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Widows #3
The Widow's Weeds
**A novel by CIBA finalist Allie Cresswell**
"The worlds created and the characters are so realistic, vivid and relatable that you care about what happens."
"Allie Cresswell is a gifted observer of character and place as well as having a sensitive touch when writing about deeply disturbing subject matter."
"Gently paced but hard hitting, this it is a book that will stay with you."
"Lives are in turmoil, but it is the saving grace of friendship and hope that wins out in the end."
One evening, Viola goes missing.
The explanation—a visit to her son—seems doubtful, and her women friends’ messages go unanswered. A spiky, caustic woman, Viola’s heavy drinking makes her tiresome company, but they know nothing of her troubled past.
Yet, Maisie misses Viola. Recently, their shared love of gardening has almost blunted Viola’s barbs, and Maisie is much in need of a close friend. Her house is a building site, her daughter’s wedding is looming. Most worrying is her friendship with handsome, formidable Oliver Harrington. She cannot work out what he wants from it, nor, really, what she wants, either. She barely has time to wonder where Viola has gone.
As Maisie grapples with her present-day preoccupations, Viola’s tale unfolds: a dark landscape of tragedy and suffering. Their two stories collide in an explosive finale. Can the two women rescue each other?
This third book in the Widows series stands alone. A story of weeds and wildflowers, tenacity and tenderness, and containing potentially upsetting details of domestic abuse, alcoholism, and bereavement, this is ultimately an affirmation of the strength and power of women’s friendships.
For more contemporary fiction from Allie Cresswell, check out Relative Strangers, a book about what it means to be 'family'.
"The worlds created and the characters are so realistic, vivid and relatable that you care about what happens."
"Allie Cresswell is a gifted observer of character and place as well as having a sensitive touch when writing about deeply disturbing subject matter."
"Gently paced but hard hitting, this it is a book that will stay with you."
"Lives are in turmoil, but it is the saving grace of friendship and hope that wins out in the end."
One evening, Viola goes missing.
The explanation—a visit to her son—seems doubtful, and her women friends’ messages go unanswered. A spiky, caustic woman, Viola’s heavy drinking makes her tiresome company, but they know nothing of her troubled past.
Yet, Maisie misses Viola. Recently, their shared love of gardening has almost blunted Viola’s barbs, and Maisie is much in need of a close friend. Her house is a building site, her daughter’s wedding is looming. Most worrying is her friendship with handsome, formidable Oliver Harrington. She cannot work out what he wants from it, nor, really, what she wants, either. She barely has time to wonder where Viola has gone.
As Maisie grapples with her present-day preoccupations, Viola’s tale unfolds: a dark landscape of tragedy and suffering. Their two stories collide in an explosive finale. Can the two women rescue each other?
This third book in the Widows series stands alone. A story of weeds and wildflowers, tenacity and tenderness, and containing potentially upsetting details of domestic abuse, alcoholism, and bereavement, this is ultimately an affirmation of the strength and power of women’s friendships.
For more contemporary fiction from Allie Cresswell, check out Relative Strangers, a book about what it means to be 'family'.
416 pages, Kindle Edition
Published April 25, 2023
About the author
Allie Cresswell
32 books112 followersI have been writing stories since I could hold a pencil and by the time I was in Junior School I was writing copiously and sometimes almost legibly.
It was at this time that I had the difference between fiction and lies forcefully impressed upon me, after penning a long and entirely spurious account of my grandfather’s death and funeral.....
The teacher had permitted it as being good therapy for bereavement whereas in fact it was only a good excuse to get out of learning my multiplication tables (something I have never achieved).
Clearly I was forgiven. For for my next birthday I asked for a stack of writing paper and my parents obliged, it being more easily obtained and wrapped than a pony.
A BA in English and Drama at Birmingham University was followed by an MA in English at Queen Mary College but marriage and motherhood put my writing career on hold for some years until 1992 when I began work on Game Show.
In the meantime I worked as a production manager for an educational publishing company, an educational resources copywriter, a bookkeeper for a small printing firm, and was the landlady of a country pub in Yorkshire, a small guest house in Cheshire and the proprietor of a group of boutique holiday cottages in Cumbria.
I taught literature in the community for a while, but now write full time.
I have two grown-up children, three granddaughters and two grandsons and am married to Tim. We live on the Cumbrian Solway Firth.
I live in Cheshire.
It was at this time that I had the difference between fiction and lies forcefully impressed upon me, after penning a long and entirely spurious account of my grandfather’s death and funeral.....
The teacher had permitted it as being good therapy for bereavement whereas in fact it was only a good excuse to get out of learning my multiplication tables (something I have never achieved).
Clearly I was forgiven. For for my next birthday I asked for a stack of writing paper and my parents obliged, it being more easily obtained and wrapped than a pony.
A BA in English and Drama at Birmingham University was followed by an MA in English at Queen Mary College but marriage and motherhood put my writing career on hold for some years until 1992 when I began work on Game Show.
In the meantime I worked as a production manager for an educational publishing company, an educational resources copywriter, a bookkeeper for a small printing firm, and was the landlady of a country pub in Yorkshire, a small guest house in Cheshire and the proprietor of a group of boutique holiday cottages in Cumbria.
I taught literature in the community for a while, but now write full time.
I have two grown-up children, three granddaughters and two grandsons and am married to Tim. We live on the Cumbrian Solway Firth.
I live in Cheshire.
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May 7, 2023
My thanks to author Allie Cresswell for inviting me to take part in the blog tour for her newest book The Widow’s Weeds!
The Widow’s Weeds is the third in the ‘Widows’ series of books by Cresswell, contemporary women’s fiction which focuses on a group of middle-aged and older women (most of whom have lost their husbands), who are not only friends but also a support system for each other as they deal with everyday life and its challenges. While the books feature recurring characters and can be enjoyed as a series, each is also a completely self-contained story, and someone like me who hadn’t read previous books in the series could enjoy it own its own.
This book proceeds in two parallel threads—slightly separated by time—the first the story of Viola who is unhappily married to the successful businessman Graham and finds solace only in her garden, and the other (which we soon realise is in the present day) that of Maisie Wilde, who is engaged in renovating her home, while also preparing for her daughter’s approaching wedding. In the present, Maisie is having her house renovated, intending it to be a refuge for women like herself, dealing with grief and loneliness but with nowhere to go. Maisie is also seemingly being wooed by the suave and capable Oliver Harrington, though he never clearly tells her how he feels and she herself is unsure of her feelings. Alongside, Maisie’s daughter Frances is getting married and moving abroad—while Frances appeared to want a simple wedding and would shoot down anything Maisie suggested, she seems to have agreed to the elaborate wedding her mother-in-law-to-be is planning, upsetting Maisie. Maisie’s group of friends is invited to the wedding though, so Minnie, Amy, Gwen, and Gloria are all excited to attend. Viola, who in the current day presents a very different image (alcoholic and spiteful) from the one we see in the parallel thread, is also part of the group, but at this point is said to have gone to visit her son, and is out of contact with the others, something that worries Maisie.
Viola in the past is miserable in her marriage to the controlling Graham. When things take a turn for the worse, she finally leaves, supported by her son Brian. Starting a new life, where everything seems dreary and pointless, and in which she keenly misses her garden, the only thing that gave her any comfort, Viola struggles, but slowly becomes involved in helping victims of domestic violence, a community allotment project, and other activities which start to bring meaning into her life. But how from all of this did poor Viola slide into a downward spiral?
As these stories unfold, we see both how Viola’s past has moulded her present (that image which seems to make little sense at first) and how things turn out for her, as also how Maisie copes with these various struggles of life, each bringing its own dilemmas and challenges.
An engagingly written tale, The Widow’s Weeds is a book that deals with a range of themes from friendship, support and community to grief and loss, family and children, love and second chances, as also graver themes like domestic abuse, alcoholism and addiction, and rehabilitation. The author does a wonderful job exploring the characters and their stories (whether it is those whose tales are centre-stage in the book---Viola and Maisie and to a lesser extent Val, but also those who remain in the background) bringing out their different personalities, the predicaments they face and the nuances of different relationships and situations. All of the themes are handled with sensitivity, but at the same time never taking away from any issue or situation’s gravity.
Viola’s story brings up among other things the issue of domestic abuse, and particularly how victims sometimes fall into the mindset of accepting it (finding the reason within themselves) and are unwilling to walk out of abusive relationships. But as Viola starts her new life eventually working with victims, we not only see typical cases, but also the different forms and shades this can take, that one doesn’t perhaps consider or is aware of. These are harrowing stories, but they are not without hope: support and love play the key part in restoring lives.
Support and community likewise are another theme that we see in the book; whether it is the organisation/charity that helps Viola and which she becomes involved with (of which Gwen is also a part), or the community allotment project which not only becomes a place of comfort for Viola but extends such aid to countless others, each suffering different problems and for whom both the gardening itself and the company (even if they don’t as such interact) can provide healing. And while Viola only realises later the group of ‘widows’ too are a similar support structure proving friendship, company and help. In a side thread, support for animals in need of rescue also comes up as a small charity which Val (Gwen’s partner) pretty much manages single-handedly is taken over by an organisation with different motivations, and once again, it is the community that comes to her aid.
There are some romance threads in the book as well, with the different women from the group finding or being offered chances or second chances at love. These bring some joy but also their own trials and dilemmas as does another form of love, those between families—Brian, Viola’s son is a pillar of support for his mother, helping her restart her life; Maisie perhaps doesn’t share the closest relationship with her daughter Frances and feels side-lined from the wedding, but her stepson Michael provides unexpected support; her own son, though loving, has his own issues to deal with. Flowing with love is also loss, and each in the group deal with grief and loss in their own ways too, Maisie seems to have been set free in a sense by her widowhood, while others including Minnie are completely absorbed in their grief; loss also hits hard other characters from whom ‘love’ perhaps held a different meaning.
Amidst these graver themes and stories, there are also lighter moments including a thread of humour brought in by Maisie and her friends’ choices of outfit for Frances’ wedding!
All in all, The Widow’s Weeds is a wonderful piece of contemporary fiction which showcases the power of community, support and friendship, which can make better the worst of situations.
The Widow’s Weeds is the third in the ‘Widows’ series of books by Cresswell, contemporary women’s fiction which focuses on a group of middle-aged and older women (most of whom have lost their husbands), who are not only friends but also a support system for each other as they deal with everyday life and its challenges. While the books feature recurring characters and can be enjoyed as a series, each is also a completely self-contained story, and someone like me who hadn’t read previous books in the series could enjoy it own its own.
This book proceeds in two parallel threads—slightly separated by time—the first the story of Viola who is unhappily married to the successful businessman Graham and finds solace only in her garden, and the other (which we soon realise is in the present day) that of Maisie Wilde, who is engaged in renovating her home, while also preparing for her daughter’s approaching wedding. In the present, Maisie is having her house renovated, intending it to be a refuge for women like herself, dealing with grief and loneliness but with nowhere to go. Maisie is also seemingly being wooed by the suave and capable Oliver Harrington, though he never clearly tells her how he feels and she herself is unsure of her feelings. Alongside, Maisie’s daughter Frances is getting married and moving abroad—while Frances appeared to want a simple wedding and would shoot down anything Maisie suggested, she seems to have agreed to the elaborate wedding her mother-in-law-to-be is planning, upsetting Maisie. Maisie’s group of friends is invited to the wedding though, so Minnie, Amy, Gwen, and Gloria are all excited to attend. Viola, who in the current day presents a very different image (alcoholic and spiteful) from the one we see in the parallel thread, is also part of the group, but at this point is said to have gone to visit her son, and is out of contact with the others, something that worries Maisie.
Viola in the past is miserable in her marriage to the controlling Graham. When things take a turn for the worse, she finally leaves, supported by her son Brian. Starting a new life, where everything seems dreary and pointless, and in which she keenly misses her garden, the only thing that gave her any comfort, Viola struggles, but slowly becomes involved in helping victims of domestic violence, a community allotment project, and other activities which start to bring meaning into her life. But how from all of this did poor Viola slide into a downward spiral?
As these stories unfold, we see both how Viola’s past has moulded her present (that image which seems to make little sense at first) and how things turn out for her, as also how Maisie copes with these various struggles of life, each bringing its own dilemmas and challenges.
An engagingly written tale, The Widow’s Weeds is a book that deals with a range of themes from friendship, support and community to grief and loss, family and children, love and second chances, as also graver themes like domestic abuse, alcoholism and addiction, and rehabilitation. The author does a wonderful job exploring the characters and their stories (whether it is those whose tales are centre-stage in the book---Viola and Maisie and to a lesser extent Val, but also those who remain in the background) bringing out their different personalities, the predicaments they face and the nuances of different relationships and situations. All of the themes are handled with sensitivity, but at the same time never taking away from any issue or situation’s gravity.
Viola’s story brings up among other things the issue of domestic abuse, and particularly how victims sometimes fall into the mindset of accepting it (finding the reason within themselves) and are unwilling to walk out of abusive relationships. But as Viola starts her new life eventually working with victims, we not only see typical cases, but also the different forms and shades this can take, that one doesn’t perhaps consider or is aware of. These are harrowing stories, but they are not without hope: support and love play the key part in restoring lives.
Support and community likewise are another theme that we see in the book; whether it is the organisation/charity that helps Viola and which she becomes involved with (of which Gwen is also a part), or the community allotment project which not only becomes a place of comfort for Viola but extends such aid to countless others, each suffering different problems and for whom both the gardening itself and the company (even if they don’t as such interact) can provide healing. And while Viola only realises later the group of ‘widows’ too are a similar support structure proving friendship, company and help. In a side thread, support for animals in need of rescue also comes up as a small charity which Val (Gwen’s partner) pretty much manages single-handedly is taken over by an organisation with different motivations, and once again, it is the community that comes to her aid.
There are some romance threads in the book as well, with the different women from the group finding or being offered chances or second chances at love. These bring some joy but also their own trials and dilemmas as does another form of love, those between families—Brian, Viola’s son is a pillar of support for his mother, helping her restart her life; Maisie perhaps doesn’t share the closest relationship with her daughter Frances and feels side-lined from the wedding, but her stepson Michael provides unexpected support; her own son, though loving, has his own issues to deal with. Flowing with love is also loss, and each in the group deal with grief and loss in their own ways too, Maisie seems to have been set free in a sense by her widowhood, while others including Minnie are completely absorbed in their grief; loss also hits hard other characters from whom ‘love’ perhaps held a different meaning.
Amidst these graver themes and stories, there are also lighter moments including a thread of humour brought in by Maisie and her friends’ choices of outfit for Frances’ wedding!
All in all, The Widow’s Weeds is a wonderful piece of contemporary fiction which showcases the power of community, support and friendship, which can make better the worst of situations.
April 9, 2023
In this story the main focus is on Viola however other characters such as Maisie have a significant part to play too, Maisie being the lynchpin that holds the story together. Viola is just one character that has a torrid time with a sometimes dark storyline featuring abuse, coercive control, bullying and addiction. It’s the beauty of the author’s writing that all these characters have such distinct personalties enabling the reader to feel fully invested in their individual stories. Viola is recovering from traumatic events whilst Maisie is dealing with a whole load of issues including the details (or rather the lack of) of her daughter’s wedding and overseeing the complete renovation of her house into not exactly a commune but somewhere where her female friends could live in safety and with companionship; she is the one that everyone goes to for advice and support and seems to take everyone’s problems on her shoulders. It is clear that Maisie has had a troubled past with her late husband and is still finding her way forward with, and without, the support of her children, including her selfish and rather unpleasant daughter Frances, the bride to be.
This third book in the series can very much be read and enjoyed as a standalone. I haven’t read the previous two books, although I have since purchased them as I enjoyed this one so much. I didn’t feel as though I missed out at all by not being familiar with the characters and their backstories as there is enough detail where needed to make a new reader feel at home.
Some of the story makes for troubling and difficult reading and there were occasions when I was totally shocked by dramatic events but there is nothing gratuitous and instead the writing is sensitive and insightful with touches of observational humour. The Widow’s Weeds is very much a book of light and shade with the darker content in contrast to the heartwarming friendship and support given by the widows and their true friends. I would make one observation. From my initial impressions, I had imagined Maisie to be much older in years and of retirement age, however I was very much surprised to learn she was actually in her late forties.
I enjoyed The Widow’s Weeds very much and have no hesitation in recommending this captivating story of friendship and hope.
This third book in the series can very much be read and enjoyed as a standalone. I haven’t read the previous two books, although I have since purchased them as I enjoyed this one so much. I didn’t feel as though I missed out at all by not being familiar with the characters and their backstories as there is enough detail where needed to make a new reader feel at home.
Some of the story makes for troubling and difficult reading and there were occasions when I was totally shocked by dramatic events but there is nothing gratuitous and instead the writing is sensitive and insightful with touches of observational humour. The Widow’s Weeds is very much a book of light and shade with the darker content in contrast to the heartwarming friendship and support given by the widows and their true friends. I would make one observation. From my initial impressions, I had imagined Maisie to be much older in years and of retirement age, however I was very much surprised to learn she was actually in her late forties.
I enjoyed The Widow’s Weeds very much and have no hesitation in recommending this captivating story of friendship and hope.
April 23, 2023
I have become an increasing fan of Allie Cresswell’s books over the last years, so have been looking forward to this release., which did not disappoint.
A series set in modern times, The Widow’s Weeds is based around a collection of disconsolate widows, all with their own story to tell. In each book in the series, we are furnished with a more in depth look into the lives of one or two of the characters. This time it was the turn of Maisie, gathering herself to move on in life and address her future and Viola, who first must without question address and face her past. On the surface perhaps it seems that these two ladies have little in common, one very gentle and self-effacing, the other acerbic and hate-filled, but there are various reasons why they begin to seek the other’s company. Heartbreak is dealt with in its many forms, along with the more difficult topic of domestic abuse, both of the physical and psychological nature, in a truthful but sensitive manner. In fact, many other social problems are touched upon, including bullying, sexuality, alcohol abuse and coercive control. It’s a book that will pull you in and leave you wanting a sequel! You may want to find out the stories of some of the other widows by reading the previous two books in the series, although it’s not imperative, as this book can stand alone. Grab a cup of tea, set aside some hours for yourself and enjoy!
A series set in modern times, The Widow’s Weeds is based around a collection of disconsolate widows, all with their own story to tell. In each book in the series, we are furnished with a more in depth look into the lives of one or two of the characters. This time it was the turn of Maisie, gathering herself to move on in life and address her future and Viola, who first must without question address and face her past. On the surface perhaps it seems that these two ladies have little in common, one very gentle and self-effacing, the other acerbic and hate-filled, but there are various reasons why they begin to seek the other’s company. Heartbreak is dealt with in its many forms, along with the more difficult topic of domestic abuse, both of the physical and psychological nature, in a truthful but sensitive manner. In fact, many other social problems are touched upon, including bullying, sexuality, alcohol abuse and coercive control. It’s a book that will pull you in and leave you wanting a sequel! You may want to find out the stories of some of the other widows by reading the previous two books in the series, although it’s not imperative, as this book can stand alone. Grab a cup of tea, set aside some hours for yourself and enjoy!
April 8, 2023
An extremely emotional story.
A brilliantly written and heart-wrenching story told in two alternating time frames.
Viola's past, the demons she faced and how she overcame them, is an extremely emotional, and at times, hard to read part of this book.
Cleverly moving into the present with Maisie, who has her own issues to deal with; her daughter's wedding is approaching, there is trouble at the farm behind her property, and she is confused regarding the signals she is receiving from her neighbour, Oliver.
A thoroughly enjoyable read, with excellent characters, and incredible detail, and i would not hesitate in recommending it.
(I received an ARC in exchange for an honest review).
A brilliantly written and heart-wrenching story told in two alternating time frames.
Viola's past, the demons she faced and how she overcame them, is an extremely emotional, and at times, hard to read part of this book.
Cleverly moving into the present with Maisie, who has her own issues to deal with; her daughter's wedding is approaching, there is trouble at the farm behind her property, and she is confused regarding the signals she is receiving from her neighbour, Oliver.
A thoroughly enjoyable read, with excellent characters, and incredible detail, and i would not hesitate in recommending it.
(I received an ARC in exchange for an honest review).
May 8, 2023
review - https://booksteacupreviews.com/2023/0...
The Widow’s Weeds is contemporary fiction, third book in ‘Widows’ series, that follows Viola’s story along with continuing Maisie’s story from previous books. The story is about domestic abuse, struggle of victims of domestic abuse, survival, grief, loss, alcoholism, addiction, bullying, manipulation, bereavement and finding a support system and contentment through friendship, and embracing passion to heal.
+/- Writing is same as previous books, descriptive and emotive but this time there is heavy theme and darkness that comes with it. The story is written in dual timeline with alternative third person narrative from Viola and Maisie’s perspective. The Pace was mostly steady but I found this even slower than previous books. The middle portion is dragged too much and I often wanted to skim read so I could read it fast.
+ Viola’s story takes us six years back starting from her unhappy abusive marriage, her love for garden and how one day she was almost beaten to death that pushed her to get out of the clutches of her oppressive and cruel husband, finding her way in the world, struggling with the mental trauma of her marriage and how gardening and meeting other women who went through the same helped her have hope, happiness and belief in love.
+ Her journey is most touching, sensitive, and emotive. I loved reading her perspective. I was curious to find out how she turned from a timid housewife who had lots of love in her heart turned into an alcoholic, bitter shell in the present. I was also curious to know why her relationship with her son was complicated when it was clear in early chapters that he was on her side and even helped her settle her divorce and the money she received from it, why she was living in the current house when she could have a better house with the garden she loves so much.
+ My heart ached reading how much she has gone through in the past six years. I liked how she was aware of what she was doing even in alcohol-induced daze. She felt everything from what happened to what she did to others and I loved how she accepted help when it has become too much.
+/- As for the Maisie. I have to say I didn’t enjoy her portion as much as previous book. There were some amazing moments like when she, Frances and Micheal talked about her grief that made her realize what she felt and also when she could figure out what she wanted with her complicated love life. But up to that point I was pretty much frustrated with whole drama.
– I was tired of waiting to see the solution of love triangle. It was clear Oliver isn’t right for her. There was something off about him and the feeling kept increasing as the story progressed. Oliver was more overbearing in this book and I hated him for trying to control Maisie and her life. Maisie could see and feel that too but was afraid of his reaction and also not wanting to ruin the friendship which unltimately kept giving wrong signals to Oliver making the scenario and drama more annoying.
+ I had no clue where things are going and how everything will turn out until it was revealed in the climax. I wasn’t surprised to see Oliver’s true face in the climax. But at the same time, I was worried about Maisie. I felt bad for her and I could see how the whole situation took off the chunk of her confidence. Viola was mind-blowing in this part. I loved how she healed or at least is on the path of healing and how she helped Maisie. End is satisfying, uplifting, and hopeful.
Overall, The Widow’s Weeds is touching, emotive and heart-wrenching contemporary about domestic abuse but I didn’t enjoy the slow pace and romantic complications.
The Widow’s Weeds is contemporary fiction, third book in ‘Widows’ series, that follows Viola’s story along with continuing Maisie’s story from previous books. The story is about domestic abuse, struggle of victims of domestic abuse, survival, grief, loss, alcoholism, addiction, bullying, manipulation, bereavement and finding a support system and contentment through friendship, and embracing passion to heal.
+/- Writing is same as previous books, descriptive and emotive but this time there is heavy theme and darkness that comes with it. The story is written in dual timeline with alternative third person narrative from Viola and Maisie’s perspective. The Pace was mostly steady but I found this even slower than previous books. The middle portion is dragged too much and I often wanted to skim read so I could read it fast.
+ Viola’s story takes us six years back starting from her unhappy abusive marriage, her love for garden and how one day she was almost beaten to death that pushed her to get out of the clutches of her oppressive and cruel husband, finding her way in the world, struggling with the mental trauma of her marriage and how gardening and meeting other women who went through the same helped her have hope, happiness and belief in love.
+ Her journey is most touching, sensitive, and emotive. I loved reading her perspective. I was curious to find out how she turned from a timid housewife who had lots of love in her heart turned into an alcoholic, bitter shell in the present. I was also curious to know why her relationship with her son was complicated when it was clear in early chapters that he was on her side and even helped her settle her divorce and the money she received from it, why she was living in the current house when she could have a better house with the garden she loves so much.
+ My heart ached reading how much she has gone through in the past six years. I liked how she was aware of what she was doing even in alcohol-induced daze. She felt everything from what happened to what she did to others and I loved how she accepted help when it has become too much.
+/- As for the Maisie. I have to say I didn’t enjoy her portion as much as previous book. There were some amazing moments like when she, Frances and Micheal talked about her grief that made her realize what she felt and also when she could figure out what she wanted with her complicated love life. But up to that point I was pretty much frustrated with whole drama.
– I was tired of waiting to see the solution of love triangle. It was clear Oliver isn’t right for her. There was something off about him and the feeling kept increasing as the story progressed. Oliver was more overbearing in this book and I hated him for trying to control Maisie and her life. Maisie could see and feel that too but was afraid of his reaction and also not wanting to ruin the friendship which unltimately kept giving wrong signals to Oliver making the scenario and drama more annoying.
+ I had no clue where things are going and how everything will turn out until it was revealed in the climax. I wasn’t surprised to see Oliver’s true face in the climax. But at the same time, I was worried about Maisie. I felt bad for her and I could see how the whole situation took off the chunk of her confidence. Viola was mind-blowing in this part. I loved how she healed or at least is on the path of healing and how she helped Maisie. End is satisfying, uplifting, and hopeful.
Overall, The Widow’s Weeds is touching, emotive and heart-wrenching contemporary about domestic abuse but I didn’t enjoy the slow pace and romantic complications.
April 22, 2023
This is the third book in the Widows series, you don't have to read these in order. Having read them myself I can say they are wonderful ones so it would be a shame not to read them.
This is an author who really knows how to draw you into a story, and all of these books in this series have been fabulous. The author has focused this book on Viola and Maisie. Viola is quite a snappy woman and seems very different to the others, so the author decided to show us more of her and what had happened to make her so. Maisie is the owner of a large house, it is being renovated and she is also dealing with her daughter's marriage and various other things that her other friends are dealing with.
The widows are a mix of women who have come together in various ways, not all widows, but are single and are actually quite vulnerable. The author uses a wonderful analogy in this story to show how, as individuals, they are alone and not as strong, but as they come together they become stronger. The message behind this story is one that brings the struggles of single people who have been through hardships of one sort or another and rather than being victims, they become survivors.
I adored how the author has brought various stories out in this book. There are mentions of domestic violence, and how people can be easily manipulated when they are unsure of how they should act. Being part of a couple is something different when you suddenly find yourself alone, you suddenly have to work out who you are as an individual.
The author does not shy away from bringing some tough subjects to the table with this story and with mentions of abuse, addiction and bereavement and she does it in quite an honest but also compassionate way. The problems are mentioned and how they have an effect on others, but also about how people come to terms with things that happen in their lives.
The author shows that there is enjoyment to be found after a tragic or heartbreaking event, but it is hard to deal with this if you are by yourself. I am a big believer in things happening at the right time, and that you have to be ready in yourself to deal with things as they come around. I know personally about living in a violent relationship. Reading the author's story I was able to see things that had happened to me, and the author has made this a very relatable and also realistic story. I have moved on and so for me, the story did not bring up any issues. They did however highlight how you never really know someone until they are able to relate some of their experiences.
This is such a wonderful book, it is not all doom and gloom, instead, it carries the air of something better coming, of finding the belief that you can change and make a difference. A fabulous story for fans of contemporary fiction and one I would definitely recommend.
This is an author who really knows how to draw you into a story, and all of these books in this series have been fabulous. The author has focused this book on Viola and Maisie. Viola is quite a snappy woman and seems very different to the others, so the author decided to show us more of her and what had happened to make her so. Maisie is the owner of a large house, it is being renovated and she is also dealing with her daughter's marriage and various other things that her other friends are dealing with.
The widows are a mix of women who have come together in various ways, not all widows, but are single and are actually quite vulnerable. The author uses a wonderful analogy in this story to show how, as individuals, they are alone and not as strong, but as they come together they become stronger. The message behind this story is one that brings the struggles of single people who have been through hardships of one sort or another and rather than being victims, they become survivors.
I adored how the author has brought various stories out in this book. There are mentions of domestic violence, and how people can be easily manipulated when they are unsure of how they should act. Being part of a couple is something different when you suddenly find yourself alone, you suddenly have to work out who you are as an individual.
The author does not shy away from bringing some tough subjects to the table with this story and with mentions of abuse, addiction and bereavement and she does it in quite an honest but also compassionate way. The problems are mentioned and how they have an effect on others, but also about how people come to terms with things that happen in their lives.
The author shows that there is enjoyment to be found after a tragic or heartbreaking event, but it is hard to deal with this if you are by yourself. I am a big believer in things happening at the right time, and that you have to be ready in yourself to deal with things as they come around. I know personally about living in a violent relationship. Reading the author's story I was able to see things that had happened to me, and the author has made this a very relatable and also realistic story. I have moved on and so for me, the story did not bring up any issues. They did however highlight how you never really know someone until they are able to relate some of their experiences.
This is such a wonderful book, it is not all doom and gloom, instead, it carries the air of something better coming, of finding the belief that you can change and make a difference. A fabulous story for fans of contemporary fiction and one I would definitely recommend.
April 18, 2023
Such a great read! I'm going to have to read many more of Allie Cresswell's novels.
Things have moved on a bit since we first met Maisie in the first of this series; she now has a group of friends and when Viola disappears - ostensibly to visit her son - she misses her. Despite Viola's sharp tongue, they had bonded over their love of all things gardening. However, Maisie is kept occupied with work being done to her home, her other friends and the friendship with Oliver. Does he want more? How will she know?
I loved being back in Maisie's world; having really enjoyed the first novel which was all about her entering widowhood, it was good to see how things were moving on for her and to catch up with all the other characters too. It's fair to say she has flourished since then, but she is under a lot of pressure in this third novel; workmen under her feet, worries about her friends and her daughter's wedding looming ever closer. Never a dull moment in this one, and I adored everything about it. I really hope this series continues - it's a belter! Five sparkling stars, singing and dancing all the way.
Things have moved on a bit since we first met Maisie in the first of this series; she now has a group of friends and when Viola disappears - ostensibly to visit her son - she misses her. Despite Viola's sharp tongue, they had bonded over their love of all things gardening. However, Maisie is kept occupied with work being done to her home, her other friends and the friendship with Oliver. Does he want more? How will she know?
I loved being back in Maisie's world; having really enjoyed the first novel which was all about her entering widowhood, it was good to see how things were moving on for her and to catch up with all the other characters too. It's fair to say she has flourished since then, but she is under a lot of pressure in this third novel; workmen under her feet, worries about her friends and her daughter's wedding looming ever closer. Never a dull moment in this one, and I adored everything about it. I really hope this series continues - it's a belter! Five sparkling stars, singing and dancing all the way.
April 22, 2023
The third story in the 'Widows Series' is beautifully written and follows Viola and Maisie down their own timelines, joining up in the final few chapters.
Allie Cresswell tackles difficult, and often heartbreaking, subjects in a way which brings compassion and helps to develop understanding. This is not an easy task.
She puts such real, relatable life into her characters.
As their stories progress, it becomes quite compulsive reading, mostly to ensure that the aggressors get their comeuppance.
Reading it is worth it to see both Maisie and Viola transition from caterpillar to butterfly.
Allie Cresswell tackles difficult, and often heartbreaking, subjects in a way which brings compassion and helps to develop understanding. This is not an easy task.
She puts such real, relatable life into her characters.
As their stories progress, it becomes quite compulsive reading, mostly to ensure that the aggressors get their comeuppance.
Reading it is worth it to see both Maisie and Viola transition from caterpillar to butterfly.
May 4, 2023
This the third book in the Widows series and as I haven’t read the previous books, I can say it definitely works as a standalone. I soon became familiar with the characters who were showcased in previous books. In the first book, The Hoarder’s Widow, Maisie lost her husband suddenly and it was only after his death she began to understand why he was driven to hoard things to such a degree.
Minnie, in The Widow’s Mite, married later in life and when she was left alone in the large house where she and her husband lived, no-one guessed the dire straits Minnie found herself in. But there was hope on the horizon. The Widow’s Weeds centres around Viola, and includes the ladies from the previous books. They have become friends through Gwen, the catalyst, helping abused and vulnerable women to heal and hopefully begin new lives. Maisie’s story runs alongside Viola’s as she copes with house renovations, an over attentive admirer and her prickly daughter’s wedding.
Viola’s husband was an unpredictable abuser, she never knew when some usually small thing would set him off. Her garden was her haven and she spent hours crafting a beautiful and calm space until the day she found herself in hospital, lucky to be alive.
The story alternates between Maisie’s and Viola’s perspectives, two complete opposites, although they have a shared love of gardening and a need to come to terms with both past and present. Maisie is a gentle soul, always thinking of others and putting them first, as opposed to waspish and disagreeable Viola. From the beginning we know how horrendous Viola’s life had been and I could only feel sympathy for her, yet at the same time wonder why she stayed. Life hadn’t been kind to her and the final blow completely knocked her for six and sent her off the rails.
Allie Cresswell has insightfully created a cast of fully formed characters, taking the reader into their lives with descriptive prose loaded with imagery and flashes of humour. Themes of abuse, manipulation, bereavement and alcoholism are dealt with sympathetically and without being gratuitous. The Widow’s Weeds is about women helping other women, forging friendships and finding the strength to deal with what life throws at them and is ultimately, despite all that happens, an uplifting story.
Minnie, in The Widow’s Mite, married later in life and when she was left alone in the large house where she and her husband lived, no-one guessed the dire straits Minnie found herself in. But there was hope on the horizon. The Widow’s Weeds centres around Viola, and includes the ladies from the previous books. They have become friends through Gwen, the catalyst, helping abused and vulnerable women to heal and hopefully begin new lives. Maisie’s story runs alongside Viola’s as she copes with house renovations, an over attentive admirer and her prickly daughter’s wedding.
Viola’s husband was an unpredictable abuser, she never knew when some usually small thing would set him off. Her garden was her haven and she spent hours crafting a beautiful and calm space until the day she found herself in hospital, lucky to be alive.
The story alternates between Maisie’s and Viola’s perspectives, two complete opposites, although they have a shared love of gardening and a need to come to terms with both past and present. Maisie is a gentle soul, always thinking of others and putting them first, as opposed to waspish and disagreeable Viola. From the beginning we know how horrendous Viola’s life had been and I could only feel sympathy for her, yet at the same time wonder why she stayed. Life hadn’t been kind to her and the final blow completely knocked her for six and sent her off the rails.
Allie Cresswell has insightfully created a cast of fully formed characters, taking the reader into their lives with descriptive prose loaded with imagery and flashes of humour. Themes of abuse, manipulation, bereavement and alcoholism are dealt with sympathetically and without being gratuitous. The Widow’s Weeds is about women helping other women, forging friendships and finding the strength to deal with what life throws at them and is ultimately, despite all that happens, an uplifting story.
May 2, 2023
As a new reader to the Widows series of novels I plunged into Viola’s story, captivated by her lovely garden and horrified by the cruelty of her oppressive husband. In a dramatic, distressing scene, things come to head and her life should change for the better but at the expense of the most important thing in her life.
“She did not weep for the wreckage of her marriage…
She wept for her garden…
She mourned the blooms she would not see, the produce she would not harvest, the obliteration of her life’s work by spiteful nettle and vicious thorn.”
Six years later we meet Maisie who will be familiar to readers of the earlier books. While major renovations are taking place at her house, Old Farm Hall, she is living with Minnie, another widow who will continue to be one of her housemates. She talks of Viola, now part of their friendship group but an intolerant woman who seems to prefer gardens to people. Viola’s absence, apparently staying with her son in London, worries Maisie as she tries to plan events surrounding her daughter’s wedding in Oxford. But Maisie has no control over the wedding in which Frances seems to have little interest.
In alternate chapters Viola’s story is revealed in the past tense then Maisie’s current confusion is described in the present tense. I became hopeful that Viola might find a new reason to look forward to the future, but Maisie seemed to be losing control of her life as others made decisions for her. Would the support of their friends be enough?
Although some of the men encountered in this story cover their weakness by controlling behaviour, there are two men whom we can admire and rejoice in. The women in this book are moving from midlife into their later years with an increased awareness of their own power to find contentment through fellowship and embracing their personal passions. A thought-provoking theme incorporating effective metaphors from the author’s knowledge of flowers, which I very much enjoyed.
“She did not weep for the wreckage of her marriage…
She wept for her garden…
She mourned the blooms she would not see, the produce she would not harvest, the obliteration of her life’s work by spiteful nettle and vicious thorn.”
Six years later we meet Maisie who will be familiar to readers of the earlier books. While major renovations are taking place at her house, Old Farm Hall, she is living with Minnie, another widow who will continue to be one of her housemates. She talks of Viola, now part of their friendship group but an intolerant woman who seems to prefer gardens to people. Viola’s absence, apparently staying with her son in London, worries Maisie as she tries to plan events surrounding her daughter’s wedding in Oxford. But Maisie has no control over the wedding in which Frances seems to have little interest.
In alternate chapters Viola’s story is revealed in the past tense then Maisie’s current confusion is described in the present tense. I became hopeful that Viola might find a new reason to look forward to the future, but Maisie seemed to be losing control of her life as others made decisions for her. Would the support of their friends be enough?
Although some of the men encountered in this story cover their weakness by controlling behaviour, there are two men whom we can admire and rejoice in. The women in this book are moving from midlife into their later years with an increased awareness of their own power to find contentment through fellowship and embracing their personal passions. A thought-provoking theme incorporating effective metaphors from the author’s knowledge of flowers, which I very much enjoyed.
April 25, 2023
Another engrossing read from Allie Creswell. First, reader, admire the title. "Widow's weeds" was the term used to describe the kind of drab mourning clothes that--for example--Queen Victoria wore. Queen Victoria stubbornly clung to her widowhood for decades, but she could afford to. The widows in Allie Creswell's "Widows" series are trying to find meaning in their lives after losing their identity as wives. Some of them were so used to being accommodating, were so reliant on their husbands, that widowhood leaves them adrift. That was certainly the case with Maisie and Minnie, the first two widows in the series. In this book, which can be read as a stand-alone, Viola starts as a divorced woman, but she always had her own passion, which was gardening. That takes us back to the clever double meaning of the title, the weeds that choke up a neglected garden.
Allie Creswell takes up the difficult topic of domestic abuse in this story, and explores the shame, guilt, and conflicting feelings that keeps its victims from seeking help. This is not an anti-male book, however. The "Widow's" series includes vividly-drawn characters who run the gamut from cruel and selfish and dominating, to kind and gentle--both men and women.
I so admire Allie Creswell's ability to evoke place--from the country cottage of a seemingly respectable and happily-married couple, we move to a barren apartment and a peaceful refuge in a community garden. Bit by bit, Creswell arouses our suspicion and curiosity until events move to a dramatic climax. As mentioned, you could read each book as a stand-alone but the stories of this group of female friends are deftly woven together and I recommend reading the entire series.
Allie Creswell takes up the difficult topic of domestic abuse in this story, and explores the shame, guilt, and conflicting feelings that keeps its victims from seeking help. This is not an anti-male book, however. The "Widow's" series includes vividly-drawn characters who run the gamut from cruel and selfish and dominating, to kind and gentle--both men and women.
I so admire Allie Creswell's ability to evoke place--from the country cottage of a seemingly respectable and happily-married couple, we move to a barren apartment and a peaceful refuge in a community garden. Bit by bit, Creswell arouses our suspicion and curiosity until events move to a dramatic climax. As mentioned, you could read each book as a stand-alone but the stories of this group of female friends are deftly woven together and I recommend reading the entire series.
May 2, 2023
This is an extremely well-written novel that will reach out and grab your feelings, and it won’t let go until the last page. I felt sadness, rage, surprise, exasperation, suspicion, and also peace, friendship, and heart-touching joy all in the space of around 400 pages. As the book description says, there is domestic abuse in this book, and it just explodes off the page in violence, manipulation, pain, and fury. It is real-life writing that doesn’t pull any punches. The book is mainly written from the points of view of either Viola or Maisie. The chapters entitled Viola are written in past tense, while the chapters entitled Maisie are written in present tense. I think that is a nice and skillful touch from a talented author.
I love the role of the garden in this book as an escape and a place of joy in the midst of trouble. The humble weed is also lifted up and even given some respect in this beautiful, gritty, and realistic story. As Viola says, “Weeds are flowers, just like the cultivars. You’ve got to admire them, really. They’re so tenacious, flourishing in the most unpromising soils and situations. You can tear them out, chop them up and throw them on the fire, but still, they survive. Like widows, really, when you think about it.”
This is the third book in the Widows series, and it can definitely stand alone. I, however, plan to check out the first two. I recommend this book to anyone who enjoys stories about strong women.
I received a free copy of this book but I also bought a copy in order to support a talented author. My review is voluntary and the opinions expressed are my own.
I love the role of the garden in this book as an escape and a place of joy in the midst of trouble. The humble weed is also lifted up and even given some respect in this beautiful, gritty, and realistic story. As Viola says, “Weeds are flowers, just like the cultivars. You’ve got to admire them, really. They’re so tenacious, flourishing in the most unpromising soils and situations. You can tear them out, chop them up and throw them on the fire, but still, they survive. Like widows, really, when you think about it.”
This is the third book in the Widows series, and it can definitely stand alone. I, however, plan to check out the first two. I recommend this book to anyone who enjoys stories about strong women.
I received a free copy of this book but I also bought a copy in order to support a talented author. My review is voluntary and the opinions expressed are my own.
May 3, 2023
Despite being the third story in a linked series, The Widow’s Weeds can be read as a stand alone - which I did. However, I must say that I am definitely adding the other books to my TBR.
Allie Cresswell deals with the theme of domestic violence and starting a new life with sensitivity but honesty in VIola’s story. In the beginning, we see Viola’s past life in a very rose tinted way in the opening pages - an idyllic cottage and garden filled with flowers etc. Then little clues were dropped that didn’t sit comfortably with me until it quickly worked up to something that I wasn’t expecting at all as I had read the blurb a while ago and hadn’t refreshed my memory before reading. For me, this contrast was a really good way of demonstrating how things can often look to others vs the reality of situations behind closed doors.
Moving into the future and Viola is part of a group of women, all dealing with various issues. Viola is prickly, full of hurt and rage and not always the easiest to be around but Maisie welcomes her and misses her when she disappears.
I love how Viola is a difficult person to be around. I imagine the reality of her situation would be similar. I love that she's not perfect, and is still dealing with trauma which never heals easily.
Allie has written a beautiful, sometime dark, sometimes light, story of friendship, healing and what happens when a group of women support eachother. It's an emotional roller coaster that I've lived for the past few weeks getting to know these women and I'm desperate to read the other books now.
Beautiful storytelling that is to be savoured, not devoured.
Allie Cresswell deals with the theme of domestic violence and starting a new life with sensitivity but honesty in VIola’s story. In the beginning, we see Viola’s past life in a very rose tinted way in the opening pages - an idyllic cottage and garden filled with flowers etc. Then little clues were dropped that didn’t sit comfortably with me until it quickly worked up to something that I wasn’t expecting at all as I had read the blurb a while ago and hadn’t refreshed my memory before reading. For me, this contrast was a really good way of demonstrating how things can often look to others vs the reality of situations behind closed doors.
Moving into the future and Viola is part of a group of women, all dealing with various issues. Viola is prickly, full of hurt and rage and not always the easiest to be around but Maisie welcomes her and misses her when she disappears.
I love how Viola is a difficult person to be around. I imagine the reality of her situation would be similar. I love that she's not perfect, and is still dealing with trauma which never heals easily.
Allie has written a beautiful, sometime dark, sometimes light, story of friendship, healing and what happens when a group of women support eachother. It's an emotional roller coaster that I've lived for the past few weeks getting to know these women and I'm desperate to read the other books now.
Beautiful storytelling that is to be savoured, not devoured.
May 2, 2023
This author is talented at digging deeply into relationships—and in this series it is the friendships of mature women who are now widows. By this age everyone has baggage and friendships can be both comforting and prickly. This story examines two quite different women as they work through the issues that have caught them up after losing husbands, as they discover who they can trust, and as they learn to trust themselves and each other. Allie's writing is lushly descriptive but never in excess and never boring—it weaves me into the story so well. The images created stay with me. Common and compelling ssues like domestic violence and alcohol abuse are examined here, both as they affect the original person and as they affect those around them. The author's treatment of these is realistic but she focuses not on lurid details but on the emotional impact and journeys of recovery, and how friends are instrumental in life, perhaps most especially in mature/later life when spouses are gone. This book is the third in the collection; each stands alone and focuses on separate characters in the group. Highly recommended!
April 27, 2023
The Widow’s Weeds is yet another wonderful book by Allie Cresswell. While the other books I have read by Allie were set in other time periods, this book is set in current times. It is an intensely rich yet lighthearted look at the lives of a group of mostly middle-aged friends and acquaintances whose lives are all intertwined in one way or another. Some are connected by their love of gardening, some by the trauma that they have suffered and yet others by love. In the end they rely on their friends to help them through.
Allie does such a wonderful job of conveying the character’s personalities and their emotions as they navigate some very difficult turning points in their lives. She does such a good job that I really miss knowing what is going on with the characters! My favorite character is Viola. I think it’s the very fact that she is not perfect; that she doesn’t always react to issues in her life in the best way that I love. She does rise from the ashes over and over.
I highly recommend The Widow’s Weeds and all books written by Allie.
Allie does such a wonderful job of conveying the character’s personalities and their emotions as they navigate some very difficult turning points in their lives. She does such a good job that I really miss knowing what is going on with the characters! My favorite character is Viola. I think it’s the very fact that she is not perfect; that she doesn’t always react to issues in her life in the best way that I love. She does rise from the ashes over and over.
I highly recommend The Widow’s Weeds and all books written by Allie.
April 19, 2023
The third in the ‘Widows’ series, this one centring on Viola and Maisie. Viola has a secret and a drinking problem. Maisie has troubles of her own in the form of house renovations, advances from a neighbour and preparing for her daughter’s wedding. Their lives collide in the most unlikely of ways, but will they up being friends at last?
This story deals with some serious themes, but amongst the weeds and the showers there are quite a lot of flowers and sunshine. I’ve read the previous two books, The Hoarder’s Widow and The Widow’s Mite, which I very much enjoyed. The Widow’s Weeds is no exception, it didn’t disappoint in the least bit. It’s a welcome addition to the series. It’s well written with some endearing characters plus the odd villain. I have been totally immersed in their lives for the past week. A moving tale of friendship and courage which had me turning the pages to the very end.
This story deals with some serious themes, but amongst the weeds and the showers there are quite a lot of flowers and sunshine. I’ve read the previous two books, The Hoarder’s Widow and The Widow’s Mite, which I very much enjoyed. The Widow’s Weeds is no exception, it didn’t disappoint in the least bit. It’s a welcome addition to the series. It’s well written with some endearing characters plus the odd villain. I have been totally immersed in their lives for the past week. A moving tale of friendship and courage which had me turning the pages to the very end.
April 5, 2023
This, the third book of the Widows series - completely works as a standalone - is a brilliant read from start to finish.
The focus is on Viola - the prickly member of the widow's friendship group - who is hard to love and prone to drink to excess. A skilled and obsessive gardener, Viola's past is explored on a dual time line with present day Maisie Wilde. Maisie - the Hoarders Widow - is embracing her new-found freedom and now grappling with house renovations, a forthcoming family wedding full of angst and the overwhelming attentions of a persistent suitor.
The story deals with the hard and painful issues of coercion and abuse. Peppered with observational humour and wonderful descriptive passages, it made me laugh and cry. Viola's descent into self-loathing and despair was as riveting as it was poignant. Hats off to the author.
I would thoroughly recommend this book to lovers of literary women's fiction. I would also recommend you read the other two books - The Hoarder's Widow and The Widow's Mite – not because you need to, but for sheer pleasure.
The focus is on Viola - the prickly member of the widow's friendship group - who is hard to love and prone to drink to excess. A skilled and obsessive gardener, Viola's past is explored on a dual time line with present day Maisie Wilde. Maisie - the Hoarders Widow - is embracing her new-found freedom and now grappling with house renovations, a forthcoming family wedding full of angst and the overwhelming attentions of a persistent suitor.
The story deals with the hard and painful issues of coercion and abuse. Peppered with observational humour and wonderful descriptive passages, it made me laugh and cry. Viola's descent into self-loathing and despair was as riveting as it was poignant. Hats off to the author.
I would thoroughly recommend this book to lovers of literary women's fiction. I would also recommend you read the other two books - The Hoarder's Widow and The Widow's Mite – not because you need to, but for sheer pleasure.
April 27, 2023
Creswell does it again
Allie Creswell does it, again. She has taken her gift for prose and storytelling to weave together tales that make you think long after you have gotten to the last page. The Widow's Weeds might be triggering for some; I took that as an opportunity to go with the gardening theme to decorate my own soul. I did find my emotions all over the place with these characters, but in the end, I didn't want to leave them. They have so much to share with us. When you read the book you will understand what I mean. An added bonus is gardening is good for your mental health!
Allie Creswell does it, again. She has taken her gift for prose and storytelling to weave together tales that make you think long after you have gotten to the last page. The Widow's Weeds might be triggering for some; I took that as an opportunity to go with the gardening theme to decorate my own soul. I did find my emotions all over the place with these characters, but in the end, I didn't want to leave them. They have so much to share with us. When you read the book you will understand what I mean. An added bonus is gardening is good for your mental health!
April 10, 2023
Allie Cresswell has done it again!
Superb depiction of hard hitting topics but laid out in an easy read that grips you from the very start.
Viola's experience with her abusive husband moulds her future and takes her on an unforgettable journey of recovery and discovery as she develops friendships and love.
An unforgettable read with characters that will stay with you long after you turn the last page.
Superb depiction of hard hitting topics but laid out in an easy read that grips you from the very start.
Viola's experience with her abusive husband moulds her future and takes her on an unforgettable journey of recovery and discovery as she develops friendships and love.
An unforgettable read with characters that will stay with you long after you turn the last page.
April 24, 2023
The opening chapter of The Widow’s Weeds is not for the faint-hearted. It’s a blow-by-blow – literally – account of a horrific attack. But the attack, on Viola, one of the four women at the heart of this novel, prompts first rebellion, then escape and ultimately renewal. Although it is dark and often nail-biting, I found the book uplifting and heart-warming in its celebration of stalwart friendship and the promise of love.
April 20, 2023
As we have come to expect, Ms Cresswell’s new offering displays her usual impressive command of language and imagery, pulling us into the world of several very disparate widows. This, the third in the series, focuses mostly on the lives of Maisie, rather enjoying her widowhood and Viola, a troubled soul, the reasons for which are uncovered as we read.
The lives of these two ladies and the various other women have become intertwined, the dynamic continually changing.
Emotionally astute as ever, the author delicately and sensitively deals with the topics of domestic abuse and sexuality in a highly insightful manner.
Whether you have read the first two books in the series or not, though I would recommend that you did, I am sure you will thoroughly enjoy it as a stand alone novel. Hopefully, these characters will be revisited in the future so that we can continue to follow their respective stories.
The lives of these two ladies and the various other women have become intertwined, the dynamic continually changing.
Emotionally astute as ever, the author delicately and sensitively deals with the topics of domestic abuse and sexuality in a highly insightful manner.
Whether you have read the first two books in the series or not, though I would recommend that you did, I am sure you will thoroughly enjoy it as a stand alone novel. Hopefully, these characters will be revisited in the future so that we can continue to follow their respective stories.
June 6, 2023
great summer read
This book and number 1 I really enjoyed…. You need to read #2 to get the whole story…
I plan to read more of Ms. Cresswell’s books soon
This book and number 1 I really enjoyed…. You need to read #2 to get the whole story…
I plan to read more of Ms. Cresswell’s books soon
May 21, 2024
Unlikely friendships, forged between a group of embattled women, make a heartwarming and riveting tale in The Widows Weeds. The author’s description of characters and settings drew me into the story until I felt as if I were a part of it, and I was sad when I came to the end. Imagine my delight when I learned that I had read the last in a trilogy and still have the first two books to look forward to. Author Allie Creswell weaves a wondrous web of love and loss, trial and triumph, encompassing every human emotion imaginable. 5*
May 28, 2025
I enjoyed this whole series, but I think this was the best. I would love to see the series continue.
April 28, 2023
Light- hearted and hard hitting…
It has been a pleasure to be back in the thoroughly enjoyable company of Cresswell’s Widows again. Despite covering some difficult topics the reader is pulled into the contrasting yet intertwined paths of the lives of the widows and their respective stories. It is because the worlds created and the characters therein are realistic, vivid and relatable that you care about what happens. The story is both light-hearted and hard-hitting, there are tough scenes and typical familial relationships but friendship makes life less pastel peach, more vibrantly rich teal.
I recommend this book is read in order with its sister books in the series. I think they fit better together - like the widows!
It has been a pleasure to be back in the thoroughly enjoyable company of Cresswell’s Widows again. Despite covering some difficult topics the reader is pulled into the contrasting yet intertwined paths of the lives of the widows and their respective stories. It is because the worlds created and the characters therein are realistic, vivid and relatable that you care about what happens. The story is both light-hearted and hard-hitting, there are tough scenes and typical familial relationships but friendship makes life less pastel peach, more vibrantly rich teal.
I recommend this book is read in order with its sister books in the series. I think they fit better together - like the widows!
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