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Hello Tiny Bird Brain
62 pages, Paperback
First published January 1, 2012
2 people want to read
About the author
Marcus Slease
19 books46 followersBorn in Portadown, Northern Ireland, I have made my home in Turkey, Poland, Italy, South Korea, the United States, Spain, and the United Kingdom – experiences that inform my absurd-surreal stories. My writing has been translated into Danish and Polish & featured in the Best British Poetry series. My essays, stories, poems, and reviews have appeared in various anthologies and magazines in Europe and North America, including Tin House, Fence, 3:AM, Sprung Formal, Rain Taxi, Poetry, and Versopolis Review. I have performed my work at various festivals and art galleries in Prague, Madrid, London, Bristol, Manchester, North Carolina, and Ireland. Currently, I live in Castelldefels, Spain and teach high school literature in Barcelona. My debut novel, Never Mind the Beasts, is available from Dostoyevsky Wannabe.
"Marcus Slease’s ‘Never Mind the Beasts’: probably the wildest bildungsroman since ‘Anti-Oedipus’; imagine Joyce’s ‘Portrait…’ being retold by a Leopold Bloom on a mission to steal back epiphanies from standarized marketing. An essential, liberating read."
Matt Travers, broke Mayakovsky fan
"Writing actually as love! Marcus Slease’s crinkling, crackling prose is full of sparks, full of troubles, full of wonder. Never Mind the Beasts radiates with the force, brevity and immediacy of stylists like Mary Robison, Rikki Ducornet and Diane Williams. “The demand to love,” wrote Roland Barthes at the beginning of Roland Barthes by Roland Barthes; “overflows, leaks, skids, shifts, slips”. “Writing to touch with letters, with lips, with breath,” wrote Hélène Cixous in Coming to Writing. These are the thrilling, vibratory spaces, movements and possibilities Slease’s writing opens up."
Colin Herd, author of You Name It
"Say Lydia Davis and Donald Barthelme had a son, and his life story was painted by Basquiat, and the paintings were ground up into a spice, then used to flavour a crazy-hot dish you just can’t stop eating while the scenery shifts around you: that taste might be something like Never Mind the Beasts."
Ruby Cowling, author of This Paradise
"robust pro aktiv quixotik goes evreewher is from evreewher nouns ar verbs verbs ar yu a nu way uv intraktivitee langwage th narrativ rocks takes yu evreewher thers no conclewsyun its in th going poignant tragik ekstatik have anothr box top meeting yu at th melting grange th adventurs dont stop home keeps mooving evn yu dont need 2 carree th props opn ths wun up each page fluid change meeting yu in yu alive wundrful a great xperiens ths book."
bill bissett, author of Breth /the treez uv lunaria
"Marcus Slease’s ‘Never Mind the Beasts’: probably the wildest bildungsroman since ‘Anti-Oedipus’; imagine Joyce’s ‘Portrait…’ being retold by a Leopold Bloom on a mission to steal back epiphanies from standarized marketing. An essential, liberating read."
Matt Travers, broke Mayakovsky fan
"Writing actually as love! Marcus Slease’s crinkling, crackling prose is full of sparks, full of troubles, full of wonder. Never Mind the Beasts radiates with the force, brevity and immediacy of stylists like Mary Robison, Rikki Ducornet and Diane Williams. “The demand to love,” wrote Roland Barthes at the beginning of Roland Barthes by Roland Barthes; “overflows, leaks, skids, shifts, slips”. “Writing to touch with letters, with lips, with breath,” wrote Hélène Cixous in Coming to Writing. These are the thrilling, vibratory spaces, movements and possibilities Slease’s writing opens up."
Colin Herd, author of You Name It
"Say Lydia Davis and Donald Barthelme had a son, and his life story was painted by Basquiat, and the paintings were ground up into a spice, then used to flavour a crazy-hot dish you just can’t stop eating while the scenery shifts around you: that taste might be something like Never Mind the Beasts."
Ruby Cowling, author of This Paradise
"robust pro aktiv quixotik goes evreewher is from evreewher nouns ar verbs verbs ar yu a nu way uv intraktivitee langwage th narrativ rocks takes yu evreewher thers no conclewsyun its in th going poignant tragik ekstatik have anothr box top meeting yu at th melting grange th adventurs dont stop home keeps mooving evn yu dont need 2 carree th props opn ths wun up each page fluid change meeting yu in yu alive wundrful a great xperiens ths book."
bill bissett, author of Breth /the treez uv lunaria
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Displaying 1 of 1 review
August 17, 2011
my new collection from Knives Forks and Spoons Press. Poems written while working in Elblag, Poland; Trieste, Italy and my current location of London, U.K. Influenced by many . . . London is especially influenced by the poetics of Philip Whalen.
Displaying 1 of 1 review