First printing in wrappers, issued simultaneously with hardcover. Frontispiece drawing of the author by Amanda Rose Meltzer. Poetry and prose-poems, plus notes on the text sources. 149 pp.
David Meltzer was a poet associated with both the Beat Generation and the San Francisco Renaissance. A pioneer of jazz poetry readings, Meltzer also formed a psychedelic folk-rock group. He performed with the music and poetry review, "Rockpile." He edited many anthologies, including San Francisco Beat: Talking with the Poets (City Lights, 2001), and published 11 erotic novels. He taught for many years in the poetics program at New College of California.
I came across this book by chance at my local library, and I just had to read it, because I love David Meltzer's poem/book "When I Was A Poet". In a way, this is a longer, manifesto-type version of that poem, as it is a vast collection of snippets of the author's thoughts on the craft of poetry, combined with snippets of other authors' thoughts on the same. I like some of the entries more than others, but in general I appreciated the work he put in to compiling all of these different snippets into one book. My favorite sections are the ones re: the musical aspects of poetry and especially how poetry is similar to and also different from song, such as "Poetry is speech that attempts to be song".
This is an easy favorite. Playful, meandering, and exploratory, Meltzer uses a variety of lyrical essays, prose poems, free verse, and quotations in a thesis about what poetry is, how sounds works, the spiritual meanings of language, and other wisdoms about creativity and writing.