I've read all of Jon Hassler's adult novels and enjoyed them, so I thought I would take a chance on one of his YA books. This one, Four Miles to Pinecone, was written at about the same time as his novel Staggerford, making it one of his earliest published works.
Unlike most of his novels, this one does not begin in a small town. High school student Tom Barry lives in the Twin Cities, working part-time at Mr. Kerr's small neighborhood grocery/convenience store. After failing an English class, Tom's teacher offers him the opportunity to make up the grade by writing a lengthy paper over the summer months. The first-person narrative in this novel is presented as the result of his labors.
Thieves come to Mr. Kerr's store, robbing the till, and putting Mr. Kerr in the hospital. Tom, a silent witness to much of the robbery, recognizes his friend Mouse's voice as one of the criminals, but does not turn him in. He is torn up by the tension between his loyalty to his friend and his concern for his boss. Later in the summer, Tom gets an opportunity to spend some time at a cabin owned by his Aunt and Uncle, near Pinecone, Minnesota. He finds himself in an even more difficult situation while staying in the lake country, and must face additional moral dilemmas.
I saw a couple of reviews that compared this to an after school special, and perhaps that's a fair analogy, although it seems to be a comment made to disparage. I suspect that people use that language only because this book involves one or more teenagers who have moral lessons to learn. Plenty of adult books have moral lessons in them, implied or explicit, and we don't talk about those novels as if they're second-rate literature.
Hassler's writing elevates this one above the usual pedantic fare that that "after school special" language implies. His characters seem more subtle and nuanced than those in a mere fable or parable, and there are clearly larger social concerns embedded in the text. Mouse comes from a low-income family where there are mental health issues. His choices in life feel very constrained. Tom (and Hassler) clearly have compassion for Mouse and, despite his bad choices, don't want to see his life wasted in prison. This makes Tom's dilemma even more difficult.
If the plot feels a little too straightforward and mechanical at times, Hassler's gift for deft, unflashy descriptions of everyday life, coupled with his gentle rendering of complicated people, redeem it. This is a quick, worthy read for those who like YA stories or who are fans of Hassler's adult storytelling and want to explore what else he produced.