History, literature, religion, myth, film, psychology, theory, and daily conversation all rely heavily on narrative. Cutting across many disciplines, narratology describes and analyzes the language of narrative with its regularly recurring patterns, deeply established conventions for transmission, and interpretive codes, whether in novels, cartoons, or case studies.
Indispensable to writers, critics, and scholars in many fields, A Dictionary of Narratology provides quick and reliable access to terms and concepts that are defined, illustrated, and cross-referenced. All entries are keyed to articles or books in which the terms originated or are exemplified. This revised edition contains additional entries and updates some existing ones.
I haven't read many dictionaries yet, but this one definitely met my expectations. I expected a (naturally biased) overview of narratologist terms and hoped for some nice bibliography. Prince delivered in a very solid way, with a selection containing too many formalist terms in my opinion, but with great cross-references and even linking the author or adjacent authors for most (if not all) terms.
At this early point of me understanding narratology as a science and history, I can say that this book contributed a big deal to my learning process.
A great reference source, and if reading casually will certainly enlighten the reader to alternate ways that narrative functions in all levels of daily reception and process of information.
If you can get lost in dictionaries the way I can--I leave a trail of M&Ms behind me so I can find my way back out--the Dictionary of Narratology by Gerald Prince will be a great addition to your collection. Doubly so if you are interested in narrative theory because this dictionary of narratology terms is an essential reference. In addition to the precise and thoroughly researched terms, three features set this dictionary apart: (1) the scrupulous cross-referenceing of terms; (2) the bibliographic references to the term's source usage (or leading theorist); and (3) the comprehensive bibliography, which is itself a starting point for any research project on narrative theory.
Disclaimer: I am not, nor will I likely ever be, a literary critic, the population for whom this book seems to have been written.
The book introduces many concepts under the umbrella of narratology - the study of narration in fiction. Some are parts of arcane schemes of classification (which I deftly skipped over) and others are essential to the layering of narration withing a story (indirect free discourse!). Three stars because of the lack of clear examples for many of the entries. I found myself going to Wikipedia to look up terms that I read in a dictionary - ouch!