I see a set of possible futures, based on where society might be heading. Imagine, if you will, a world where science and technology have solved most of our problems, and democracy is much less likely to be gamed than it currently is, leaving us in a glorious utopia where everyone has more than enough. We can all be healthy and beautiful, and nobody has to work unless they want to. All of that leisure time and luxury would make princesses out of everyone and I think the ensuing world would be excessively camp, a high-tech version of Versailles, with endless diversions, sexual fluidity, outrageous fashions and shrieks of laughter ringing out everywhere as our robot servants sassed us with their AI algorithms.
I have ‘Fabulosa! The Story of Polari, Britain’s Secret Gay Language’ by Paul Baker on my ‘to read’ list. So I was, er, tickled pink when I managed to bag a Netgalley arc of ‘Camp! The Story of the Attitude that Conquered the World’ (yes, Baker does like long book titles with exclamation marks!)
Baker is a Professor of English Language at Lancaster University, so I was unsure what to expect going into this. Instead of a stuffy academic overview, this is a delightful, whimsical, informative, and quite frankly inspiring headlong rush through a swathe of gay history and culture.
Yes, Baker does engage with the seminal ‘Notes on Camp’ by Susan Sontag (1964), to which this seems like a companion piece. With a liberal dash of ‘GuRu’ by Rupaul thrown into the mix. Having finished the book, I still have no idea what camp actually is (you know it when you see it, apparently.)
Though any author who offers a serious discussion of ‘camp’ in the (dizzying) context of Liberace and Trump deserves extra sprinkles of glitter. Probably my favourite section is the account of the shenanigans of Louis XIV. If there is any nation who can camp it up like no tomorrow, it is the French. From Noel Coward to Judy Garland, Madonna, telenovelas and drag … it is all here, and a lot of surprising facts and titbits that I certainly did not know.
There is a lot of right-wing tension globally, with the US determined to make Margaret Atwood a lived reality rather than a (literary) dystopian nightmare. What I loved about ‘Camp!’ is that it makes me proud to be gay, and proud of my culture and the shoulders of all those wonderful people we’ve stood on to get where we are, even if it is rather shitty right now. As Rupaul says, keep on shining and let love win!