Nuevos Poemas II

by Rainer Maria Rilke, Federico Bermúdez-Cañete (Translator)

Rilke's association with Rodin in 1902 inspired in him a new poetic method. 'Somehow, ' he wrote, 'I too must come to make things... realities that emerge from handiwork. Somehow I too must discover the smallest basic element, the cell of my art, the tangible immaterial means of representation for everything.' Until this work, Rilke's voice had come from the interior, expressing feelings and moods. New Poems represented a turning point, an intoxication with the materiality of the world.

Genres: Poetry, German Literature

253 pages, Paperback

Published January 1, 1994

About the author

A mystic lyricism and precise imagery often marked verse of German poet Rainer Maria Rilke, whose collections profoundly influenced 20th-century German literature and include The Book of Hours (1905) and The Duino Elegies (1923).

People consider him of the greatest 20th century users of the language.

His haunting images tend to focus on the difficulty of communion with the ineffable in an age of disbelief, solitude, and profound anxiety — themes that tend to position him as a transitional figure between the traditional and the modernist poets.

His two most famous sequences include the Sonnets to Orpheus , and his most famous prose works include the Letters to a Young Poet and the semi-autobiographical The Notebooks of Malte Laurids Brigge .

He also wrote more than four hundred poems in French, dedicated to the canton of Valais in Switzerland, his homeland of choice.

Reviews

[Illiterate]

This sequel to Rilke’s 1907 volume has less gentle sadness over the world’s lost significance. His apartness is clearer and less regretted. Eg. the poems on Christian art.

[Cassandra]

I was struck by how much this poetry insists upon the gaze, the eye, and the way that the object demands the gaze or interrupts it. Some of the poems were not so good, too complex and heavy, or too abstract -- some of that may be the act of translation, of course, but it is hard to know, and Rilke is of course famous both for his complexity and his abstraction. But the majority of them were very good, and I must read it again in a few years to see what I make of it them; they do have the weight of objects, as he wished, poems as created things with concrete reality to them despite being only in words.

[Edgar Trevizo]

Astonishing!

[Anne Farrer]

I'm trying my best to like these much-revered icons of poetry, but perhaps the interpretation is above my pay grade.

This book had about 80 poems and I truthfully was only moved by one of them: Encounter in the Chestnut Lane

[Virtuella]

After decades of cherry-picking from this collection, I have finally read it cover to cover. So, not every poem Rilke wrote was absolute genius, but most of them are. New favourites include: Die Parke; Orpheus.Eurydike.Hermes; Der Junggeselle, Der Pavillion, Josuas Landtag, Im Saal.

[Michael]

ein paar herausragende gedichte, aber vieles ist überflüssig und langweilig, weil immer im selben stil

[Tyler]

Along with the Duino Elegies, I think these poems were Rilke’s (and by extension, one of German poetry’s) greatest achievement. Form always follows function and these poems brilliantly enact themselves on the psyche, sometimes painfully, sometimes charmingly.

[Jennifer]

The second volume of new poems. Amazing. sigh.

[Laura-nassidesa Eschbaugh]

A line from the last poem. The Buddha in Glory
Yet already there's begun inside you
what last beyond the suns

These are poems of great beauty and a great addition to the series.

[Mills College Library]

831 R573o 1987

[elisabeth]

3,5

[Gerrit Gmel]

Immer noch kein Fan von Gedichten...

[Monterey]

First 1/2 kinda terrible, last 1/2 absolutely wonderful