Three loosely connected stories featuring the Ninth Doctor meeting up with River Song. Two are very strong, but the middle one just lets it down for me... and is the only reason the collection doens't get the full five stars.
Swipe Right
In the first story, the Doctor and River independently visit a world under the tyrannical rule of, of all things, a dating app. Encountering people who have, for different reasons, fallen afoul of the app by failing to find a partner, they find themselves drawn together in their attempts to right the situation. In some respects, it’s a typical “evil computer” plot, albeit about one with an unusual modus operandi. But it’s the way that the various characters are portrayed, and especially the interaction between the Doctor and River in the face of a villain that’s trying to force them together romantically, that makes this story so effective.
One could perhaps argue that the story could have more to say about the negative side of dating apps – the gamification of romance and the enshittification of a product that relies on its users prolonging their search to maximise profits. But the latter isn’t applicable here anyway, with the moral instead pointing at one of the dangers of AI and a message that’s more about romance itself, and the different meanings it has for people. It’s great to see a story that deals with the ‘A’ part of LGBTQIA; it’s perhaps rarely seen because it’s hard to write an engaging tale about somebody not being interested in something, but this manages it through the eyes of the characters and those interacting with them. 4.5 stars.
Face of the Apocalypse
This story has some connections to the former, with a sentient AI as the villain. However, it lacks the connection to our own world that the former has – even if that story is set on a human colony hundreds of years in the future. It’s also rather confused, with something spreading River’s image throughout history and leading us from a futuristic bank to a primitive farm on an alien world. Much of the tension is supposed to come from the historical events due to occur at the farm being pivotal to a galaxy’s future. The problem is that, since it isn’t our galaxy, all of the grand mythic status that the characters are supposed to have doesn’t come across; we’re told that it’s important, but never really shown or given reason to feel it.
Once again, the story is partly about romance and how River and this version of the Doctor have such different attitudes towards one another. But it’s more of a side element here, incidental to the main plot about the rogue AI, and doesn’t leave as much room for interaction as one might want. Kingston and Ecclestone are good, certainly, but the script gives them less to work with, and what we’re left with is average, but lacking the punch of the other two stories in the collection. 3 stars.
Archipelago
The obvious problem with stories where River meets Doctors prior to Ten is explaining why he doesn’t recognise her in Silence in the Library. Big Finish have resorted to various explanations in their audios, from handwaving to illusory disguises to big Reset buttons. The first two of those wouldn’t really work here, but at least the final story makes the Reset button the main focus – it’s actually referred to as such from early on.
It sees the Doctor and River travelling into a time storm on a mission to save a man trapped at its heart, through the atmosphere of a gas giant filled with strange and hostile life. The soundscaping helps build the feeling of being trapped in a small ship in a storm and there’s a steady sense of building dread as the characters succumb to the world’s perils. But it’s the characterisation and dialogue that really shine through, aided by some top-notch acting from the leads. While there is another character for some of the story, much of this is a two-hander, allowing Ecclestone and Kingston to show off their acting chops as the script delves into their characters’ relationship. 5 stars.