ASTEROID CITY (adapted from a "hypothetical" play) takes place in a fictional desert town, circa 1955. the itinerary of the annual Junior Stargazer/Space Cadet convention (organized to bring together students and parents from across the country for fellowship and scholarly competition) is spectacularly disrupted by world-changing events. A theatrical ensemble character piece; a poetic meditation on the meaning of life. The film stars Jason Schwartzman, Scarlett Johansson, Tom Hanks, Jeffrey Wright, Tilda Swinton, Margot Robbie, Bryan Cranston, Edward Norton, Adrien Brody, and Jake Ryan, among others.
This edition features the complete screenplay, 8 pages of full-color images, and a conversation about the film with Wes Anderson, Roman Coppola, Jason Schwartzman, and Jake Ryan.
Wesley Wales Anderson is an American director, writer, and producer of features, short films and commercials. He was nominated for a 2001 Academy Award for Best Original Screenplay for The Royal Tenenbaums.
Aaaaaaand now I’m due for a rewatch! This film and screenplay just have so much to say and I know I am going to take something different away each time.
“I guess the way I read it: he was looking for an excuse why his heart was beating so fast.”
A sprawling cast of characters in Wes Anderson’s best film that briskly jumps between reverie, art, and reality. While most try to imitate Anderson’s author- and craftsmanship with an A.I, Asteroid City with its layered depths and scenes that wonderfully stick has proven that task is quite impossible.
The true American movie of the year, beating Oppenheimer by little.
Aside from a brief introductory discussion and an "Additional Scene" included after the play's conclusion (which I should note is not the Bill Murray one that was released as promotional material around the time of the film's release), it's perhaps no great surprise that this is more or less precisely what ended up on screen.
Having seen the film a couple of times now, I only noticed a couple of minor changes. What's presented as a tender embrace between Earp and Hill in the film is left marginally more ambiguous on the page. Certain lines from the script seem likely to have been excised in the edit - perhaps in the interest of streamlining things, and perhaps due to the fact that no additional clarity was needed or desired. And, probably most tellingly, the brief appearance of Bryan Cranston's "Host" character in the Technicolor Asteroid City backdrop seems to have been added in the moment, as it doesn't exist here at all that I could tell.
Really glad I picked this up, it's a nice hardcover presentation, and the script - like all of the other stuff I've read by Anderson (and his collaborator Roman Coppola) - absolutely flies by.
Reading the script has really cemented how special this movie is to me. I really love it but not in a “it’s so perfect, I love it” way. More like “Even in its faults, it means something to me. I really love it.”
So with that out of the way… SPOILER BY THE WAY
Wes Anderson made a really weird choice when directing the actors of Asteroid City. In the movie all the performances seem to bleed into each other in a stoic and deadpan manner (some would call that the Wes Andersonism of it). I was expecting that sort of thing to have carried over from the script, but no, the script actually communicates the emotion that each character is feeling in regard to their backstory or conflict. I loved it. Characters that were robbed as a result of this were Woodrow, Angie, Stanley, and surprisingly Clifford.
Also… something about Margot Robbie’s monologue reads better than it sounds.
Read (past tense; tangent, past tense of lead is led while the previously mentioned read is spelled unchanged, why?) while watching the movie. Educationally relevant to an ever-growing foundational screenwriting mind like yours truly. The biggest revelation was the comparison from script to screen. Simple dialogue improvisation was expected, but there were a few scenes that were completely written out. I'm curious and somewhat apprehensive as to why, but I ask too much, and I'm sure there is a designated answer.
Adding to that, extra features from outside the screenplay, cast/crew conversations, gallery of images, and an additional scene were included in the book, which was tasteful.
As a film fan, I love seeing behind the scenes of films, whether that’s reading scripts or going to exhibitions featuring props, costumes, and photography of the project.
Wes Anderson is one of the most iconic and recognisable directors for his style, and Asteroid City is another of his great films.
There’s not much to add as the book is literally the script of the film, but it’s a much loved addition to my collection.
The humour and bluntness shine through and it was funny visualising Wes Anderson’s style within my own mind.
I've never been a huge fan of reading screenplays but this was one of the best gifts I've received. I loved the seeing the movie in theaters and being able to relive it through the screenplay was excellent. Wes Anderson clearly has his signature stylized story telling and the screenplay gives a deeper look into the actions of the character. Easy 5/5
Really cool to see how accurate this was to what ended up on screen—down to fine details and slight movements. Loved the interview/roundtable talk introduction. Time for a rewatch!