"If a man owns land, the land owns him."
-Ralph Waldo Emerson
For fans of Scott Thomas's Bram Stoker Award-nominated Kill Creek, all four novellas in Midwestern Gothic draw connections to the horror authors who regrettably agreed to spend Halloween night in the blood-soaked legacy that was the Finch House.
The Door in the Field
April never knew her father. One day, with the help of a 23andMe-like company, she tracks him down, only to discover that perhaps her ghost of a father, Ray, has a few ghosts of his own.
"My father was once two people. This is the story of how he became a third."
Ray is a hot-headed, hard-hat construction worker who, while April was still in the womb, came face-to-face with a serial killer: the heartland's own Prairie Phantom. I won't disclose too much here as there's not many twists-and-turns, but let's just say there's at least one memorably badass scene involving a creature that once roamed the plains.
All in all, an alright but not attention-grabbing novella to kick off the four-part collection.
3.25 out of 5
Wear Your Secret Like a Stone
After her best friend dies in a tragic accident and the town blames her for it, big box retail store worker, Tara, has one goal: save up enough money to get the hell out of Blantonville. But when a customer complains about Tara's selection for the front-of-store Halloween display (Puncture, by the one-and-only TC Moore), her pursuit for answers leads her on an unexpected quest into the land of nightmares.
"There are shadows in the forest that cannot be trees."
The most badass part of this story was learning what a "hunger stone" was. It's a practice dating back to the 15th century where, during a period of prolonged drought, a stone monument would be erected in the the riverbed, etched with a warning for future settlers of coming famine should the water again get so low as to reveal the memorial.
The bones of this novella were sturdy as all get-out, but it took a turn with a plot point that was a bit too fantasy for my horror hunger. One thing Thomas does extremely well, however, is writing likeably badass female characters - Tara is right up there with TC Moore in my book!
3.75 out of 5
The Boy in the Woods
For fans of the Friday the 13th and Sleepaway Camp franchises, go back to camp and read this one lantern-side.
Eddie, mauled by a dog years ago, has a tough go of it at summer camp. The other campers call him "freak" and "dog-faced boy," and the camp counselors - but teenagers themselves - mostly tolerate the jackassery. When Eddie's parents miss their pick-up date, Eddie is stranded at Camp Cottonwood's wind-down, and something infectiously sinister turns the camp counselors against one another.
Eddie is like an accidental Jason Voorhees, long before he carried a machete wore wore a hockey mask. He's a character that makes you feel something, whether it's anger at his childhood bullies or sadness for a kid whose internal voices at once tell him he doesn't belong and at another tells him "Everyone gets their moment to shine."
I wish this was a full-length book, or that Scott Thomas gives the horror world more of Eddie Reicher.
4.25 out of 5
One Half of a Child's Face
Sienna Roh lives in a house overlooking Lake Michigan on the one side, and the apartment her ex-husband rents with his new girlfriend on the other. When Sienna's daughter, Maya, spends her custodial weekends with her father, Sienna's imagination tells her that her beautiful baby girl is held captive by "the bastard" and his too blonde, annoyingly petite witch.
Sienna should've been a writer. When she became pregnant with Maya, she put those dreams to the side. But that didn't stop her from telling herself stories. In fact, there are more than a dozen other apartments in the building her daughter frequents by order of the court, and sienna has crafted a lively backstory for many of them through her Rear Window-esque observations by telescope (Sienna's so-called "Riverside Apartments Entertainment Network").
There's one apartment, though, she never sees into. When its velvet curtains are one day pulled aback, revealing a painting with the left side of a child's face, her multi-floor sitcom transforms into a house of horror.
This is not the first horror story to feature haunted art, but it's a clever one, anchored by yet another female character of Thomas's that warrants a revisit in future work. Perhaps, by that time, Sienna would've published her own horror novel, shelved neatly alongside the likes of Sam McGarver, TC Moore, Sebastian Cole, and Daniel Slaughter.
4 out of 5
Overall: 3.75 (rounded up)