(...), while editing the Black Eagle, the newsletter of a small London-based Black Power group, (Howe) set out his mission (....l. With playful irony he wrote in terms of a civilizing mission; the British had travelled the globe to civilize Africa, India and the Caribbean, now it was time to return the favour (Bunce and Field 2015)
Howe was adopting the ‘one-in-ten’ strategy that he had learnt from Student Nonviolent Coordinating Committee (SNCC). Howe spent time with a small group, inspiring them, encouraging them to think and read for themselves. Then each of them would repeat the process with ten more. Howe’s hope was that within the large demonstrations there would be groups who were ready, not to lead the people, but to publicly reflect their feelings and to encourage them to articulate their own desires. Howe’s activities also reflected the influence of Rodney, who argued that the black intellectual ‘must attach himself to the activities of the black masses’ (Rodney 1990: 77–8). Grounding meant ‘getting in touch, working with the people . . . sitting down together to reason’ learning from the people themselves (Ibid.). (Bunce and Field 2015)
This is one of the most significant works I have read in the past decade. It outlines and finally recognises the history of the Black Power movement in Britain centred on the figure of Darcus Howe, one of the standout activists and public intellectuals of his generation.’ (NS, Diane Abbott 9 May 2014). I recently went to see the photography exhibition at the Tate Modern, the 80's and there is Darcus, standing on some sort of platform, in the thick of it, with a megaphone.
He was a man whose life was fully devoted to the fight for racial justice in Britain. His struggle focused on police violence and harassment of immigrant communities. A West Indian from Trinidad and Tobago, a radical, a fighter standing squarely in the revolutionary tradition of CLR James (whom he was related to on his mother's side), a lover of freedom, a merciless realist, he lived most of his life in Britain. Here, he became the most important campaigner for black rights and described himself as ‘a natural black heir to the English radical dissenting tradition of Milton, Mill and Tom Paine’.
He rejected narrow ethnic nationalism and as a civil rights leader, journalist and producer always strove to work with all races, white, Asian, blacks with the objective of safeguarding human rights especially of the urban poor, the working classes, the unemployed, the people of the street.
He has most recently come back to the spotlight thanks to Steve Mcqueen's anthology series 'Small Axe', one of the episodes centred on the reconstruction of the Mangrove Trial. However, it is in Canada at the Congress of Black Writers, then the US and in Trinidad that his grassroots approach evolved and was tested first during the bus strike of 1969.
Howe's key role in Britain in the Race Collective, the Imperial Typewriters protest, the New Cross Fire and subsequent demonstrations, the Black People's day of Action, Notting Hill carnival, and his programmes on TV makes him a key historical figure of our nation. Unbelievably, his actions and life have been forgotten or relegated when in fact they should be part of the national curriculum. This book gives him the credit authority and stature he so rightly deserves. The authors did an amazing job.