kindle Edition

First published March 3, 2023

About the author

Joseph Minart (pen name) grew up in a small suburb of Columbus, Ohio. He loves writing and telling stories, entertaining readers, and being a reader. Life is a story to be appreciated. He graduated from Northwestern University with a B.A. in Philosophy and a minor in U.S. History. His written works include “The Tale of the Young Witch” (which made Amazon’s Top 100 Free List twice and won several awards in 2023), “The Memory of Lost Dreams,” and “Zachery and the Sky Empire” in Jot Russell’s The Future is Short: Science Fiction in a Flash Volume 4 (a short story traditionally published with Rogue Star Press, also known as Lillicat Publishers). He completed his two novels in early 2026 and his short story in 2017. He is an award-winning author.

Reviews

[Joseph Minart]

Editorial reviews:

“The Tale of the Young Witch by Joseph Minart is a fascinating story of adventure and magic. Despite being a fantasy, the characters are real people you get to know, and the plot itself feels authentic as well. This is an action-packed account filled with weird and wonderful creatures, even a dragon, magical folk, and plenty of sorcery along the way. The tension builds throughout as we follow Amelia on her journey, with plenty of twists and turns, ending in an epic finale. It’s a coming-of-age tale and although it’s aimed at the young adult audience, I think other age groups would enjoy it too. It’s a mix-up of several popular magic-themed movies and a thoroughly enjoyable epic.” Anne-Marie Reynolds (Readers’ Favorite): 04/18/2023 (★★★★★).

"Amelia is an engaging character." Docjmh (LibraryThing reviewer): 01/11/2026 Not rated.

“The author has an interesting style with the characters and keeps the plot going strong enough that you want to continue to the end. I would recommend this book because the storyline itself is fascinating and unique.” ChristyD8 (LibraryThing reviewer): 12/27/2025 (★★★★).

“The authors’ writing style is engaging and immersive, and the characters are well-developed especially Amelia. Her blend of innocence, determination, and strong moral compass makes her a compelling and relatable protagonist. The fantasy world itself is vividly crafted, rich with magic, mystery, and atmosphere. I also appreciated how Amelia’s journey touches on themes relevant to YA readers, including coming of age, self-discovery, identity, and navigating complex friendships. These elements ground the fantasy in real emotional depth. Fans of YA magical adventures will undoubtedly enjoy The Tale of the Young Witch. I highly recommend this book to anyone seeking an enchanting and thrilling story that transports them to a world where anything feels possible.” bubbly07 (LibraryThing reviewer): 12/04/2025 Not rated.

“Her story is a coming-of-age tale for younger readers that encompasses many familiar elements from fantasy literature. The author builds an interesting world with complex descriptions, including an imaginative backstory of magic for this world.” rlfowler (LibraryThing reviewer): 11/30/2025 (★★★).

“I really enjoyed this story.” spngirl09 (LibraryThing reviewer): 11/26/2025 Not rated.

“Overall, The Tale of the Young Witch is an engaging mix of fantasy, adventure, and mystery. Readers who enjoy immersive worlds, magical lore, and character-driven storytelling will find themselves drawn into Amelia’s unfolding journey. Minart’s writing demonstrates both imagination and heart, setting the foundation for an epic saga filled with danger, secrets, and the rebirth of forbidden sorcery.” Amie0911 (LibraryThing reviewer): 11/22/2025 Not rated.

“The idea of the story is good but the author has a lot to work on.” suebaldwin12 (LibraryThing reviewer): 11/15/2025 (★★★).

“Either way, if there’s a sequel, I would read it (even if I take 2 weeks, again).” Priscila Vera Schmidt (NetGalley Reviewer): 04/28/2025 (★★★).

“If you’re looking for a great fantasy book with magic, adventure, growth, and action this book is one you need to read.” Kearsten Ballard from Kearsten’s Book Adventure (NetGalley Reviewer/Blogger): 04/15/2025 (★★★★★).

“Such a good book. The Tale of the Young Witch by Joseph Minart and Davon M. Custis is a masterpiece!” Catarina Silva (NetGalley Reviewer): 02/27/2025 (★★★★★).

“The Tale of the Young Witch is a story I wanted to like more than I did: the beginning is strong, delivering potent motivation to our primary character that I could buy into, there is a strong aesthetic/setting in the age of steam, and you have the underlying themes of the destructive potential of prevalent power.” TristenKozinski (LibraryThing reviewer): 10/04/2024 (★★★) (Originally read only in April 2023 as part of Reedsy for the first edition, posted to LibraryThing in October 2024).

“I quite enjoyed this story. I found the plot line interesting and the action was great. I liked the characters in general, and Amelia in particular.” Phil Jourdeuil (Voracious Readers Only): 08/11/2024 (★★★).

“Minart’s adept world-building seamlessly combines steampunk aesthetics with magical elements, offering a fresh take on the fantasy genre.” Anna Dushan (NetGalley Reviewer): 01/14/2024 (★★★★).

“The world building mixes steampunk and magic in a very unique way. We have people who live in the most primitive way contrasted with those who live in a city that is the most modern of all. The book is full of twists and turns. I found that even the most evil were not prepared for what they learned. Betrayal lurks around every corner. The book ends in a satisfying manner and yet it is set up that I believe a sequel could happen.” skstiles612 (LibraryThing reviewer): 07/24/2023 (★★★★★).

Candina (LibraryThing reviewer): 07/17/2023 (★★★★).

“The world building is exceptionally detailed. Joseph Minart has done an outstanding job of crafting a world that you can imagine and see coming alive on every page. Battles are well crafted with fire magic and dragons all sorts of interesting magic craft! The Harry Potter fan in me loved it! I loved the description of the towns, from the history of Coalfell to the local economies. Everything is so well thought out. The side characters are fleshed out and fun to read about. I enjoyed Amelia’s witch training and the ramping up of battles as things heat up towards everyone wanting the jewel were great.” KatKinney (LibraryThing reviewer): 05/18/2023 (★★★★).

***These are brief quotes from their original reviews.

***None of the reviewers from Readers' Favorite, NetGalley, Voracious Readers Only, or LibraryThing: Early Reviewers received the final updates that occurred on January 18, 2026; even if they review the book in the future, their versions will not be updated.

This editorial section will not be updated beyond January 18, 2026.

Other book information:

Winner of Literary Titan Silver Book Award – July 2023.
Winner of Readers’ Favorite Bronze Medal – YOUNG ADULT – FANTASY – EPIC – September 2023.
Winner of American Book Fest Best Book Awards 2023 Finalist Medal (Fiction: Fantasy) – November 2023.

The pre-publication rough draft was 1,000 pages (235,000 words) from 2017 to 2022.

The first edition, released from March 2023 to June 2023, was 453 pages in a smaller font size (approximately 700 pages at 188,000 words).

The second edition, released from July 2023 to August 2023, was 670 pages (185,000 words).

The third edition, released from September 2023 to February 2024, was 621 pages (173,000 words).

The fourth edition, released from March 2024 to the present and including the amendments (tracked by an ISBN count), is 550 pages (167,000 words). Some scenes were added to the story, while earlier editions had other deleted scenes and characters. There was an update on January 18, 2026.

Readers read different versions of the story. All editions included revisions to the story based on reader feedback while honoring the work from the editors and the proofreader, resulting in readers experiencing either a slightly altered or a significantly different version from previous editions. All updates stayed within the confines of the editorial work.

The paperback with ISBN: 9798322071006 (ASIN: B0D11RF8PT) uses standard color maps, which are not featured in the depictions of the maps for the most recent printed ISBNs. The current Kindle edition (ISBN: 9798244404579) has standard color maps.

This book was featured at the 2023 Los Angeles Times Festival of Books and the 2023 Miami Book Fair.

The first edition of “The Tale of the Young Witch” made Amazon’s Top 100 Free List on 04/30/2023 09:02 a.m. ET during a five-day free promotion: #70 Free in Kindle Store, #1 in Fantasy Adventure Fiction, and #1 in Epic Fantasy.

The second edition of “The Tale of the Young Witch” made Amazon’s Top 100 Free List on 07/24/2023 during a five-day free promotion: #37 Free in Kindle Store, #1 in Sword & Sorcery Fantasy eBooks, #1 in Action and Adventure (Kindle Store), and #1 in Epic Fantasy (Kindle Store).

Besides the magical elements, the story’s world operates on a different timeline, and specific cultural or technological elements appear earlier or later than in our 1901 reality.

[Deity World · Rating 5 out of 5]

Wow a very impressive read, of you’re into hocus pocus and Harry Potter this will definitely be the book for you so much to explore in the world of magic and spirituality

[S. Jeyran Main · Rating 5 out of 5]

Joseph Minart and Davon Custis enchant readers with “The Tale of the Young Witch,” a spellbinding fantasy adventure designed for young adults. In a world where witchcraft is believed to be a thing of the past, the resurgence of magic takes center stage, weaving a tale of discovery, courage, and the battle between good and evil. The narrative unfolds some 450 years after the supposed disappearance of witchcraft, introducing readers to the protagonist, Amelia Twigg. Unaware of her magical lineage, Amelia is thrust into a world of sorcery when strange occurrences, like a floating broomstick in her cellar, begin to unravel around her. Minart and Custis skillfully blend fantasy elements with relatable characters, grounding the story in a realm that feels both magical and authentic.

Amelia’s reluctant journey into her newfound powers unfolds organically, providing readers with a coming-of-age narrative rich in character development. The authors masterfully capture the essence of a young girl grappling with the responsibilities and consequences of her magical abilities. As Amelia is pursued by a malevolent secret group intent on exploiting her powers, the tension escalates, propelling the story into a thrilling adventure.

The world-building in “The Tale of the Young Witch” is a highlight, featuring an array of fantastical creatures, including a dragon, magical beings, and sorcery that adds depth and wonder to the narrative. The authors expertly navigate the complexities of magic, intertwining it with the challenges of adolescence, friendship, and self-discovery.

The plot unfolds with a series of twists and turns that keep readers engaged from start to finish, building towards an epic and satisfying conclusion. While the story is geared towards a young adult audience, its universal themes and well-crafted narrative make it accessible and enjoyable for readers of various age groups.

In summary, “The Tale of the Young Witch” is a captivating blend of adventure, magic, and relatable characters. Minart and Custis have created a world that beckons readers into a realm where the extraordinary becomes the norm, and the journey of self-discovery takes center stage. This fantasy tale is a delightful read that transcends its intended audience, leaving readers eagerly anticipating more magical exploits from Amelia Twigg.

[Sotto Voce · Rating 4 out of 5]

A tale of a young witch is a very ambitious fantasy. However, I am not sure why it’s divided into three parts because all three happen continuously and in the same timeline, involving the same characters.

The book has a simple but interesting beginning. We follow the story of Amelia as some origin story because she is the titular character who starts as someone ordinary enough with ordinary life, but it doesn’t stay that way for long. From there, the journey goes to common fantasy routes with a twist ending. More on these later.

This goes throughout the book, but it’s more jarring in the beginning; it is the way the story is told as ‘Amelia this,’ ‘Amelia that’ even though the scenes only involve one character or the other character is a male. It becomes very distracting because of the number of times the name is thrown instead of using she or her. I believe it would average at least three times per page. I am also distracted by the description of Jack earlier as lanky and when he is mentioned later in the book as lean. It would be fine as the two definitions are close enough if it’s not mentioned too often. Other terms that bother me are between ‘puppet’ and ‘clone.’ I love Sci-Fi, and the way these terms are used as if they are the same confuses me. In the earlier scenes with Scarlet, I’m sorry, but I have to repeat the word ‘distracting’ to read things like ‘angelic’ voice and ‘gorgeous’ eyes while they are in dire situations and not some observations of someone about the character. But these are nitpicking, and they most likely don’t distract others as much.

I prefer realistic fantasy, if that’s a thing. I wish there were a genre for it. It’s like fantasy, but the plot, the problems that the characters face, and the characters themselves are very much in line with reality. I devour The Song of Ice and Fire with great interest and have no problem with big-sized books, but this book makes me recall my experience watching the first Transformer movie. I’d categorize it as pure fantasy, so maybe I am biased in my reading experience because, as mentioned, I prefer the other kind of fantasy, nevermind they both have a similar magical creature. It starts well, and everything is intriguing enough. Still, unfortunately, I can’t wait for it to end after the final fights that stretch over one hundred pages, more or less, with repetitive dialogues. The fights are great and well-written, but it takes one-fifth of the book, and I have to admit I don’t care anymore since the outcome is obvious to me anyway. And there is a plethora of action scenes before these final fights that already exhaust me.

Having said all that, pure fantasy readers might enjoy this book. The author put a lot of effort into this, and there are a lot of unique and great scenes for the theme that is probably quite saturated. The characters are done well; we are introduced to plenty of them, and although some have fewer scenes than they deserve, they are distinguishable enough. The fight scenes are creative and well-written, and although I am not really taken by the ending, it has the potential for more stories.

3.5 rounded up.

[S · Rating 1 out of 5]

I won this book via Goodreads giveaway.

Oof….DNF at 3% page 26. I usually try to give books a fair shake and get at least a quarter of the way through. Not happening here.
While the premise is interesting and I appreciate that the setting is a bit different than your run of the mill fantasy story, the writing is just unreadable. There are so many unnecessary words and superfluous use of adjectives. It kills the flow. I spend so much time trying to figure out what a sentence is trying to say that I lose sight of the setting/story. Eg: “So beautifully up there, the rustic fans twirled periodically atop a big grassy hill.” The dialogue isn’t any better.
I’m also not really buying into the plot. I’m 3% in and one incident is immediately interpreted as magic (even though magic is “gone”), the main character is already concerned about being persecuted over a singular event that she’s not sure was caused by her. The ramp is too fast.
This one isn’t for me, sorry.

[C.M. Adams · Rating 3 out of 5]

Interesting Premise, Uneven Execution

I really wanted to like this book because the premise is genuinely interesting and the idea of witchcraft resurfacing in a steampunk-tinged early 1900s setting had a lot of potential. Unfortunately, the execution just did not work for me. The third-person omniscient point of view felt messy and distracting, with frequent head-hopping that pulled me out of the story rather than immersing me in it. Instead of offering clarity or depth, the narration often read more like author commentary than a cohesive narrative, which made it difficult to stay emotionally connected to the characters. The book is also very long, and much of that length comes from repetition, over-explaining, and scenes that felt drawn out well beyond what the story needed. While I appreciated the ambition behind the worldbuilding and could see the effort that went into creating the magic system and lore, it often felt like too much information was being told rather than shown. Amelia’s journey had strong bones, and the core concept of a young witch coming into her power while being hunted is compelling, but the pacing and structural choices made it a struggle to get through. There were moments I enjoyed, and I can understand why some readers connect with it, but overall it was difficult for me to stay engaged. For me, this lands at about three stars. I liked the idea and the foundation of the story, but the execution, particularly the POV handling and length, kept it from being a more enjoyable read.

[Ann Birdgenaw · Rating 5 out of 5]

Excellent read for fans of high fantasy!

Joseph Minart has written an evocative fairy tale for grown ups. Teenager, Amelia Twigg is starting to suspect that she has magical powers. But it can't be, because witchcraft has not existed for 450 years! And what of the visions she keeps having of a beautiful necklace called the Jewel of Celestria. But something foul is happening in the Kingdom of Daimitria, their little town of Coalfell is under attack and Amelia's father is killed by a wizard. Amelia and her friend Jack must go on the lam to escape the nasty group of 'Cursed Sorcerers' who want to use witchcraft to seize control of the Kingdom. Minart's worldbuilding draws you into the adventure and the characters are believable in their action-packed quest to keep sorcery from making a comeback. The key to the outcome is the holder of the Jewel of Celestria which suppresses the use of magical power in the realm. Unfortunately, Amelia is the one who can safely retrieve the Jewel. I love a good witch story and this one is full of magical battles and trickery. Trigger warning for those sensitive to bloody and gory battle scenes similar to Lord of the Rings series.  

[April Tolliver · Rating 1 out of 5]

I won this book in a Goodreads drawing.

I made it about 35% of the way through before I switched over to a different book, intending to come back to this one. And once I finished the other book, I realized that I had no desire to come back. I loved the premise. The writing style was not for me. It felt forced and clunky. even juvenile at some times. I felt like there were random 4th wall breaks that didn't fit in, and the characters had no growth, no exploration.

DNF

[Devika · Rating 2 out of 5]

The Tale of the Young Witch is the debut of Joseph Minart. This young adult fantasy book has a lot of pages for a debut. This made me curious about what adventures this story would bring. The cover of this book is appealing, making me even more curious. What will I think of this debut?

Is this story a fantasy one? Yes it is. Does this book have magic even though magic doesn’t excist anymore? Also yes. Does this book feel like an ordinary magical fantasy? No, it certainly doesn’t.
For me this book was a bit of a disapointment, even though it really has potentail.

Check out my full review on my blog Boekensteeg

[FS Meurinne · Rating 3 out of 5]

This book follows the story of Amelia Twigg, an ordinary girl who discovers her hidden powers as a witch in a world that believed magic had vanished. But when a secret group targets her to exploit her abilities, the story takes an exciting turn. The writing style is engaging and kept me hooked throughout. The characters are relatable, and the vividly imagined fantasy world is captivating. I found myself fully immersed in the story and couldn't put it down. If you're a fan of magical adventures in the vein of Harry Potter, this book is definitely worth checking out. Despite its length, it offers a satisfying reading experience. The world-building is well-done, and the supplemental material at the end adds an extra layer of enjoyment. It was a delightful and engaging read that will leave you wanting more.

[Aimee Trafton · Rating 5 out of 5]

This book is so well-written I finished it in a day as I couldn't put it down! The author creates fully fleshed characters and a vivid fantasy world, and the overall result is a highly addictive read.

[Joshua Kidd · Rating 5 out of 5]

What an excellent book. Follow Amelia Twigg on her journey involving magic and technology. Highly recommend!

[Jack Biderman · Rating 4 out of 5]

The Tale of the Young Witch By Author Joseph Minart.

​First, fasten your seatbelts, the story is epic, and if you like epic battles between witches, sorcerers, and wizards, there is an abundance of those, as well. Second, DO NOT assume that this is anything like Harry Potter. There is no copying of J.K. Rawling in this epic tale. However, there are multiple elements of similarity to other forms of literature. Even though this story is not like Lord of The Rings there are similarities to J.R.R. Tolkien in that Minart has constructed a world of complete fantasy, right down to detailed maps depicting the world in which the story takes place. In addition to those similarities to Tolkien, you may also expect to see elements of Steam Punk and Zombie Apocalypse.
​The protagonist of the story, Amelia Twigg, is an eighteen-year-old girl living in a small town in the Kingdom of Daimitria near the border of the Kingdom of Brath. Amelia is ignorant of the fact that she is a witch and she is living in a world in which witchcraft has been banned—sort of. She is aware that an ancient spell had been cast to prevent witchcraft from being practiced due to the devastating effects it had on the previous world. What she does not know, as well, is that she has a secret power, beyond witchcraft. There is something she can do that no one else can, and there are evil forces so intent on obtaining that power that they are willing to start a war in order to achieve their malicious goal. Some people are still able to practice witchcraft, even though their powers are limited. Still, there is a whole lot of witchcraft going on in this story. Evil sorcerers are aware of Amelia’s powers and seek to kidnap her so they can use her to return the full force of witchcraft to the world and embolden their powers to achieve their evil plans. With a return of witchcraft, everyone gains the ability to practice magic, not just an endowed few. Witchcraft can be used for either good or evil, and since Amelia does not realize that she has powers, she must learn quickly in order to keep from being used to convert the world into what the evil ones have planned.
​This is a good story, worth reading. Although it is obviously a story for teens and young adults, there may be some parts of the story that might be a little gruesome for younger kids, but then, I may be underestimating the ability of preteen kids to absorb this story. I could easily see this converted into a series for television, as it has all the elements of an ongoing story of epic proportions, and if you think that the end of this story is the end for good, wait, there’s more. The author has skillfully set up a peak of curiosity to interest readers as to what could happen in future books.

[Lubov Leonova · Rating 5 out of 5]

A captivating fantasy novel

Amelia Twigg is a young girl who discovers her hidden powers as a witch in a world where magic was thought to be long gone. However, a secret group targets Amelia to exploit her abilities, leading to a thrilling adventure filled with twists and turns.

The authors’ writing style kept me hooked from beginning to end. The characters are well-developed and relatable, especially Amelia, whose naive charm and determination to do what is right make her a compelling protagonist. The vividly imagined fantasy world created by the author is captivating, drawing readers in and immersing them in a world of magic and mystery.

I also appreciated that the authors focused Amelia’s journey on relevant topics for the YA audience, such as coming out of age, self-discovery, and friendship challenges. Fans of YA magical adventures will surely enjoy "The Tale of the Young Witch."

I highly recommend this book to anyone looking for an enchanting and thrilling read that will transport them to a world where anything is possible.

[Jennifer · Rating 3 out of 5]

Potentially offensive items: cultural sensitivity, stealing, alcohol, violence, graphic violence, violence against women, murder, humans being eaten, occultism, lying, dysfunctional family, parental disrespect, supernatural powers, divination

This story starts strong but quickly wanders. I liked that it was set in the early 1900s in an alternate, steampunk reality where magic exists but has been banned. Amelia is a descendant of famous magic users but is unaware of her latent ability. When a neighboring country attacks her village and destroys her home, a sorcerer who is part of an underground group of evil magic users tries to kidnap her and compel her to work for his boss. She narrowly escapes with her friend, Jack, after a rogue sorcerer, Mr. Maxton saves them.

The chapters are often out of order, and you get a note at the beginning of them that pulls you out of the story, telling you, for example, that the chapter you are currently reading occurred before the last one you read. There did not seem to be a pattern or reason for this—and sometimes the same events are retold twice. The chapters also don’t stick with the named character’s point of view. There is, unfortunately, a lot of working out the backstory and telling the audience narratives about it, when most of these are unnecessary to the plotline. This bogs the story down along with some superfluous and flat dialogues, such as a discussion about what Jack wants to eat for breakfast or having the characters stop and discuss things in the middle of a battle. Or even, “Oh my! …I wasn’t expecting anything like that, I daresay” after a spell is surprisingly neutralized during battle, and after the reader is directly told the character was surprised in the narrative. Several of the worst of these occurred during the last battle, which lasted for almost 20% of the book and where, for example, Amelia pauses to note the beauty of the botanical gardens to her left and list several of their species while metal framework from the building is raining down on her from above. There was so much explanation in the book that the explanatory index at the end contained less than what you already learned in the story. (It was also not formatted like an index.)

I didn’t feel the premise of the magic was solid, devolving into many circumventions of what was established, and in some cases, it was ridiculous. For example, although I thought it was good that a person uses a limited store of magic and had to sleep to replenish it, Mr. Maxton magically destroys his house for no reason except that he can just use magic to repair it. I can also work to get more money, but that doesn’t mean I am going to burn it when there are better options for heat. Further, the bad guys and Amelia have an unlimited store and don’t require rest. There is also contradictory information about, for example, lightning magic, which leads you to believe it is electric-based in the story, but in the index, it says that it is a combination of air and fire? Inexplicably, “sorcerer,” “witch,” and “wizard” are used interchangeably and make it confusing for those who know there are differences between them. (I also don’t think the author knows much about weapons or fighting, especially since Amelia uses her 2-handed claymore like an epee.) The way people use magic is also muddled—sometimes its source was the timus dust (components), and sometimes runes, and sometimes wands/athames—or a pipe that happens to be lying around, and sometimes the words spoken (and the same words do a variety of things), or a combination of these things.

There were also completely illogical things. For example, Amelia and Jack steal money from Mr. Maxton and go into town to get food instead of hunting or scavenging the woods for it. I wondered why Mr. Maxton didn’t have food in his house, knowing he might sleep for days, but the real puzzle was why Amelia and Jack interacted with a strange woman in a curio shop while in town and told her everything, including where they were staying and where they lived before. If I knew I had anyone hunting me, I wouldn’t go anywhere near a small town, and I certainly wouldn’t be talking with some cantankerous, greedy lady about the intimate details of my life. In addition, the bad guy could randomly possess people without their consent anywhere in the world, so this removed the reason for him to send others to capture Amelia—it also removed the ability to hide from him. He could have just possessed her at the beginning and brought her to him or one of his lackeys. In the same manner, the Witch Keeper’s Spell should have been the first and only spell cast by any side in a fight. The inconsistencies combined with the contrived plotline—such as when Mr. Maxton awakes conveniently on the day the other sorcerers arrive and happens to have two tickets for a ship leaving that evening—made the story more eye-rolling as it continued. Elements mirrored LOTR and Harry Potter. It also seems like the author forgot facts—such as Amelia’s father dying from a collapsed building and not a fire spell.

This could have been a great middle school story if it had an experienced developmental editor to clean up the dross. As it is, it would work better being reformatted as a video game plot, where narrative doesn’t have to be as solid. I rated this book based on the objective review matrix posted on my writing blog.

[Keri M · Rating 2 out of 5]

I really gave this a good ole college try to like this book. The writing was a little all over the place, however the character development was great. It was near impossible for me to get into the story. I think with better editing this could have been better.

[W.A. Stanley · Rating 3 out of 5]

I received an advance reader copy of The Tale of the Young Witch for free, and am leaving this review voluntarily.

"The Tale of the Young Witch" is one of the rare book titles to tell the reader exactly what they are getting. If this book is just one thing, it is certainly a tale of a young witch. From this title, you can infer it’s a fantasy book, and one likely aimed at younger readers. You can also infer that it may strike a fairytale-esque tone, which is where much of the book’s charm lies.

From the outset, the author presents a story for both the young and the young at heart. Set within the Kingdom of Daimitria, it quickly introduces readers to protagonist Amelia Twigg (a delightful name), who soon learns her belief that witchcraft is extinct was misplaced. Upon discovering that she, herself, is a witch, she is targeted by a mysterious cabal and villain.

The author writes in an engaging style that makes for easy reading for the adult readers, and accessible for the book’s younger audience. But while I was grabbed by prose's the fairytale qualities in its early chapters, the style doesn’t continue through the rest of the book. A number of editors are credited, and I wonder if this has resulted in inconsistent edits. Regardless, it doesn’t read as well in some parts as others.

This is a long book, but given the genre blending epic and high fantasy, this isn’t uncommon. While I appreciate a long text, it feels too long for the story being told. It’s a far-reaching story, with a wide and diverse cast. But while it starts at a fast pace, it slows as it reaches its second act, where it stalls. The book repeats itself at points, describing the same things multiple times. Much like the changing style of the prose, the use of multiple editors—responsible for individual chapters, or in some instances, parts of chapters—has done the book a disservice.

While it's undoubtedly aimed at younger readers, I'm unsure of who, exactly, the target audience is, especially considering its length. Asking younger readers not already addicted to the book’s world (a la Harry Potter) to read this is a big ask. For the most part, it tells a story suitable for middle grade readers, however there are some heavier moments in the book that might be more appropriate for the young adult audience.

The Kingdom of Daimitria is a wonderful setting; mind-boggingly epic in its scope. Daimitria is filled with various fantastical and mythological creatures, with many interesting twists on the reader’s expectations. Its magic system is wonderful, topped off by some great steampunk trappings that not only add to the book’s aesthetics but also add further depth. The world building is wonderful, and while the novel stands on its own, it is ripe for further stories, whether they’re sequels, or other adventures set within the kingdom.

I’m a sucker for supplementary material, and the book’s back matter includes an index with information about its characters, locations, history, the magic system, songs, books and more. It's both a reference guide for readers diving into its world, as well as entertaining reading that enriches the experience.

The Tale of the Young Witch would have been best served by a single editor,who could have helped streamline the book and maintained a single narrative voice. Yet it casts an engaging coming of age tale about a young witch that opens up into a fantastical story of epic proportions, offering a view into a richly deep world.

My full review will be available on my website from 10 July, 2023. To read it, and a host of other reviews, click here.

[Book Reviewer · Rating 4 out of 5]

Joseph Minart's The Tale of the Young Witch weaves an enthralling narrative in a world of steam and shadow, where magic has been exiled by the invention of the Jewel of Celestria. Created centuries ago by three Noble Wizards, this artifact stands as a testament to their foresight in curbing the damages wrought by rampant magical powers.

Our tale takes root in the Kingdom of Daimitria, home to our youthful protagonist, Amelia Twigg, the humble blacksmith's daughter. In the seemingly ordinary routine of sweeping her father's workshop, Amelia finds herself amid the extraordinary when her broom begins to levitate. This peculiar incident, witnessed by her friend Jack Milton, shocks them both and triggers a visionary connection with the Jewel of Celestria. This extraordinary development, however, is merely the precursor to the storm about to ravage their lives.

When the Empire of Brath, the hostile adversaries of Daimitria, launches a devastating raid on her hometown, Amelia's world comes crashing down around her. The tragic loss of her father in the ensuing chaos heralds the arrival of a wizard from the enigmatic group known as the Cursed Sorcerers, who expresses his Master's desire to harness Amelia's latent magic to dismantle the anti-magic curse.

Thanks to the timely intervention of the wizard Mr. Maxton, Amelia and Jack manage to escape, finding themselves pursued by the relentless agents of the dark order. In order to survive and preserve the world as they know it, Amelia must learn to master her burgeoning powers while evading the Master's malevolent intentions to reintroduce unbridled magic to their world.

Minart's narrative universe is a compelling blend of steampunk aesthetics and magical elements. This elegantly constructed reality is populated with an array of diverse characters and creatures, enhanced by a rich historical backdrop. One particularly notable aspect is Minart's innovative reinterpretation of traditional fantasy elements such as elves, which distinguishes this book from standard fantasy fare. The story unfolds at a measured pace, offering a succession of unexpected twists that will keep readers on the edge of their seats.

Another commendable feature is the inclusion of an informative index. This handy tool serves as a valuable reference, aiding readers in navigating this intricately woven universe. The review process was certainly facilitated by this thoughtful addition.

The Tale of the Young Witch is an immersive journey into a world of intrigue, danger, and enchanting surprises. It doesn't shy away from the gritty realities of life and death, often depicted in visceral detail. For those who relish the fusion of steam-powered innovation and fantastical elements, this is a must-read. Do not hesitate to venture into this remarkable narrative universe if you're a fan of the unexpected, the thrilling, and the magical.

[Louise Lacaille · Rating 5 out of 5]

An exhilarating and enthralling roller-coaster ride of a book

"The Tale of the Young Witch" by Joseph Minart is a remarkable epic fantasy novel. It can be read as a young adult novel, but readers of Harry Potter and The Hobbit/Lord of the Rings should be impressed with this extraordinary work.

Some readers have criticised the length of the novel just because it's a debut and the author is not world-famous, but that is completely unfair. Many works of epic fantasy, such as "Game of Thrones" and "The Wheel of Time" come in a series of chunky volumes.

The prose is on the whole very strong. It is vibrant, unrelenting and exhilarating. However, I don't think the novel is perfect. There is too much blood and gore for my taste, and prolonged descriptions of buildings, cities and underground realms being violently ripped apart can become a little wearisome. But I love the vividness of the SteamPunk elements, the descriptions of Edwardian-style engineering and the vibrancy of New Steam City. So you could argue that it is too long, but I just think this book offers so much more depth, excitement and versatility than a typical novel. There are elements of high fantasy (with dynasties of nobles and kings), urban fantasy, old folk and fairy tales, steam punk and science fiction. Here you will find everything from magic mirrors to cloning.

The action centres round 18-year-old Amelia Twigg, an unremarkable teenager who discovers she is magical through shock over levitating a broomstick. Shortly afterwards, Amelia's world falls apart when her city, Coalfell, is ravaged by war, and she discovers that she and her magical powers are being pursued by a mysterious but almost infinitely powerful 'Master' and his "Cursed Sorcerer" minions - the fire-throwing William Flynn Sawyer, the vicious Mirri, whose favourite hobby is throwing acid at people, and the unscrupulous aristocrat Lord Mallister of Vandalis.
Amelia's powers are the only way the mysterious master can lay hands on a hyper-powerful artefact, the Jewel of Celestria, which has suppressed human beings' innate magical powers - but, if destroyed, can potentially enable the evil master to fully exploit his power and obtain absolute dominion over the cosmos.

I love how the novel raises significant ethical questions, like about the nature of power (should magic (or any power) be used or not? Can magic (or any power) be used for good, or does it always corrupt and destroy? The fate of the depraved but once-magnificent Wood Elves almost forays into religious questions, e.g. original sin and the fall of man. And what does it mean to have a soul?

It's quite a deep book, one to savour and become immersed in. The world-building is remarkably meticulous and evocative.

[Jen · Rating 3 out of 5]

Unseen by most for hundreds of years, magic exists in the world and shortly after a young woman first notices signs of witchcraft she’s thrown into a sweeping adventure with high stakes in Joseph Minart’s The Tale of the Young Witch.

To read this, and other book reviews, visit my website: http://makinggoodstories.wordpress.com/.

In the Kingdom of Daimitria, magic hasn’t been seen in 450 years after the Jewel of Celestria dampened the expression of magical potential in the world; however, Amelia Twigg has just seen a floating broom in her cellar. Startled by the realization that she’s a witch, Amelia soon has her focus recentered when her home of Coalfell is burning and invaded by Brathians, with whom Daimitria has been at war. Confronted by a wizard who is a member of the Cursed Sorcerers who follow an anonymous Master, Amelia stands little chance until she and her friend Jack are rescued by another wizard. Fleeing from harm and capture for as long as possible, Amelia meets new friends along her journey throughout the kingdom who help her to harness her powers as she evades the threats that darken her path. In learning more about magic and the history behind its use and elimination, Amelia finds herself at the center of others’ plans of securing the Jewel of Celestria, but it’s the choices she makes that will determine the path forward for magic in the world.

An adventurous story filled with mythic creatures, warring groups, and systems of magic with a deep history behind them driving the world, the narrative moves at a relatively quick pace through the expansive, imaginative world depicted and action-filled events that the characters encounter. The magic system was interesting with the elemental affinities that witches and wizards could have and their choice of channeling vessel such as the classic wand or a less traditional sword. Though much of the story’s focus related to magic endeavors, there is technology presented, often of a more steam-driven nature, which when coupled with the limited use of electricity helped to situate the story in the early 1900s in which it was set. Evident care is taken to ensure clarity for readers by providing ample details to explain locations, histories, and how the magic functions throughout the story, though much of it becomes heavily expository, telling instead of showing, especially when expressed within character dialogue that then feels overly narrated and unnatural; while a diversity of characters were involved in the adventure, their verbal exchanges with one another didn’t feel organic and the roving point of view narration could be confusing at times, which could pull readers out of their immersion with the story.

*I received a copy of this book from the author in exchange for an honest review.

[A Look Inside: Reviews and Interviews · Rating 4 out of 5]

Joseph Minart’s The Tale of the Young Witch is an emotionally rich and action-filled fantasy that introduces readers to Amelia Twigg, a seventeen-year-old girl whose quiet life is upended by an awakening of ancient magic and the horrors of war. Set in a steampunk-infused 1901 Kingdom of Daimitria—where sorcery has long been forbidden—this is a story about survival, identity, and finding strength in a world that wants you silenced.

When Amelia accidentally triggers a magical relic, her once-simple existence as a blacksmith’s daughter quickly spirals into chaos. Her father is killed in an invasion, her village destroyed, and she’s forced to face a brutal truth: the magic within her is not just real—it may be key to restoring a shattered world. With her childhood friend Jack at her side, Amelia is thrown into a centuries-old conflict involving cursed sorcerers, political schemes, and a looming war that could consume the entire kingdom.

Minart writes with a confident hand, crafting a world that feels both fantastical and grounded. The fusion of steampunk aesthetics with medieval magical traditions brings a fresh take to the genre, and the political undercurrents about fear, repression, and the cost of rebellion feel especially timely. While the book leans on familiar fantasy beats, it never feels derivative thanks to its emotional honesty and tightly paced narrative.

Amelia is a standout protagonist—loyal, flawed, and quietly brave. Her internal struggles are as compelling as her magical ones, especially as she grapples with grief, self-doubt, and the burden of power. The fight scenes, particularly her showdown with William Flynn Sawyer—a dark sorcerer with a disturbing charm—are gripping, intense, and cinematic.

Readers who enjoy the lyrical world-building of Serpent & Dove by Shelby Mahurin, the dark magical legacy themes of The Bone Season by Samantha Shannon, or the survivalist grit of An Ember in the Ashes by Sabaa Tahir will find plenty to love here. Fans of historical fantasy and strong female leads, especially those drawn to stories of witches, forbidden magic, and societal upheaval, will be pulled in from the first page.

The Tale of the Young Witch doesn’t just offer spells and battles—it’s a story about reclaiming power, confronting fear, and writing your own story when others have tried to erase it. It’s an exciting start to what promises to be a larger saga, with enough depth and heart to keep readers eagerly turning pages.

[Elle Sie · Rating 3 out of 5]

An enjoyable fantasy adventure story, this book followed witch Amelia and her friend Jack on a quest to find the Jewel of Celestia, a powerful object with the ability to limit magic of witches. Also in search of the Jewel was a group known as the Cursed Sorcerers who wanted to find and destroy it, giving them unimaginable power. Two of their members, William and Mirri began pursuing them, and a few of the chapters then reverted into the point of view of those characters. There were elements that reminded me of Harry Potter with the title of an ancient book, A History of Magic, and Lord of the Rings through said book's author, Ambrose Rivendale of Daimitria. The story also had plenty of adventure, with the young pair finding themselves amidst danger and onboard a ship, and Amelia cast as an outlaw in a newspaper smear campaign, jailed and even reunited with her mother, Rosemarie, along the adventure.

While I liked the world building and intricate backstory of the magic in this world, I think some parts became a bit long and rambling, especially descriptions of cities. Considering the book is over 600 pages long, I really feel some of these could've been chopped down without losing anything from the story, especially given the author has included detailed and intricate maps. That's not to say the length of the book makes it a slog to read; I actually found it easy to keep turning the pages, as Amelia and Jack were likeable and the threat by the Cursed Sorcerers ominous enough to keep the adventure exciting.

While there were many elements that seemed derivative of other stories, such as wood elves and minotaurs, I have to say this book kept things quite fresh: the wood elves, for example, deviated from usual tropes of daintiness and beauty by being ugly, animalistic and carnivorous.

I only had a few gripes with the story. I really didn't feel there was need for captions such as "back in current times" and the word "meanwhile" was definitely overused. But this didn't detract from the story. Towards the end there was repetition with the explanation about how the Jewel of Celestia was created to stop magic in the world; not sure if this was the author reminding readers about this info since it was a long book, but I thought it unnecessary.

Overall though, I liked the book and found it an easy read, despite the length.

[Select Reviews · Rating 5 out of 5]

Joseph Minart and Davon Custis’ “The Tale of the Young Witch” is a work of fantasy about an 18-year-old girl, Amelia Twigg, who discovers she is a witch and possesses magical powers. The story takes place at the beginning of the 20th century and begins in the town of Coalfell in the mythical kingdom of Daimitria.

The Great Western Wall separates Daimitria from the Empire of Brath, but the two countries have been at war with each other for centuries. Witchcraft has been theoretically absent from Daimitria for the same amount of time, largely due to the Jewel of Celestria - a blue sapphire pendant on a silver chain that was commissioned by King Cassius centuries earlier and crafted by three noble wizards in an attempt to drain the magical energy from wizards and witches who attempted to use their magical powers.

When Daimitria is invaded by Brathon soldiers, Amelia’s father, a blacksmith, is killed, and she falls under a witch keeper’s spell from young wizard Thomas Flynn Sawyer. The young wizard casts his spell on Amelia after she refuses to join his group, The Cursed Sorcerers, who believe Amelia will be able to help them find the legendary Jewel of Celestria.

An older wizard, Thomas B. Maxton, comes to her aid, neutralizes Sawyer, and advises Amelia to leave town with him before the other members of The Cursed Sorcerers arrive. With Maxton, her best friend – 19-year-old Jack B. Milton, and the claymore sword her father crafted for her, Amelia sets out on a long journey with an uncertain outcome.

Always staying just a few steps ahead of The Cursed Sorcerers, Amelia’s adventures will force her to use the many magical powers she never realized she possessed. The number of new characters she will encounter and challenges she will face can only be likened to an overbudgeted Cecil B. DeMille production.

“The Tale of the Young Witch” is well-written, with a plethora of colorful characters and myriad of plots and subplots. The book is readable, imaginative, and entertaining.

Critics of the book will undoubtedly target its significant length, wordiness, and redundancies. Nevertheless, even the book’s critics will not be able to deny the spell the book casts on its readers – a spell that forces readers to keep following Amelia until her incredible journey has ended and her magical powers have all been displayed.

[Terry Birdgenaw · Rating 3 out of 5]

Amelia Twigg is a young woman who discovers she is a witch not long after reaching adulthood. But before she acquires any witchcraft, she discovers the Cursed Sorcerers are after her because she has the Witch’s Calling. She has the unique ability to find the Jewel of Celestria, an anti-magical necklace created to suppress the extensive use of witchcraft in Amelia’s world. The Cursed Sorcerers are a group of witches and wizards that want to destroy the jewel to release the full power of witchcraft and use it to control all those in the Kingdom of Daimitria.

Joseph Minart has used impressively creative world-building to fashion a fantastical empire with devious witches and wizards, warring kingdoms with power-hungry leaders, and a core of protagonists that wish to thwart the use of witchcraft for evil purposes. Much of the early parts of the book are captivating and keep the reader turning the pages for the next imaginative and often explosive scene. The later parts of the story are simply brimming with ingeniously magical narratives, and finding a more fantastical tale isn’t easy.

But alas, sometimes too much of a good thing can just be too much. As the story progressed, I found that the scenes became protracted and tiresome. With so many battles, treacherous obstacles, and novel solutions to insurmountable predicaments, the plot began to seem more ridiculous than creative, as if the author seemed to try to outdo himself repeatedly. Also, the tight editing of the prose that impressed me early on began to slip, and the writing became repetitive, with clunky dialogue seeming more aimed at informing the reader than conversing with other characters. Scores of run-on sentences and occasional grammar or cut-and-paste errors also pull the reader out of the story. The book was far too long, and the author could have easily broken it into at least two novels. There were also a few plot holes, the most obvious being why her captors would allow Amelia to hold on to her wand-like sword after taking her into custody.

Despite my reservations, this was an enthralling book I couldn’t put down. Its highly original storyline will appeal to lovers of high fantasy and could be far more appealing with additional editing.

[Sandra Stiles · Rating 5 out of 5]

I used to say that I didn’t read a lot of fantasy books. When I got ready to pack up my classroom I realized that most of the books I had read and purchased for my classroom were actually fantasy books.
The author has created a very unique world. In this world magic has been stopped to protect the world by the Jewel of Celestria. But, it seems that the Jewel hasn’t stopped it all. Amelia Twigg discovers one day that she has some magic ability. She doesn’t understand why or how. Her mother walked out on her and her father when she was a young child. Her father, a blacksmith, has raised her.
One day Amelia and her best friend Jack find themselves watching their village under attack. Amelia finds her father dead. She grabs the sword he had made her and prepares to leave. Suddenly she finds things being destroyed by a man who can throw magical fire from his very hands. He has come for Amelia. Jack and Amelia are rescued by another man who has the ability to freeze the first wizard in place. This gives them enough time to escape. The man who rescues her explains that she is a witch and there are other powerful witches looking for her. They believe she is the key to finding the Jewel of Celestria. He explains that the jewel keeps all magic a bay. There was a time when everyone could use magic and it had horrible consequences. Three powerful witches create a jewel to solve this problem. Amelia and Jack find themselves on the run. Amelia has been told she must learn to use her magic if she is to survive and avoid those who would do her harm.
The world building mixes steampunk and magic in a very unique way. We have people who live in the most primitive way contrasted with those who live in a city that is the most modern of all. The book is full of twists and turns. I found that even the most evil were not prepared for what they learned. Betrayal lurks around every corner. The book ends in a satisfying manner and yet it is set up that I believe a sequel could happen.
The author has created an index to help the reader with unfamiliar words, and the world that he created. I can’t wait to recommend this to my students. It is a very long book, but it well worth the time to read it. I look forward to reading more by this
author in the future.

[Tristen Kozinski · Rating 3 out of 5]

The Tale of the Young Witch is a story I wanted to like more than I did: the beginning is strong, delivering potent motivation to our primary character that I could buy into, there is a strong aesthetic/setting in the age of steam, and you have the underlying themes of the destructive potential of prevalent power.

The issues for me come in two major areas, the characters and the prose. The prose is almost good, there is effort to be descriptive and emotive, and the vocabulary is strong, but the descriptions are awkward and expository. Actions or moments would often have one words descriptions shoehorned in, sometimes the same description multiple times over the course of a paragraph, and descriptions (the same description repeatedly) were often used as calling cards for specific characters, resulting in prose that is awkward and just a bit bloated. Exacerbating the awkward angle, was the repeated use of dialogue to exposit to the readers, and not just in the sense of characters expressing things to one another that they would know, but doing it with expositive descriptions, which just reads weird. The prose also over relies on blunt telling to convey character emotions and personality.

The other major issue I had was with the characters themselves: our primary character has neither agency nor an individual goal through the vast majority of the story, and this is present to lesser or greater degrees in most of the characters: the antagonists have more agency and clear objectives, but end up serving little to no purpose other than as proxies, and the secondary protagonists are largely useless, simply existing in the sphere of our MC. The best friend of our MC is so egregious at this that the narrative literally has him possessed and disappear for the entirety of the book's second half. Most of our MC's growth happens off screen, and the lack of agency, or objective, or real pressure from the antagonist for much of the book just means theres not a lot for her to interact with, narratively speaking.

I have other small qualms, but ultimately this was a story I just struggled to invest in.

[Gary Stringer · Rating 3 out of 5]

The Tale of a Young Witch does exactly what it says in the tin. It follows young Amelia Twigg as she is forced into a life-or-death struggle where she discovers her innate gifts.

The author thrust me into the action almost from page 1, with little or no background or explanation, which I loved. Amelia’s initial wonder and disbelief at the possibility that magic might still exist quickly morphed into something else as she witnessed its destructive capabilities, and for me, that momentum carried me through the first half of the book.

The magic system was interesting, being activated by a one or two-word phrase with most practitioners having a specialism – fire, ice, acid, etc. This was consistently used throughout the book and there were no major plotholes that I noticed.

Unfortunately, as the story drew onwards, it started to drag and when the seemingly never-ending final battle came along, I found myself really struggling to keep my focus.

One of the main detractors from this story’s potential was the rather awkward exposition-style dialogue. Characters seemed to be explaining the plot for the reader’s benefit, rather than having actual conversations. Now, I’m all for heightened speech in fantasy, as long as the characters have life and personality. Sadly, those seemed to get lost somewhere along the line.

The worldbuilding was interesting and richly diverse, and the action sequences in the first half of the book were both well placed and well-paced. The detail of the history and even economic systems was my favourite thing about this book. The fine bristle work with Amelia’s hometown of Coalfell and its place within this pseudo-Edwardian society was impressive. Shame it couldn’t quite fulfil its early promise.

Underneath, I think the story of the quest for the Jewel of Celestia and the conflict with the Cursed Sorcerers was interesting, and could have shone more brightly with a tighter, more consistent edit.

[Ja Noir Filine · Rating 4 out of 5]

A Magical Odyssey of Growth and Friendship

As a passionate enthusiast of fantasy literature, Joseph Minart's "The Tale of the Young Witch" is a delightful journey that captivates with its intricate character development and enchanting narrative. The protagonist, Amelia Twigg, is a relatable and inspiring young witch whose evolution from an ordinary blacksmith's daughter to a powerful sorceress is both heartwarming and exhilarating. Minart masterfully portrays Amelia's internal struggles and triumphs, allowing readers to deeply connect with her quest for identity and purpose.
The supporting characters add rich layers to the story, each with their own unique personalities and motivations. Jack, Amelia's steadfast friend, provides both emotional support and engaging camaraderie, while the antagonistic sorcerers bring a compelling sense of danger and urgency. The interactions between characters are infused with genuine emotion and subtle humor, enhancing the overall reading experience.
What truly sets this novel apart is its ability to balance intense magical battles with moments of tenderness and personal growth. The vivid descriptions of Amelia's magical training and her relationships offer a joyful exploration of friendship and courage in the face of adversity. Despite some pacing issues and lengthy descriptions, the strong character arcs and immersive world-building ensure that readers remain invested from start to finish.
"The Tale of the Young Witch" is a testament to the power of well-crafted characters in driving a fantasy narrative. It offers a harmonious blend of action, magic, and heartfelt moments that will resonate with fantasy lovers seeking a story of empowerment and enduring friendships. Joseph Minart has created a memorable and enchanting tale that is sure to leave readers eagerly anticipating more adventures in Amelia's magical world.

[Mary Miller · Rating 5 out of 5]

Joseph Minart and Davon Custis have crafted a truly captivating young adult fantasy novel in *The Tale of the Young Witch*. This book, deserving of a full five stars, seamlessly blends historical fiction with magical elements, creating a story that is both enchanting and thrilling. Set in 1901, the authors breathe new life into the often-trodden ground of witchcraft, reminding us that magic can reappear when we least expect it.

The story follows Amelia Twigg, an ordinary teenager who stumbles upon an extraordinary secret: she's a witch. The initial discovery, marked by a floating broom in her cellar, is met with understandable skepticism. However, as Amelia's powers begin to manifest, she grapples with fear and uncertainty, hesitant to embrace her newfound abilities. This relatable portrayal of a young woman coming to terms with immense power is one of the novel's greatest strengths.

The narrative quickly escalates when a secretive cabal, intent on exploiting the secrets of witchcraft for their own nefarious purposes, sets their sights on Amelia. The ensuing chase is a masterclass in suspense, keeping the reader on the edge of their seat as Amelia desperately tries to evade her pursuers while simultaneously learning to control her burgeoning powers. The central question becomes a race against time: can Amelia master her magic before the cabal catches her?

*The Tale of the Young Witch* explores themes of self-discovery, the burden of responsibility, and the struggle between good and evil. Minart and Custis have created a richly imagined world, seamlessly weaving historical details with fantastical elements. Amelia's journey is one of empowerment and resilience, making her a compelling and inspiring protagonist. This book is a must-read for fans of young adult fantasy and anyone who enjoys a story filled with magic, suspense, and a touch of historical intrigue. I highly recommend it.

[Shellie · Rating 4 out of 5]

"The Tale of the Young Witch" by Joseph Minart takes readers on a captivating journey into a world where witchcraft and sorcery, once thought to be extinct, resurface in the most unexpected way. Set in 1901, 450 years after the perceived end of witchcraft, the story follows Amelia Twigg, an ordinary teenager who discovers that she is not only connected to the world of magic but also possesses innate magical abilities.

Amelia's life takes a dramatic turn when she encounters a floating broom in her cellar, a clear indication that magic still exists. Initially skeptical, she soon realizes that she is a witch with incredible powers. However, fear and uncertainty hold her back from fully embracing her newfound abilities and the responsibilities they entail.

Amelia's world is further shaken when she becomes the target of a mysterious and secretive cabal. This group seeks to exploit the secrets of witchcraft for their own purposes, posing a grave threat to Amelia and the magical forces within her. As she becomes relentlessly pursued by the cabal, Amelia must navigate a dangerous path, staying one step ahead of her adversaries while grappling with the realization of her own powers.

Amidst the pursuit, Amelia embarks on a quest to understand and harness her magical abilities. She must confront her fears and learn to wield her powers effectively if she hopes to protect herself and preserve the ancient legacy of witchcraft.

"The Tale of the Young Witch" combines elements of mystery, adventure, and coming-of-age as Amelia embraces her destiny as a witch. Joseph Minart weaves a tale filled with suspense, enchantment, and the struggle for self-discovery. Through Amelia's journey, readers will witness the revival of magic in a world that thought it was long gone and accompany her as she faces formidable challenges and unravels the secrets of her magical heritage.