Jump to ratings and reviews
Rate this book

Utopia, Limited- Libretto: The Flowers of Progress

Rate this book

123 pages, Kindle Edition

Published July 6, 2019

1 person want to read

About the author

W.S. Gilbert

718 books36 followers
British playwright and lyricist Sir William Schwenck Gilbert (18 November 1836 – 29 May 1911) wrote a series of comic operas, including Her Majesty's Ship Pinafore (1878) and The Pirates of Penzance (1879), with composer Sir Arthur Sullivan.

This English dramatist, librettist, poet, and illustrator in collaboration with composer Sullivan produced fourteen comic operas, which include The Mikado , one of the most frequently performed works in the history of musical theatre.

Opera companies, repertory companies, schools and community theatre groups throughout and beyond the English-speaking world continue to perform regularly these operas as well as most of their other Savoy operas. From these works, lines, such as "short, sharp shock", "What, never? Well, hardly ever!", and "Let the punishment fit the crime," form common phrases of the English language.

Gilbert also wrote the Bab Ballads , an extensive collection of light verse, which his own comical drawings accompany.

His creative output included more than 75 plays and libretti, numerous stories, poems, lyrics and various other comic and serious pieces. His plays and realistic style of stage direction inspired other dramatists, including Oscar Wilde and George Bernard Shaw. According to The Cambridge History of English and American Literature , the "lyrical facility" of Gilbert "and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since."

Ratings & Reviews

What do you think?
Rate this book

Friends & Following

Create a free account to discover what your friends think of this book!

Community Reviews

5 stars
0 (0%)
4 stars
1 (50%)
3 stars
0 (0%)
2 stars
1 (50%)
1 star
0 (0%)
Displaying 1 of 1 review
Profile Image for Amy Meyers.
906 reviews28 followers
December 18, 2025
2.5 stars. Some very interesting notes in the annotated edition of this, explaining how King Edward affected the costume of one character in the play, and how Queen Victoria added mixed biscuits to drawing room teas after this opera. Funny stuff as usual, but not my favorite, either in music or libretto. We watched a production by New Zealand on YouTube and it was okay. Really enjoyed the song by the “Flowers of Progress” council, because they added percussion instruments, and it was pretty funny! Well-done. The changing of seats was funny too. Sometimes the singers didn’t stay exactly on patter with the orchestra. One bad innuendo that we skipped. Rather creepy old advisors pursuing the girl, and like in Mikado, an older lady with unrequited love, but this one turns out okay.
Displaying 1 of 1 review