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The Empire #1
The Empire
Welcome to The Empire Theatre.
'It's the jewel of the north, The Empire. Lord Lassiter bought it for his second wife, Lady Lillian and she supervised every detail of the restoration. There's not a finer theatre in the country'.
But The Empire is not just a theatre. From music hall to vaudeville, from revue to grand musical spectacular, it holds a special place in the nation's heart. For its audience, for its actors and singers, for the stagehands, the front-of-house staff, for its backers and its debtors - and above all for its owners - it truly is a palace of dreams.
And for young Jack Treadwell, struggling to adapt to civilian life after the horrors of the trenches, it's a lifeline. When he receives a letter out of the blue inviting him to work at The Empire, he leaps at the chance. After all, it's owned by the family of his former commanding officer, Edmund Lassiter.
But as Jack soon discovers, it is not just the actors who are donning a disguise. With whispers of a cover-up, a scandal and sibling rivalry, tensions rise, along with the curtain. For there is treachery at the heart of The Empire and a dark secret waiting in the wings. Can Jack discover the truth before it is too late, and the theatre that means so much to them all goes dark?
Following the lives and loves of the Lassiter and Treadwell families, from the aftermath of the Great War and the Roaring Twenties to the dark days of the Second World War and the Blitz, Michael Ball's debut fiction series charts the story of the high notes and the low notes of British musical theatre in all its glamour, greasepaint and glory.
'It's the jewel of the north, The Empire. Lord Lassiter bought it for his second wife, Lady Lillian and she supervised every detail of the restoration. There's not a finer theatre in the country'.
But The Empire is not just a theatre. From music hall to vaudeville, from revue to grand musical spectacular, it holds a special place in the nation's heart. For its audience, for its actors and singers, for the stagehands, the front-of-house staff, for its backers and its debtors - and above all for its owners - it truly is a palace of dreams.
And for young Jack Treadwell, struggling to adapt to civilian life after the horrors of the trenches, it's a lifeline. When he receives a letter out of the blue inviting him to work at The Empire, he leaps at the chance. After all, it's owned by the family of his former commanding officer, Edmund Lassiter.
But as Jack soon discovers, it is not just the actors who are donning a disguise. With whispers of a cover-up, a scandal and sibling rivalry, tensions rise, along with the curtain. For there is treachery at the heart of The Empire and a dark secret waiting in the wings. Can Jack discover the truth before it is too late, and the theatre that means so much to them all goes dark?
Following the lives and loves of the Lassiter and Treadwell families, from the aftermath of the Great War and the Roaring Twenties to the dark days of the Second World War and the Blitz, Michael Ball's debut fiction series charts the story of the high notes and the low notes of British musical theatre in all its glamour, greasepaint and glory.
389 pages, Paperback
First published October 13, 2022
133 people are currently reading
885 people want to read
About the author
Michael Ball
3 books67 followersMichael Ashley Ball OBE is a British singer, presenter and actor.
The Olivier award winning West End and Broadway star’s debut historical novel The Empire, based on the world of musical theatre, is due for publication in October 2022.
Michael lives in London with his partner Cathy and their two Tibetan terriers.
The Olivier award winning West End and Broadway star’s debut historical novel The Empire, based on the world of musical theatre, is due for publication in October 2022.
Michael lives in London with his partner Cathy and their two Tibetan terriers.
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Displaying 1 - 30 of 274 reviews
September 22, 2022
Well it was all I expected it to be tbh, fun, happy, sad, and romantic with many sub stories that all centred around ‘The Empire’, a bustling theatre in the 1920’s….it has great highs and even greater low’s, precise description of theatre life and front and back stage gossip/life and a trailblazing set of I’d say 20 main characters…and yes there is a cast list at the beginning to refer to if needed
It’s written with passion and an obvious love of all things theatre and as a debut it’s really good, one of those books you fall into in the first few pages, instantly picture yourself as part of the book and just really love reading and being part of the razzmatazz and all the drama
Very enjoyable, definite standing ovation here 😋
It’s written with passion and an obvious love of all things theatre and as a debut it’s really good, one of those books you fall into in the first few pages, instantly picture yourself as part of the book and just really love reading and being part of the razzmatazz and all the drama
Very enjoyable, definite standing ovation here 😋
September 14, 2023
The show must go on…
It’s taken some time for Jack Treadwell to make his way back to Highbridge after the end of the First World War. Now he’s looking for a job. His mother, who died while he was serving, has left a recommendation that he tries the Empire, a theatre part-owned by Lily Lassiter, whom she worked beside when they were young, before Lily became an actress and then the wife of rich Sir Barnabas Lassiter. Jack also served beside Sir Edmund, grandson of Sir Barnabas, who is the other part-owner following Sir Barnabas’ recent death. So Jack gets taken on as stage door keeper and quickly learns to love life in the theatre, and also begins to fall in love with Grace Hawkins, Assistant Manager and the person who really runs the whole show. But the theatre is in trouble. A rival theatre impresario has decided to force them out of business so that he can buy up the Empire and add it to the string of theatres he already owns. Can Grace and Jack fight back and keep the Empire independent?
Michael Ball has been a star of musical theatre for decades, so he is most certainly falling into the category of “write what you know”. And he does it wonderfully well, bringing the Empire to life! All the glitz of the performers and shows, the contrast with the rather grimier and rundown backstage area, all the work that goes into a successful show from the writing, casting, music, costumes, directing, rehearsals – all are shown with great authenticity and affection. The book is as cosy as cosy can be, and doesn’t pretend to be anything else. Yes, Jack and Grace have difficulties to face and yes, there will be drama and even danger along the way, but this is the type of book where the reader knows that ultimately happy endings are on the horizon for the people we care about, and so we can simply relax and enjoy the journey.
There are about a million characters, since each show has its own cast and there are all the backstage people too, plus a few non-theatre people. But it gradually becomes clear who the main characters are and they form a much smaller and more manageable group. Once I stopped trying to remember who everyone was and just concentrated on these main characters, I found it much easier to follow. (I believe in the book there is a full character list provided for reference, but of course this doesn’t work in an audiobook.)
It would be possible to call the characters stereotyped – the old Shakespearian-style actors, the glamorous female stars, the self-important doorman, the backstage cleaners with hearts of gold and endless cuppas, etc. - but actually it’s all done so affectionately that it feels more like homage to a milieu the author clearly loves. Michael Ball narrates the audiobook himself, brilliantly, and I felt that occasionally an element of impersonation crept into his performance of some of the characters that made me feel as if I could recognise the people, or at least the types, that he had based his characterisations on.
The plot gets quite complicated at times, but in a sense it almost takes second place to the descriptions of how a show is created and brought to the stage. There is a huge amount of humour in it; for example, when the only show that Grace can book turns out to be a musical version of Macbeth so bad it’s unintentionally hilarious. (I think I saw that show at the Edinburgh Fringe one year… 😉 ) There’s also a lovely touch of romance, not overdone, between our two very likeable leads, Grace and Jack. And there’s a mystery, too, over what Grace’s boss, Mr Mangrove the manager, is up to – no good, that’s for sure! Boo! Hiss!! (Well, of course there has to be a villain!) Fortunately, everyone else rallies round Grace as she rises to the task of ensuring that the show must go on!
Definitely cosier than my usual fare, and I did wonder if I might have found it a little saccharin if I’d been reading it. But Michael Ball’s performance is so good, full of warmth and humour and with all the actorly skill he has in abundance, that I found every minute of listening to this pure pleasure. I gather this may be the first in a planned series – if so, I’ll certainly be happy to book another ticket for the Empire when the curtain rises again!
www.fictionfanblog.wordpress.com
It’s taken some time for Jack Treadwell to make his way back to Highbridge after the end of the First World War. Now he’s looking for a job. His mother, who died while he was serving, has left a recommendation that he tries the Empire, a theatre part-owned by Lily Lassiter, whom she worked beside when they were young, before Lily became an actress and then the wife of rich Sir Barnabas Lassiter. Jack also served beside Sir Edmund, grandson of Sir Barnabas, who is the other part-owner following Sir Barnabas’ recent death. So Jack gets taken on as stage door keeper and quickly learns to love life in the theatre, and also begins to fall in love with Grace Hawkins, Assistant Manager and the person who really runs the whole show. But the theatre is in trouble. A rival theatre impresario has decided to force them out of business so that he can buy up the Empire and add it to the string of theatres he already owns. Can Grace and Jack fight back and keep the Empire independent?
Michael Ball has been a star of musical theatre for decades, so he is most certainly falling into the category of “write what you know”. And he does it wonderfully well, bringing the Empire to life! All the glitz of the performers and shows, the contrast with the rather grimier and rundown backstage area, all the work that goes into a successful show from the writing, casting, music, costumes, directing, rehearsals – all are shown with great authenticity and affection. The book is as cosy as cosy can be, and doesn’t pretend to be anything else. Yes, Jack and Grace have difficulties to face and yes, there will be drama and even danger along the way, but this is the type of book where the reader knows that ultimately happy endings are on the horizon for the people we care about, and so we can simply relax and enjoy the journey.
There are about a million characters, since each show has its own cast and there are all the backstage people too, plus a few non-theatre people. But it gradually becomes clear who the main characters are and they form a much smaller and more manageable group. Once I stopped trying to remember who everyone was and just concentrated on these main characters, I found it much easier to follow. (I believe in the book there is a full character list provided for reference, but of course this doesn’t work in an audiobook.)
It would be possible to call the characters stereotyped – the old Shakespearian-style actors, the glamorous female stars, the self-important doorman, the backstage cleaners with hearts of gold and endless cuppas, etc. - but actually it’s all done so affectionately that it feels more like homage to a milieu the author clearly loves. Michael Ball narrates the audiobook himself, brilliantly, and I felt that occasionally an element of impersonation crept into his performance of some of the characters that made me feel as if I could recognise the people, or at least the types, that he had based his characterisations on.
The plot gets quite complicated at times, but in a sense it almost takes second place to the descriptions of how a show is created and brought to the stage. There is a huge amount of humour in it; for example, when the only show that Grace can book turns out to be a musical version of Macbeth so bad it’s unintentionally hilarious. (I think I saw that show at the Edinburgh Fringe one year… 😉 ) There’s also a lovely touch of romance, not overdone, between our two very likeable leads, Grace and Jack. And there’s a mystery, too, over what Grace’s boss, Mr Mangrove the manager, is up to – no good, that’s for sure! Boo! Hiss!! (Well, of course there has to be a villain!) Fortunately, everyone else rallies round Grace as she rises to the task of ensuring that the show must go on!
Definitely cosier than my usual fare, and I did wonder if I might have found it a little saccharin if I’d been reading it. But Michael Ball’s performance is so good, full of warmth and humour and with all the actorly skill he has in abundance, that I found every minute of listening to this pure pleasure. I gather this may be the first in a planned series – if so, I’ll certainly be happy to book another ticket for the Empire when the curtain rises again!
www.fictionfanblog.wordpress.com
November 25, 2022
4.5*
Write what you know they say. And Michael Ball, a star of musical theatre for over 30 years has certainly done that. The Empire is a glitzy production with an enormous cast and an authentic story that gives a greater idea of just how much work goes into every production, both on stage and behind the scenes.
The main stars are Jack Treadwell, who when coming home after the war with no real career or focus in mind, finds himself in the Yorkshire town of Highbridge and more particularly, The Empire theatre where having fallen for the whole idea of working in a theatre, begs for a job and becomes their doorman. The Empire, jointly owned by Sir Edmund Lassiter, (the less said about him, the better) and his recently widowed step-grandmother, Lady Lassiter, is an imposing character all on its own and the descriptions of the old theatre with its showy front of house and less glamorous backstage areas are superb.
Grace Hawkins, the manager’s assistant also takes centre stage and really the show couldn’t go on without her. Jack may prove to be a Jack of all trades with his enthusiasm sometimes being more of a hinder than a help but his engaging manner, charm and people skills endear him to most people however it is quiet, and often stressed Grace who attempts to keep the show on the road. There is an obvious chemistry between them which is very nicely done and not overplayed.
This isn’t just about a theatre show, there is so much more to the story – it’s about people, families, greed and money and sometimes touches on the darker side of life and includes strands of jealousy and sabotage, gangsters and secrets – and this is all off stage. There is plenty of drama the entire way through, with even some of the supporting characters having their time under the spotlight.
At the beginning of the book is a cast list. It is rather large, listing every single person that appears in the story and I have to admit to feeling rather daunted at first. However this list is extremely useful to refer back to if needed (I was reading a Kindle version and it would be even easier in the print form) but once I got into the story, the characters and their personalities were so well defined that I had no issues at all. I had my favourites, Jack and Grace obviously, but also the older Agnes de Montfort; independent and feisty, she was certainly a force to be reckoned with!
This is Michael Ball’s debut novel and the first in the series. Assuming this is all his own work (which I shall unless told otherwise), he does write extremely well and I was very impressed. There is a warmth to the writing and his knowledge and passion for the theatre comes through clearly. I had a few wobbles initially, mainly whilst I got to grips with the many characters and how they fitted in but once in the groove I thoroughly enjoyed it and will definitely be reading the next in the series. It’s a sumptuous story full of drama with some lighter touches of humour and romance. Definitely recommended.
Write what you know they say. And Michael Ball, a star of musical theatre for over 30 years has certainly done that. The Empire is a glitzy production with an enormous cast and an authentic story that gives a greater idea of just how much work goes into every production, both on stage and behind the scenes.
The main stars are Jack Treadwell, who when coming home after the war with no real career or focus in mind, finds himself in the Yorkshire town of Highbridge and more particularly, The Empire theatre where having fallen for the whole idea of working in a theatre, begs for a job and becomes their doorman. The Empire, jointly owned by Sir Edmund Lassiter, (the less said about him, the better) and his recently widowed step-grandmother, Lady Lassiter, is an imposing character all on its own and the descriptions of the old theatre with its showy front of house and less glamorous backstage areas are superb.
Grace Hawkins, the manager’s assistant also takes centre stage and really the show couldn’t go on without her. Jack may prove to be a Jack of all trades with his enthusiasm sometimes being more of a hinder than a help but his engaging manner, charm and people skills endear him to most people however it is quiet, and often stressed Grace who attempts to keep the show on the road. There is an obvious chemistry between them which is very nicely done and not overplayed.
This isn’t just about a theatre show, there is so much more to the story – it’s about people, families, greed and money and sometimes touches on the darker side of life and includes strands of jealousy and sabotage, gangsters and secrets – and this is all off stage. There is plenty of drama the entire way through, with even some of the supporting characters having their time under the spotlight.
At the beginning of the book is a cast list. It is rather large, listing every single person that appears in the story and I have to admit to feeling rather daunted at first. However this list is extremely useful to refer back to if needed (I was reading a Kindle version and it would be even easier in the print form) but once I got into the story, the characters and their personalities were so well defined that I had no issues at all. I had my favourites, Jack and Grace obviously, but also the older Agnes de Montfort; independent and feisty, she was certainly a force to be reckoned with!
This is Michael Ball’s debut novel and the first in the series. Assuming this is all his own work (which I shall unless told otherwise), he does write extremely well and I was very impressed. There is a warmth to the writing and his knowledge and passion for the theatre comes through clearly. I had a few wobbles initially, mainly whilst I got to grips with the many characters and how they fitted in but once in the groove I thoroughly enjoyed it and will definitely be reading the next in the series. It’s a sumptuous story full of drama with some lighter touches of humour and romance. Definitely recommended.
October 14, 2022
As someone I always think of as one of those old school entertainers, someone who can do it all; sing, dance and act, it came as no surprise when I learnt that Michael Ball had penned a novel ... the only question being was it any good or was it one of those novels that if we are being honest only sell on the back of the author already being 'famous'?
Well ...
Whilst I don't think it being written by such a well loved and respected all round entertainer {and reputedly one of the nicest people you could wish to meet} as Ball can do any harm, I genuinely thought The Empire a pleasant read.
OK, so the writing isn't what I'd describe as the most accomplished, the story is something of a slow burner and there are a lot of characters {referenced to at the front of the book} introduced in a short space of time which can be problematic if you aren't on the ball {no pun intended} as whilst they may initially appear insignificant, some have a larger part to play overall, however ...
Written with a undeniable warmth; the highs {and lows}, the splendour, glitz and glamour, the drama, the romance {and, yes, even the odd scandal ... or two} of this 1920's theatre, both on and off stage stage, brought to life, I thought this a delightfully charming read that, the love of the author's love of the theatre shining through, transported me back to a long gone era.
Copyright ... Felicity Grace terry @ Pen and Paper
Disclaimer ... One of several bloggers to be participating in this Blog Tour, all the thoughts are mine and mine alone. No financial compensation was asked for nor given
Well ...
Whilst I don't think it being written by such a well loved and respected all round entertainer {and reputedly one of the nicest people you could wish to meet} as Ball can do any harm, I genuinely thought The Empire a pleasant read.
OK, so the writing isn't what I'd describe as the most accomplished, the story is something of a slow burner and there are a lot of characters {referenced to at the front of the book} introduced in a short space of time which can be problematic if you aren't on the ball {no pun intended} as whilst they may initially appear insignificant, some have a larger part to play overall, however ...
Written with a undeniable warmth; the highs {and lows}, the splendour, glitz and glamour, the drama, the romance {and, yes, even the odd scandal ... or two} of this 1920's theatre, both on and off stage stage, brought to life, I thought this a delightfully charming read that, the love of the author's love of the theatre shining through, transported me back to a long gone era.
Copyright ... Felicity Grace terry @ Pen and Paper
Disclaimer ... One of several bloggers to be participating in this Blog Tour, all the thoughts are mine and mine alone. No financial compensation was asked for nor given
March 7, 2023
I would say this book was ok but a bit predictable and for me it had too many characters and not enough depth to the story. I would say Michael should stick to singing
October 18, 2022
First of all, I liked the way this book was structured. The various sections are named as if they were parts of a play from the overture and beginners call, through the various acts to the interval, finale and the curtain calls.
There is a large cast of characters who I admit were at first difficult to keep in my head. There is a cast list at the beginning which would be very helpful with a physical copy but not as easy with kindle. However, I soon got to know the main players, notably Jack the stage door manager who works his way up to company manager, Grace the assistant to the theatre manager Alexander Mangrave, theatre owner Lady Lillian Lassiter, Billy Barlow a music hall performer, Usher Barton the director and so many more.
There is a lot going all in this book and we get to see all aspects of theatre life from backstage, to performers, to front of house to patrons. We get to see how a theatre production arrives at the smooth show we see on stage. It’s not all plain sailing backstage with drama, danger, secrets, tantrums and under-handedness. But there’s friendship, loyalty, determination, dedication and love too. With the book taking place post WW1, we see the continuing effects of the war on people both physically and mentally. In some of the most damaged characters we see courage and willingness to speak up for what is right.
Michael Ball has packed a lot into his story and it’s written with the good-natured and cheerful humour I associate with him. His own insight into the theatre business has been used to good effect in the book. His love for the theatre industry is clear. With glitz and glamour, twists and turns I think this would make a terrific Sunday evening period drama if it was adapted for tv. As a book, I found it a really warm and entertaining read. I hope the curtain rises again at The Empire and we get to find out what happens next for Jack and Grace and the whole cast.
There is a large cast of characters who I admit were at first difficult to keep in my head. There is a cast list at the beginning which would be very helpful with a physical copy but not as easy with kindle. However, I soon got to know the main players, notably Jack the stage door manager who works his way up to company manager, Grace the assistant to the theatre manager Alexander Mangrave, theatre owner Lady Lillian Lassiter, Billy Barlow a music hall performer, Usher Barton the director and so many more.
There is a lot going all in this book and we get to see all aspects of theatre life from backstage, to performers, to front of house to patrons. We get to see how a theatre production arrives at the smooth show we see on stage. It’s not all plain sailing backstage with drama, danger, secrets, tantrums and under-handedness. But there’s friendship, loyalty, determination, dedication and love too. With the book taking place post WW1, we see the continuing effects of the war on people both physically and mentally. In some of the most damaged characters we see courage and willingness to speak up for what is right.
Michael Ball has packed a lot into his story and it’s written with the good-natured and cheerful humour I associate with him. His own insight into the theatre business has been used to good effect in the book. His love for the theatre industry is clear. With glitz and glamour, twists and turns I think this would make a terrific Sunday evening period drama if it was adapted for tv. As a book, I found it a really warm and entertaining read. I hope the curtain rises again at The Empire and we get to find out what happens next for Jack and Grace and the whole cast.
October 19, 2022
If you enjoy theatrical mysteries you will be drawn to this novel. It’s the 1920s, and men are returning from the great war including Jack Treadwell who applies for a job as a doorman at the theatre, despite knowing little about theatre generally. Sir Barnabas Lassiter has died and the patriarch's second wife, a former actress has left The Empire in the hands of Edmund Lassiter along with all the other family businesses. It took me a while to get into the story as there are rather a lot of characters to be introduced but I got there and was mesmerised. There are plenty of secrets to be revealed. Michael Ball writes with an assurance that shows he knows his subject and the plotting was good. The life of an old theatre struggling to rekindle its glory days is beautifully portrayed all with an omnipresent undercurrent of danger. A masterfully crafted tale bringing the reader to an unexpected finish.
I received a complimentary copy of this novel at my own request from Bonnier, Zaffre via NetGalley. This review is my own unbiased opinion.
I received a complimentary copy of this novel at my own request from Bonnier, Zaffre via NetGalley. This review is my own unbiased opinion.
October 18, 2022
4.5*
Following a suggestion from some friends, plus something that his late mother had left him, Jack Treadwell made his way to The Empire theatre. He hadn’t been sure what to do with his life since returning from the horrors of the war and his time in France, but now at least he had an objective.
Lady Lassiter, ex showgirl, old friend of Jack’s mother and joint owner since the death of her husband, wasn’t in the country. Jack found himself searching for Grace Hawkins, assistant to the manager, and the person who seemed to keep everything ticking over. Being back stage in the midst of a dress rehearsal was an eye-opener for Jack. It awoke something in him and he was enthralled. Jack was intent on securing the position of stage doorman, or any other as long as it was in the theatre, and he would take whatever was offered regardless of the hours or wages.
Set in Northern England in the early 1920s, we discover The Empire is struggling. The Lassiter family don’t seem to take much interest and a rival owner of several theatres and music halls, Joe Allerdyce, is using underhand tactics to try and acquire the Empire. Jack, whose open and friendly manner has charmed most of the people he’s come into contact with, and Grace are determined to do everything they can to keep the Empire up and running.
The Empire evokes the grandeur and magic of the theatre setting, the excitement, hard work and extravagance of staging a show, especially when it’s a make or break situation. I loved the sense of camaraderie between the actors and crew, once one or two had been put in their place, but regardless of that, things don’t always run smoothly. There’s more going on behind the scenes than on the stage.
The large cast of characters is slightly overwhelming, but happily there is a (very long) list to refer to. However, I soon became caught up in the story, following the fortunes of the cast, the theatre and the shows. I did wonder while reading whether Michael Ball had based some characters on people he knows and/or has worked with. I imagine it would have been hard not to do so but regardless, his love for the theatre and its people shines through.
The characters are well developed and complex. Apart from Jack, I think my favourite character was Bill. He was so sympathetically written as he worked to overcome his struggles, but there are also a good number of others who are likeable and add to the story.
The Empire is an accomplished debut. The story flows well and is written with warmth, feeling and wit, along with touches of romance. There are also darker moments, dirty dealings, tensions and secrets to uncover, but despite the unexpected and dramatic finale there’s no question of giving up.
I just have to mention the gorgeous cover which depicts the era perfectly and I love how it carries on round showing the back of the building complete with stage door. A must read for anyone who enjoys the theatre.
Following a suggestion from some friends, plus something that his late mother had left him, Jack Treadwell made his way to The Empire theatre. He hadn’t been sure what to do with his life since returning from the horrors of the war and his time in France, but now at least he had an objective.
Lady Lassiter, ex showgirl, old friend of Jack’s mother and joint owner since the death of her husband, wasn’t in the country. Jack found himself searching for Grace Hawkins, assistant to the manager, and the person who seemed to keep everything ticking over. Being back stage in the midst of a dress rehearsal was an eye-opener for Jack. It awoke something in him and he was enthralled. Jack was intent on securing the position of stage doorman, or any other as long as it was in the theatre, and he would take whatever was offered regardless of the hours or wages.
Set in Northern England in the early 1920s, we discover The Empire is struggling. The Lassiter family don’t seem to take much interest and a rival owner of several theatres and music halls, Joe Allerdyce, is using underhand tactics to try and acquire the Empire. Jack, whose open and friendly manner has charmed most of the people he’s come into contact with, and Grace are determined to do everything they can to keep the Empire up and running.
The Empire evokes the grandeur and magic of the theatre setting, the excitement, hard work and extravagance of staging a show, especially when it’s a make or break situation. I loved the sense of camaraderie between the actors and crew, once one or two had been put in their place, but regardless of that, things don’t always run smoothly. There’s more going on behind the scenes than on the stage.
The large cast of characters is slightly overwhelming, but happily there is a (very long) list to refer to. However, I soon became caught up in the story, following the fortunes of the cast, the theatre and the shows. I did wonder while reading whether Michael Ball had based some characters on people he knows and/or has worked with. I imagine it would have been hard not to do so but regardless, his love for the theatre and its people shines through.
The characters are well developed and complex. Apart from Jack, I think my favourite character was Bill. He was so sympathetically written as he worked to overcome his struggles, but there are also a good number of others who are likeable and add to the story.
The Empire is an accomplished debut. The story flows well and is written with warmth, feeling and wit, along with touches of romance. There are also darker moments, dirty dealings, tensions and secrets to uncover, but despite the unexpected and dramatic finale there’s no question of giving up.
I just have to mention the gorgeous cover which depicts the era perfectly and I love how it carries on round showing the back of the building complete with stage door. A must read for anyone who enjoys the theatre.
February 13, 2023
You want entertainment, some theatrical pizazz and a sparkle of historical fiction? Look no further. And narrated by the author too, Michael Ball who is a legend in the theatre world, added that extra layer of greatness. He has the voices and personalities spot on.
I loved the feel of this book. It was a joy to listen to and was so effortless to slip into. It had some great characters, the plot was steady and entertaining and the whole thing just felt easy.
It did take me a fair few chapters to get to grips with the characters and keep track of who was who but that was my own brain fog fault perhaps. I kept getting lost in the story and I didn’t know who some of the people were. I struggled to keep hold of the threads and it did interrupt the flow for me so it wasn’t quite as seamless as it could have been. I know the book has a handy list of characters for refresh yourself so the audiobook relied a little more on my memory!
I’m definitely keen to follow up more into this series though and hope there will be more to come! Now I know the characters it might make reading the next one a little easier!
Thank you to the author and publisher for this book on NetGalley in return for my honest thoughts and review.
I loved the feel of this book. It was a joy to listen to and was so effortless to slip into. It had some great characters, the plot was steady and entertaining and the whole thing just felt easy.
It did take me a fair few chapters to get to grips with the characters and keep track of who was who but that was my own brain fog fault perhaps. I kept getting lost in the story and I didn’t know who some of the people were. I struggled to keep hold of the threads and it did interrupt the flow for me so it wasn’t quite as seamless as it could have been. I know the book has a handy list of characters for refresh yourself so the audiobook relied a little more on my memory!
I’m definitely keen to follow up more into this series though and hope there will be more to come! Now I know the characters it might make reading the next one a little easier!
Thank you to the author and publisher for this book on NetGalley in return for my honest thoughts and review.
July 23, 2025
Ultimately this was not really my cup of tea (far too "soap opera" for my personal tastes), but it gets an extra star for the liftime of experience and love of the threatre that Michael Ball draws on in this book. It really shows and shines here, so if you're a theatre buff, this will probably be worth reading for you!
February 3, 2023
Bravo Mr Ball. What an entertaining story. Highs and lows, love and despair. Everything you would expect from a story about a theatre. Encore.
March 13, 2025
What a wonderful read! Light yet compelling, wonderful characterization, and just good fun. It was also improved by having the delightful Michael Ball read it himself! As an actor and singer, his vocal characterization is perfect (and he also feels like a family friend after listening to his radio show for years).
October 20, 2022
Jack is finally back in England.
I’m always somewhat sceptical when celebrities write a book, but The Empire is an absolute delight, resonant with all the front of house glamour and backstage shenanigans that only someone like Michael Ball, with his first hand knowledge of musical theatre, could produce with such attention to detail and authenticity. It’s absolutely steeped in colourful characters, Machiavellian plots and a fast-paced, hugely entertaining story that I simply devoured. I loved the authorial style too because there’s a vivid appeal to the senses that brought settings alive.
Initially when I saw the cast list at the start of the book, (albeit perfectly in tune with any theatre programme) my heart sank. I thought I’d never keep all the individuals clear in my head, but I was completely wrong. Michael Ball has created a distinct set of people that are memorable and believable with personalities that leap from the page. I was immediately in love with Jack, but particularly enjoyed the gradual uncovering of Lady Lillian Lassiter’s character as, through her, Michael Ball illustrates love, ambition, history and the ways in which our past shapes our lives. Between the pages of The Empire are heroes and charlatans, rich and poor, liars and cheats, stoics and the brave, those with courage in all kinds of forms as well as cowards and bullies, all rubbing along with the contemptible and the admirable in equal measure. I just loved how all the people are connected in a kind of kaleidoscopic dance worthy of any theatrical finale, making for an enthralling read.
I thought the plot was excellent. It has pace and dynamism with some unforeseen surprises along the way that are completely enthralling. I’m desperately hoping for more narratives involving some of the key players in future books because they have taken on a vivid reality in my mind through reading The Empire. Indeed, The Empire is such an inspired title. It’s a physical theatre, but so much more, with criminal empires, family empires and enough historical reference to engender an unsettled time of Empire for the country when social norms were being challenged and tested. I thoroughly enjoyed the exploration of identity, of our place in society, of team work and of honour that pervade what is a smashing narrative and which add depth and interest.
The Empire is sumptuous, warm and witty with just the right balance of light and shade. Its division into acts is pitch perfect for the subject matter and it would make a fabulous theatre or television production too. The Empire felt joyous to read, surprisingly emotional and exciting, and I absolutely loved it.
I’m always somewhat sceptical when celebrities write a book, but The Empire is an absolute delight, resonant with all the front of house glamour and backstage shenanigans that only someone like Michael Ball, with his first hand knowledge of musical theatre, could produce with such attention to detail and authenticity. It’s absolutely steeped in colourful characters, Machiavellian plots and a fast-paced, hugely entertaining story that I simply devoured. I loved the authorial style too because there’s a vivid appeal to the senses that brought settings alive.
Initially when I saw the cast list at the start of the book, (albeit perfectly in tune with any theatre programme) my heart sank. I thought I’d never keep all the individuals clear in my head, but I was completely wrong. Michael Ball has created a distinct set of people that are memorable and believable with personalities that leap from the page. I was immediately in love with Jack, but particularly enjoyed the gradual uncovering of Lady Lillian Lassiter’s character as, through her, Michael Ball illustrates love, ambition, history and the ways in which our past shapes our lives. Between the pages of The Empire are heroes and charlatans, rich and poor, liars and cheats, stoics and the brave, those with courage in all kinds of forms as well as cowards and bullies, all rubbing along with the contemptible and the admirable in equal measure. I just loved how all the people are connected in a kind of kaleidoscopic dance worthy of any theatrical finale, making for an enthralling read.
I thought the plot was excellent. It has pace and dynamism with some unforeseen surprises along the way that are completely enthralling. I’m desperately hoping for more narratives involving some of the key players in future books because they have taken on a vivid reality in my mind through reading The Empire. Indeed, The Empire is such an inspired title. It’s a physical theatre, but so much more, with criminal empires, family empires and enough historical reference to engender an unsettled time of Empire for the country when social norms were being challenged and tested. I thoroughly enjoyed the exploration of identity, of our place in society, of team work and of honour that pervade what is a smashing narrative and which add depth and interest.
The Empire is sumptuous, warm and witty with just the right balance of light and shade. Its division into acts is pitch perfect for the subject matter and it would make a fabulous theatre or television production too. The Empire felt joyous to read, surprisingly emotional and exciting, and I absolutely loved it.
April 5, 2023
When I heard that the talented star of musical theatre Michael Ball, was writing a novel as seems to be the thing to do with so many celebrities, I was of course curious. With his lifetime of experience in this world he has sensibly chosen to use his vast knowledge of the theatre to produce this novel.
There is a huge cast of characters to get to know in the storyline all of which play a role, helpfully there is list included at the beginning. It is set in the 1920’s at a time when the world of theatre is struggling to survive, The Empire is no exception. The most important characters in my opinion, amongst the many you will meet are Jack Treadwell and Grace Hawkins. Jack quickly works his way up the theatre management initially starting work there as the stage doorman and Grace, who as the assistant to the theatre manager is so important to the running of the place, that the show would not go on without her. An entertaining story where the drama that goes on backstage only transfers to successful performances thanks to the determination of those that love their theatre.
Although I found this to be a well written and informative novel about the world of theatre it sadly left me feeling unmoved, failing to hold my interest and I will not be reading the sequel. Don’t let me put you off reading this though, as if you are a fan of Michael Ball and the world of theatre, it will probably appeal to you.
https://lindyloumacbookreviews.blogsp...
There is a huge cast of characters to get to know in the storyline all of which play a role, helpfully there is list included at the beginning. It is set in the 1920’s at a time when the world of theatre is struggling to survive, The Empire is no exception. The most important characters in my opinion, amongst the many you will meet are Jack Treadwell and Grace Hawkins. Jack quickly works his way up the theatre management initially starting work there as the stage doorman and Grace, who as the assistant to the theatre manager is so important to the running of the place, that the show would not go on without her. An entertaining story where the drama that goes on backstage only transfers to successful performances thanks to the determination of those that love their theatre.
Although I found this to be a well written and informative novel about the world of theatre it sadly left me feeling unmoved, failing to hold my interest and I will not be reading the sequel. Don’t let me put you off reading this though, as if you are a fan of Michael Ball and the world of theatre, it will probably appeal to you.
https://lindyloumacbookreviews.blogsp...
October 7, 2022
I know I will be in the minority but I didn't enjoy "The Empire" by Michael Ball very much. I'm a big fan of Mr Ball, having followed his theatre and music career for many years but unfortunately I didn't feel that writing is his strength. If it wasn't written by him, I think I would have abandoned the book after the few early chapters. Things aren't all that bad though, the last few chapters after the premiere of Riviera Nights were action-packed and enjoyable.
June 2, 2023
Anyone who knows me know I am a huge fan of the theatre so on paper this seems like a book I would adore. I saw that it was available on audiobook via my local library so downloaded and was quite excited for it.
Unfortunately, I didn’t particularly enjoy it. There were far too many characters to keep track of or care about and the story seemed rambling and completely pointless.
Disappointing and I won’t be reading the sequel.
Unfortunately, I didn’t particularly enjoy it. There were far too many characters to keep track of or care about and the story seemed rambling and completely pointless.
Disappointing and I won’t be reading the sequel.
January 2, 2023
When I saw the list of characters in the front my heart sank. I just knew I would never remember them all and I did get them muddled at times. This wasn't really for me, I found it hard going but the pace did pick up later on.
The main character Jack was just a bit too cheery although there were some interesting characters in it. It was too long.
The main character Jack was just a bit too cheery although there were some interesting characters in it. It was too long.
October 24, 2022
Review first published on my blog: http://www.pagetostagereviews.com/202...
Michael Ball is a legendary British musical theatre performer. Well-known for originating the role of Marius in the London production of Les Miserables, playing the titular character in Sweeney Todd, and taking over the role of Raoul in The Phantom of the Opera, he's now turning his hand to writing. The question on everyone's mind, of course, is whether he is a quadruple threat (adding writing to his list of talents), or if he should stick to performing on a physical stage rather than creating one within the pages of his debut novel The Empire?
The Empire is a grand theatre in Highbridge. When owner Sir Barnabas Lassiter passes away, change is afoot within the walls of the performing space. Barnabas' second wife, the much younger Lilian (former showgirl turned Lady) inherits a 51% share in the theatre, alongside his oldest son Edmund who inherits the remaining slightly smaller half. Lilian and Edmund don't see eye-to-eye on the best of days, so going into business together is doomed before it has even begun.
And then there's Joseph P. Allerdyce. He is he owner of many other entertainment venues in the region and has a plan to let The Empire fail under its new management so the new owners become desperate to sell and he can add the building to his list of conquests.
Amidst all this change and turmoil, Jack Treadwell returns to Highbridge after spending time in France following serving in the first World War. His parents passed away while he was gone, but the last note he got from his mother said to go to Lilian. When he arrives at The Empire he meets Grace, undervalued and underpaid assistant to the theatre's manager who is far smarter and accomplished than her boss. She's the one running the show behind-the-scenes, while he's off doing who-knows-what.
It doesn't take long for Jack and Grace to partner up with various other employees of The Empire to try and defy all odds and and continue Sir Barnabas' success. But with family feuds, a rival wrecking havoc, and even the local criminal underworld involved, will they be able to keep The Empire on its feet before the curtain falls?
This book was an utter stagey delight. As a huge fan of the theatre (alongside books), it was wonderful to immerse myself into the behind-the-scenes of this world more than I have ever been able to before. Michael Ball takes readers on a real backstage tour of the theatre, showing them the inner workings of the the various nooks and crannies as well as what goes into putting on a successful production. It was incredibly fascinating and, given its fictionalised nature, also hugely entertaining.
There is a fairly large cast of characters, which meant that the story and the world of The Empire felt very lavish, like those rare occasions where a theatre production has a company of more than 25 people on stage and a full orchestra in the pit. While some characters were more front and centre than others, each one was unique and well-developed – and they all had a part to play in saving The Empire. Take, for example, actor-manager Ivor French and doorman Danny Moon. They're a seemingly unlikely pairing, and yet they were the heroes of an intriguing sub-plot towards the end.
The Empire is an absolutely smashing debut novel by actor Michael Ball set amidst the glittering, glamorous, and – surprisingly – cut-throat world of regional theatre. With a rich cast of characters, hidden identities, and a 'locked-room' style setting, this has all the elements of a murder mystery from the golden age but without any dead bodies dictating the plot. Instead it's a more character-driven story, with just a touch of mystery to keep readers on their toes and second-guessing characters' motivations, background, and true agendas. It all made for a very engrossing and fast-paced read.
If I could give a standing ovation to a novel, I would do so for this one. I already cannot wait for more stories penned by actor-turned-author Michael Ball!
4.5 stars
Michael Ball is a legendary British musical theatre performer. Well-known for originating the role of Marius in the London production of Les Miserables, playing the titular character in Sweeney Todd, and taking over the role of Raoul in The Phantom of the Opera, he's now turning his hand to writing. The question on everyone's mind, of course, is whether he is a quadruple threat (adding writing to his list of talents), or if he should stick to performing on a physical stage rather than creating one within the pages of his debut novel The Empire?
The Empire is a grand theatre in Highbridge. When owner Sir Barnabas Lassiter passes away, change is afoot within the walls of the performing space. Barnabas' second wife, the much younger Lilian (former showgirl turned Lady) inherits a 51% share in the theatre, alongside his oldest son Edmund who inherits the remaining slightly smaller half. Lilian and Edmund don't see eye-to-eye on the best of days, so going into business together is doomed before it has even begun.
And then there's Joseph P. Allerdyce. He is he owner of many other entertainment venues in the region and has a plan to let The Empire fail under its new management so the new owners become desperate to sell and he can add the building to his list of conquests.
Amidst all this change and turmoil, Jack Treadwell returns to Highbridge after spending time in France following serving in the first World War. His parents passed away while he was gone, but the last note he got from his mother said to go to Lilian. When he arrives at The Empire he meets Grace, undervalued and underpaid assistant to the theatre's manager who is far smarter and accomplished than her boss. She's the one running the show behind-the-scenes, while he's off doing who-knows-what.
It doesn't take long for Jack and Grace to partner up with various other employees of The Empire to try and defy all odds and and continue Sir Barnabas' success. But with family feuds, a rival wrecking havoc, and even the local criminal underworld involved, will they be able to keep The Empire on its feet before the curtain falls?
This book was an utter stagey delight. As a huge fan of the theatre (alongside books), it was wonderful to immerse myself into the behind-the-scenes of this world more than I have ever been able to before. Michael Ball takes readers on a real backstage tour of the theatre, showing them the inner workings of the the various nooks and crannies as well as what goes into putting on a successful production. It was incredibly fascinating and, given its fictionalised nature, also hugely entertaining.
There is a fairly large cast of characters, which meant that the story and the world of The Empire felt very lavish, like those rare occasions where a theatre production has a company of more than 25 people on stage and a full orchestra in the pit. While some characters were more front and centre than others, each one was unique and well-developed – and they all had a part to play in saving The Empire. Take, for example, actor-manager Ivor French and doorman Danny Moon. They're a seemingly unlikely pairing, and yet they were the heroes of an intriguing sub-plot towards the end.
The Empire is an absolutely smashing debut novel by actor Michael Ball set amidst the glittering, glamorous, and – surprisingly – cut-throat world of regional theatre. With a rich cast of characters, hidden identities, and a 'locked-room' style setting, this has all the elements of a murder mystery from the golden age but without any dead bodies dictating the plot. Instead it's a more character-driven story, with just a touch of mystery to keep readers on their toes and second-guessing characters' motivations, background, and true agendas. It all made for a very engrossing and fast-paced read.
If I could give a standing ovation to a novel, I would do so for this one. I already cannot wait for more stories penned by actor-turned-author Michael Ball!
4.5 stars
October 14, 2022
I can’t tell you how excited I was to hear Michael Ball had written a book! I’ve been such a huge fan for so many years. I was hoping for a book full of his trademark warmth and wit, and a bit of glamour and romance, and that is exactly what Michael has delivered.
It seems there is no end to the talent of Mr Ball. Already a hugely successful musical theatre performer, singer, radio presenter, and with a new version of Aspects of Love just announced. And he finds time to write (and narrate!) a most glorious lose-yourself-in-its-pages novel. I have been living in the 1920’s theatre world for the past few days and have adored every minute.
From first receiving the stunning hardback, with gorgeous cover design complete with shiny embossing and gold text, I just knew this was going to be something special, written from the heart of someone who knows everything about the heart of the theatre.
I read the ‘cast list’ at the beginning and what fabulous character names! Barnabas and Lillian Lassiter, Agnes de Montfort, Lancelot Drake to mention just a
A cast of strong women, proper gentlemen, a few baddies and a terrier called Ollie who watches the stage door, keeping anyone out he doesn’t like.
The plot takes the reader, and theatregoer in us, behind the curtain to the running of a theatre with its fair share of ups, downs and secrets.
Immediately I fell in love with Jack who, having served in the army and then worked in Paris, decided he wanted to come home to his Yorkshire roots. His parents had both recently died and he learned from a neighbour that his mother’s last wish was that he visits the Empire theatre and speak to Mrs Lillian Lassiter who part owns the Empire, and who just happened to work in a factory with Jack’s mother when she was younger.
Jack decides to visit the Empire because why not? He is immediately drawn in to all that the theatre entails; the atmosphere, the backstage workings, and knows he wants to be a part of it. He begs for the position of doorman where he can begin to learn. I was rooting for him to ask Grace out as it was obvious they were crazy about each other!
But there are threats to the Empire, and to the good name of Lillian Lassiter. And there is a reporter who is digging into the background of the theatre manager, Alexander Mangrave, who appears to have something to hide.
There is another theatre owner in town, Joe Allerdyce, who is desperately wanting to get his hands on the Empire. How far will he go?
We are carried along with all the ‘cast’, getting to know them and enjoying the warm and cozy feeling of belonging. Just when everything appears to be going nicely, a disaster hits The Empire and I galloped to the end of the book with my heart in my mouth!
This is a celebration of all theatres, by a legend of musical theatre. I loved every word.
Michael will be writing more books, making this into a series, and I can’t wait to find out what happens next for everyone!
I can’t recommend this highly enough. Such an uplifting and also an emotional read.
It seems there is no end to the talent of Mr Ball. Already a hugely successful musical theatre performer, singer, radio presenter, and with a new version of Aspects of Love just announced. And he finds time to write (and narrate!) a most glorious lose-yourself-in-its-pages novel. I have been living in the 1920’s theatre world for the past few days and have adored every minute.
From first receiving the stunning hardback, with gorgeous cover design complete with shiny embossing and gold text, I just knew this was going to be something special, written from the heart of someone who knows everything about the heart of the theatre.
I read the ‘cast list’ at the beginning and what fabulous character names! Barnabas and Lillian Lassiter, Agnes de Montfort, Lancelot Drake to mention just a
A cast of strong women, proper gentlemen, a few baddies and a terrier called Ollie who watches the stage door, keeping anyone out he doesn’t like.
The plot takes the reader, and theatregoer in us, behind the curtain to the running of a theatre with its fair share of ups, downs and secrets.
Immediately I fell in love with Jack who, having served in the army and then worked in Paris, decided he wanted to come home to his Yorkshire roots. His parents had both recently died and he learned from a neighbour that his mother’s last wish was that he visits the Empire theatre and speak to Mrs Lillian Lassiter who part owns the Empire, and who just happened to work in a factory with Jack’s mother when she was younger.
Jack decides to visit the Empire because why not? He is immediately drawn in to all that the theatre entails; the atmosphere, the backstage workings, and knows he wants to be a part of it. He begs for the position of doorman where he can begin to learn. I was rooting for him to ask Grace out as it was obvious they were crazy about each other!
But there are threats to the Empire, and to the good name of Lillian Lassiter. And there is a reporter who is digging into the background of the theatre manager, Alexander Mangrave, who appears to have something to hide.
There is another theatre owner in town, Joe Allerdyce, who is desperately wanting to get his hands on the Empire. How far will he go?
We are carried along with all the ‘cast’, getting to know them and enjoying the warm and cozy feeling of belonging. Just when everything appears to be going nicely, a disaster hits The Empire and I galloped to the end of the book with my heart in my mouth!
This is a celebration of all theatres, by a legend of musical theatre. I loved every word.
Michael will be writing more books, making this into a series, and I can’t wait to find out what happens next for everyone!
I can’t recommend this highly enough. Such an uplifting and also an emotional read.
October 21, 2022
3.5 stars
With a three page character/cast list I stepped into this feeling a little daunted, like a first time performer with stage fright I expect. But from the first page I was transported into the twenties and a smoky newspaper office and I was immediately put at ease with the writing.
Jack was a likeable protagonist and like the author himself, seemed to be an all round nice guy. For me though it was theatre owner Lady Lillian who was the firm favourite, having just that extra gumption and ambition from her time as a showgirl.
While the criminal elements held no surprises it was still enjoyable to see the threads all unraveling. The added touch of romance was delightfully charming and definitely added to the story.
A warmly told tale of theatre life, from the owners, behind the scenes crews, the stars of the stage and all the way to the delicious bad guy determined to bring down the curtain for good.
The passion Michael Ball has for the theatre shines from the pages and he can certainly Give ’em the old razzle dazzle.
With a three page character/cast list I stepped into this feeling a little daunted, like a first time performer with stage fright I expect. But from the first page I was transported into the twenties and a smoky newspaper office and I was immediately put at ease with the writing.
Jack was a likeable protagonist and like the author himself, seemed to be an all round nice guy. For me though it was theatre owner Lady Lillian who was the firm favourite, having just that extra gumption and ambition from her time as a showgirl.
While the criminal elements held no surprises it was still enjoyable to see the threads all unraveling. The added touch of romance was delightfully charming and definitely added to the story.
A warmly told tale of theatre life, from the owners, behind the scenes crews, the stars of the stage and all the way to the delicious bad guy determined to bring down the curtain for good.
The passion Michael Ball has for the theatre shines from the pages and he can certainly Give ’em the old razzle dazzle.
July 31, 2025
Great atmosphere, likeable characters and always sufficient story to keep me reading. I loved spending time with the community that is the theatre company in their fight for the survival of the Empire theatre.
The book is set in the 1920s when WW1 is still a presence in people’s lives and this is echoed in the story and the characters’ outlook and experiences. The audio book is narrated by the author, who is absolutely excellent - Local accents place the story firmly in its Yorkshire setting and add extra colour and interest.
There are familiar themes and plots involved, but the narrative always feels fresh, never stale or clichéd!
All in all, a thoroughly enjoyable experience and just the summer read I was looking for.
The book is set in the 1920s when WW1 is still a presence in people’s lives and this is echoed in the story and the characters’ outlook and experiences. The audio book is narrated by the author, who is absolutely excellent - Local accents place the story firmly in its Yorkshire setting and add extra colour and interest.
There are familiar themes and plots involved, but the narrative always feels fresh, never stale or clichéd!
All in all, a thoroughly enjoyable experience and just the summer read I was looking for.
September 29, 2025
I was admittedly an easy mark for this one as I am exactly the target audience: a lifelong fan of the author's stage career, a total sucker for his narration of the audiobook, and more than willing to buy into a good old-fashioned backstage melodrama (LOVE how the table of contents is set up as a cast of characters, Act 1, Curtain Call, etc.). Was it predictable? Absolutely. Is that just another word for a delightfully soothing comfort read in this instance? I'd say so. Have I already purchased the sequel (on audio and in print)? Do you even need to ask?
October 13, 2022
Welcome to the Empire Theatre 1922.
Jack Treadwell arrives in the middle of rehearsals, not knowing what to expect, but unprepared for the intoxicating world of glitz and glamour - so different to that of the trenches he fought in during the Great War.
Here he meets Grace, who he feels an immediate attraction to. But there's no time for that! Grace is extremely busy, working alongside a select 'cast' trying to keep open the theatre that they love. The Empire is under threat from a rival theatre owner and they are determined that he will not get his hands on it.
The show must go on!
And it does... Jack works with Grace to pull out all the stops when they are unable to book acts that are now 'exclusive' to their rival. He pours his heart and soul into the theatre world, and they are able to put together something quite special, but unfortunately it isn't enough.
To save the theatre long term they must come up with something spectacular.
But can they do it before the theatre is forced to go dark?
The Empire has all the qualities of a great piece of theatre, an interesting plot, characters that the audience (reader) can really relate to, romance, comedy and a suitably dramatic ending.
The Empire is fantastic read, and one of my favourites of this year!
I look forward to the Encore ...
The Empire* is available to pre-order now via Amazon online and all good book shops.
Thank You to the publishers who approved my request in exchange for an honest review.
*Disclaimer - I am a huge theatre fan (particularly musical theatre) and I absolutely adore Michael Ball, so I was a little nervous (but terribly excited) to receive and review an advanced copy of this novel. I needn't have been, and should have known that it would be an absolute star (just like the man himself)!
Jack Treadwell arrives in the middle of rehearsals, not knowing what to expect, but unprepared for the intoxicating world of glitz and glamour - so different to that of the trenches he fought in during the Great War.
Here he meets Grace, who he feels an immediate attraction to. But there's no time for that! Grace is extremely busy, working alongside a select 'cast' trying to keep open the theatre that they love. The Empire is under threat from a rival theatre owner and they are determined that he will not get his hands on it.
The show must go on!
And it does... Jack works with Grace to pull out all the stops when they are unable to book acts that are now 'exclusive' to their rival. He pours his heart and soul into the theatre world, and they are able to put together something quite special, but unfortunately it isn't enough.
To save the theatre long term they must come up with something spectacular.
But can they do it before the theatre is forced to go dark?
The Empire has all the qualities of a great piece of theatre, an interesting plot, characters that the audience (reader) can really relate to, romance, comedy and a suitably dramatic ending.
The Empire is fantastic read, and one of my favourites of this year!
I look forward to the Encore ...
The Empire* is available to pre-order now via Amazon online and all good book shops.
Thank You to the publishers who approved my request in exchange for an honest review.
*Disclaimer - I am a huge theatre fan (particularly musical theatre) and I absolutely adore Michael Ball, so I was a little nervous (but terribly excited) to receive and review an advanced copy of this novel. I needn't have been, and should have known that it would be an absolute star (just like the man himself)!
October 13, 2022
Who doesn't love a bit of Michael Ball, he's the king of the stage whether he's acting or singing. Turns out he's also a pretty good author too, The Empire was glitzy, glamorous and an absolute delight to read.
It has a fabulous, colourful cast of characters, all of whom have connections to The Empire and their stories seamlessly wove together in the book.
I absolutely loved my visit to The Empire and found the story absolutely mesmerising and the story kept me captivated until the very last page.
Many thanks to Rachel's Random Resources for my tour spot.
Rating ⭐⭐⭐⭐⭐
It has a fabulous, colourful cast of characters, all of whom have connections to The Empire and their stories seamlessly wove together in the book.
I absolutely loved my visit to The Empire and found the story absolutely mesmerising and the story kept me captivated until the very last page.
Many thanks to Rachel's Random Resources for my tour spot.
Rating ⭐⭐⭐⭐⭐
September 25, 2024
Story line was good. However the amount of characters in book confused me somewhat. I had to keep referring to the menu at beginning of book, to remind myself who the people were.
That was the down side for me
That was the down side for me
November 6, 2022
Loved it! Beautifully written with well defined characters and an exciting plot. Michael’s love of the theatre shines through every chapter. Can’t wait for the sequel!
February 10, 2023
Absolutely loved this book. I have been a lover of all things theatre on and off the stage for years. This ticked all my boxes. When's the next one out. First in the queue please.
June 10, 2023
An easy enjoyable read.
February 15, 2024
What a fun this was to read. He writes well and keeps you engaged right through. Highly recommend this book.
April 7, 2023
This was just what I'd hoped for - light, easy, loaded with cliches and predictability. A fun read for a busy and stressful time.
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