A wizard's mansion. A menagerie of magical creatures. One grimoire bonded to a seemingly ordinary young man from London.
When Joe Ramsey took a job in a quaint yet otherwise ordinary part of London, the last thing he expected to find was a house filled to the brim with magic. The peculiar man who called himself a wizard has now offered Joe a job. He's to be caretaker to the magical creatures who live in the wizard's house.
It's not long, however, before Joe finds himself bonded with one such a grimoire. Good thing, too, because if he's going to ensure all the other creatures remain safe on the grounds, he'll need to learn magic.
And if there's one thing the grimoire can teach him, it's magic.
But the grimoire holds other secrets, ones the darker side of the supernatural world would do anything to uncover.
So do the familiars not have any choice in who they bond with? Could Grim not simply chose not to bond with Lucius despite everyone’s machinations?
Doesn’t the fact that Joe could bond with Grim mean that he’s not a prole? And what, exactly, is the point that the Iron Order is trying to accomplish? They want to control the UK, but don’t they already basically do so? What will being openly in charge get them that they don’t already have? And what are the chances that they will continue to have such influence once it’s out in the open? If they get what they want, wouldn’t the EU, the USA, and most of the rest of the world sanction them into a completely ruined economy and resultant loss of influence?
Very underrated, underhyped book! A young boy becomes an apprentice of a wizard and bonds with an unexpected magical creature. Read to explore more! They live in a magical castle and have dwarves and trolls as maids and cooks. Very wholesome magical vibes! AND the dialogues are so funny and incredibly whimsical!
Not Dreadful, Just Not As Exhilarating As Expected
I’ve determined, in order to provide the best review possible, I need to start with the ending, rather than the beginning.
The closer I had gotten to finishing book 1, the more disappointed I became. It just felt as if things could’ve progressed on a more dramatic and faster level than they had.
There’s a lot of unnecessary filler and fluff (personal pet peeve) that does nothing more than add page count. I’m usually not one for overly complex, dramatic scenes, one after the other, but in reality, this one could’ve use a good swift kick to speed it up, and make it more appealing quite a few times in the course of progression.
For myself, one of the most distressing components, is that the final wrap-up is overly complex and dramatic, with one intense punch right after another.
Whereas the pacing throughout the majority of the book has rambled along at a sluggish jaunt, suddenly it seems as if you’re whipped into the death throes of rapid fire nonstop, over the edge action. I kept having to stop and come back later, in order to just take a breather, and to process all that was suddenly happening.
This is listed as Epic, Paranormal and Urban Fantasy. I’m personally of the opine it would’ve been better suited under Coming Of Age Fantasy, more so than any of the ones it’s listed under. It’s obviously also meant for a younger generation than I fit into, but that doesn’t make subpar content any less acceptable. If anything, I’m entirely convinced it should be knocked up a notch in order to grab the younger audience early on toward the thrills, exhilaration, and stimulation, in which reading can provide!
As with most Fantasy novels, regardless of the subgenres, all the typical tropes are present, which is generally predictable, and this one is no different.
I didn’t get a strong sense of character or world-building either, which is always a key component in the genre of Fantasy. I myself like to sink into a new world, and fall in love with the MC’s I intend to be reading about in the unveiling of a series. Don’t most of us that prefer this genre??
None of this was enough to put me off in continuing with the series though. In a week or so, I’ll pick up the next one, and move forward. Just not right away.
This review may contain spoilers. And I will admit, it is probably my most badly written review. But that is probably because this book has generated so much annoyance.
As I write this, I am part way through book 2 and intend to read book 3. So, I have enjoyed it, to some extent but I tend to finish what I start unless a book is horrendous. Despite the good bits, the book is very annoying. (Apologies to the author, but I did try my best to contact you before posting. I don't do Facebook and all of your accessible pages are adverts of new books or offers of a free book, but no way to contact you. If you read this, I think that that attitude is self-defeating).
The basic premise is the Arthurian hero. What I mean is the hero is an apparently ordinary person who has lived an entire life (to age 21) without any awareness of or contact with magic. Then, by accident, they become intimately connected with magic. So far, so normal. This is the basic theme of so many books and the theme is developed in the usual way,. The hero, despite no experience and not much training, becomes extremely powerful. This is like so many other fantasy novels that it is entirely predictable. To be fair, the author provides some interesting twists and new angles.
Nevertheless, this beginning to the story becomes annoying because it undermines the believability of the story. We are not told that the hero is the son of a god, or that he is a magical creature, he appears to be mundane, a muggle, entirely human. The normal human brain and nervous system becomes skilled by learning and learning requires time, sometimes lots of it. There are very young athletes, with exceptional genetics, who win Olympic medals in their teens - but in most instances they have been training for years, especially in the high skill sports like gymnastics. There is no substitute for practice. Yet, the hero seems to become both powerful and skilled and easily outshines someone who has been reared from childhood for just such a role.
Another aspect of this is that the book works like a superhero movie rather than a coherent narrative. Just like a super-hero movie, what seems to matter is displays of magical powers and set-piece battles. Instead of using stealth or deception involving readily available double agents, the baddies launch a highly dangerous full frontal assault on the good guys and later the favour is returned when the good guys walk straight into an enemy stronghold. While the battles are somewhat exciting, they are difficult to follow and are clearly the martial equivalent to the naughty bits in a romantic novel. One gets the feeling that everything that came before was just to get us to this point.
At one point in the text, the author sets up a set of rules or conditions about how magic works and then the author ignores those rules when breaking them makes the plot more exciting. For example, magic can produce solid objects, such as trays that can hold up used dinner plates or hammers that can knock out an enemy. However, in the second book, the hero suddenly has no defence against a physical weapon. At no point does he recall that he can produce a magical shield. This has nothing to do with the magical universe but everything to do with a singular focus on peril when needed, even though, on other occasions, the heroes seem to sail through with no worries.
The author is very good at world building and does put an interesting spin on these typical ideas but they seem to have absolutely no idea that "willing suspension of disbelief" requires the agreement of the reader. This means the author must provide a secure route through the book. If there are gaping plot holes or ff the rules keep changing then the story becomes incoherent. In universe, magic is supposed to be somewhat unpredictable, but if magic seems entirely unreliable, it becomes harder to see why any mage would or could use it because it could not be employed consistently.
One example which strained my willingness to suspend disbelief, is that when it suits the action, the heroes seem to be able to draw on their magic for a long time - even though they have been warned that overuse can be dangerous and even fatal. While we are told that magic use can be tiring, we see little sign of it and even when it is mentioned, there is always some energy left. (We also have the unrealistic situation that either the bad guys are really poor at selecting their most qualified personnel or the inexperienced hero and a small bunch of more experienced non-combatants are just that much better than 90% of the magical world.
At one point, the hero draws on his main source of magic for a long time and is entirely unaffected. Yet, when he draws from another source, for a relatively short time, it has immediate consequences, some of which are reversible, while others prove to be permanent.
It makes sense that Joe would learn more as he goes along but the reader has a right to expect that his training makes sense, esp. in the beginning. Every teacher knows that what is taught as fact at the beginning will have to be nuanced with "it depends" and even challenged by later, more complex, information. But basic principles and terminology should remain consistent. At times the author seems to change things, not because Joe has grown but because the author has forgotten his own terminology. So, the technical term for venom magic is spelt very differently in the second book as compared to the first. In addition, the author simply gets terms wrong, a serving dish, a salver, is called a "slaver" and someone falls "prostate" and not "prostrate".
On the positive side, the author seems to have an encyclopaedic knowledge of mythical animals and cryptids. This is very impressive. I thought I had a reasonably wide knowledge of mythology but the author has me beat. However, the author is not infallible and there are points where the mythology and or the back story is inconsistent. Another major inconsistency is setting the story in London and making Joe, the hero, a Londoner. Granted, no one can hear when Joe says "plough" but spells it "plow" but when he slips into American grammar it really jars and would annoy other British characters. It is somewhat annoying when the author switches from writing in reasonable British English - using words like "Sarnies" but when Joe uses "fit" as the past tense of "fit" rather than "fitted", it sticks out like a sore thumb. However, the author is quite good at describing accidents or producing funny one-liners. Some of the humour is bad, but it is intentionally bad, the kind of thing that might occur between two young mates and might be much funnier to them than it is to anyone outside that relationship. This humour works well and isn't really "American", so it is a pity that the author didn't work a little harder in making Joe and the other British characters use consistent British English, even if the author continued to use American for narration.
I am not a Londoner, so my knowledge of London's geography is limited, but I don't see too many problems. On the other hand, the author seems to view every Londoner as a cockney and also thinks that they are not at all observant. On the one hand, magic is supposed to be entirely hidden from mundane people, on the other, a very public pursuit of magical animals through London and its parks causes a huge amount of noise and damage and yet no one notices. And, unlike Tony Stark, there seems to be no sense of moral responsibility for the damage caused. The person who directly caused the problem doesn't even seem to suffer any consequences or receive any reprimand. It is treated like a minor accident and not a major incident.
A final comment, as a non-Londoner, I wasn't too offended by the dialogue. What did jar is the fact that two recurring characters are given specific ages of 89 and 91 at the very beginning of the first book and the main events of that book take place six years later. However, by the second book, the main narrative has moved on by a few days/weeks/month (not made entirely clear) and the two old men are still around, both now aged 90. So, not only have we lost the approximately two year age difference but the original six years has disappeared. We also have no explanation as to why these two men are suddenly haunting a very different part of London.
One of the (possibly unintentially) funniest books I've read in a long time. It's not a comedy. it's a magical page turner that holds its own. But the one-liners and self deprication of British "Tofferry" thrown in add an extra something that makes it even more of a read worth adding to the list.
Grimoires of London, Book 1, by DB King. I read a fair bit of YA fantasy, and sometimes note “Designated as YA but Great for Grownups!” This YA novel.... well, it’s a YA novel! Very (very!) Harry Potter-like. Joe, the main character, is out of high school, so likely 18-20 years old. Joe is apprenticed to his Uncle Steve, working in Uncle Steve’s HVAC company. Like everyone else, Joe knows that magic is not real. Until the day when he finds himself in a strange house that is just filled with magic... and then the wizard offers him a job as caretaker for the magical menagerie caged in the basement of the house.
Every witch and wizard bonds to a magical creature. (Everyone knows that, right?) But to everyone’s surprise, Joe bonds with a magical grimoire – perhaps the most powerful of all magical creatures. Of course there are bad guys – a whole organization of them. Of course there are battles – lots of battles. Overall... a very easy read, but I won’t be going back for the sequel. (But this book would make an *excellent* gift for a young reader!)
Great storytelling. Has made me properly snort with laughter a few times and it’s been a while since a books done that. Slightly different and interesting take on wizardry which helps build its own world. Really enjoying it so much more than I expected. How this book is not known by everyone and on the shelves in local bookstores and supermarkets is shocking to me.
Really enjoyable book with some real good lore throughout.
I liked this book, the story is fun and it’s well written. Had a bit of a fantastic beasts feel to start with which I loved and I thought it would develop in a similar vein, but in the end it was just too American and lost its authenticity.
The book is supposed to be set in London with the main character a Londoner, but after too many Americanisms crept in it stopped being charming and just felt like a cheap knock off of itself. For a start, we don’t even use the term HVAC!
The story became too Hollywood simplistic: beat the bad guy who is overly black & white evil whilst giving ‘fun’ quips and awful cliche cockney references (like all Brits are all slapstick parodies) and it all resolves neatly ready for the next instalment.
That in itself would be ok if it was done really cleverly, and it’s not done badly but there are too many see through moments-like the ‘im sorry for my past behaviour’ bro talk at the end as heavy handed character development.
It’s annoying because there is a lot that was great & innovative and it was overall enjoyable, but I actually preferred it before the story ramped up. The slower paced beginning was more detailed and vibrant in the mind than the action section which dropped quality for pace.
It probably wouldn’t have annoyed me so much if it was set in the US, but if you’re going to set something in London it needs to always feel like it should be there, rather than just occasionally.
It’s so close to being a Harry Potter esque novel, and could be just as good if it stayed on the path it started & developed ideas a little more rather than just tearing off into big fights. It seemed dumbed down in places, whereas HP doesn’t.
brilliant new series, sharp wit and beautiful world crafting
This book was a stonking good read, a new series of books that I am sure will only go from strength to strength. The first chapter had me laughing like only Douglas Adams and Jasper Carrot have achieved previously, real world observations that do not ridicule or belittle the sources so much as celebrate them.
The world crafting was skillfully described and now we understand the mechanics of the situation I am sure we will encounter the team in more scrapes going forward. The story did give more than a passing nod to an adventure video game but this was acknowledged and embraced - there is a reason why this format is addictive 😊
The author has a style that I could read all day, I’m looking forward to consuming more of their work. Hats off to the editor, I did not notice a single typo or grammar error in the whole book, a rarity in the current climate of self-published books.
Huge fun. I really enjoyed the characters, humour and adventure. The magic system is very interesting and gives the novel interest and some originality.
I hope the characters and their relationships develop further in future books. It would be good to gain a better understanding of the Iron Order so they appear less like a cartoon bad guy and more a real threat.
4.5 I really enjoyed this book and plan to read the next 2 immediately. I only took 1/2 star because of the overuse of the word "sardonic".
Magic, hilarious creatures/characters, London and an interesting and new plot/type of magic. The book is heavy on descriptions, which I love, that would make it an excellent book to read aloud. I could "see" every detail of this book and loved all of it.
This one was just okay. It was an interesting idea or take on magic and how everything is done. Typical idea of bad guys trying to take over the world with magic because they don't like the current conforming ideology.
The talking book as the grimoire was a fantastic character.
This was, to quote a fictional magical character "bloody brilliant". The modern-day, urban setting sets it apart from other book by the same author. It's a very welcome change of pace with fun characters and great world-building. I can't wait for book 2
I really enjoyed the characters in this book. I like how Joe catches on fast and how brave he is. I was surprised the betrayal at the end and I need more. Please please write a sequel to this one!
I very much enjoyed this book for its interesting characters, good dialogue, and sense of humour. I found it refreshingly non-formulaic, with a good bit of action and over the top villains.
Really good read. Humorous and adventurous all at the same time! Loved the characters. Can't wait to see how they develop and am looking forward to the next part of the adventure and magic of course!
This book was such a slog to get through which was so disappointing after reading the blurb and the reviews.. A really cool premise and interesting story but the writing style was like wading through mud
DNF This was a bit of a struggle for me. I tried but personally there was a lot of unnecessary language to wade through. So much description with nothing actually happening as well as one sided conversations that hinted at something but led nowhere. Not my cup of tea.
DNF 35% The high rating for this book is frankly baffling. So much tell not show. Flat characters, zero tension, magical cliches strewn about. All it needs is tea and cakes and it’d be firmly in cozy territory. So, in summary, if you hadn’t guessed, not for me!
I liked the idea of the story. I liked the idea of the characters as well. Reading this book felt like the plot and character development was rushed though. I would love more depth to make this a magical experience.
This was an absolutely phenomenal book to listen to and I look forward to hearing the next one when it does come out. Loved the narrator that was chosen for the job. They did an awesome job. :)