okay, so this is fun. lisick gets one star for humor, one star for style, and one star for rhythm. she gets no stars for condescension, and no stars for taking herself seriously (but not seriously enough). i love her quick portraits, her willingness to show affection for foibles, and her scattershot summaries. i can do without the momentary nods towards inclusiveness, and its corollary sketchiness of landscapes in time. i'm probably the last one to figure out that, for what she does, she does it really well.
style...i forget what this was about. i mean, i remember thinking, 'point for style, she's got that,' but i can't remember why. probably for not taking herself too seriously. maybe for remembering all this shit that happened, or maybe for making it all up and still pulling it off. tell you what, i can believe that a bomb-building father wearing a walrus mustache would call Jesus Christ Superstar something "very special," even if those weren't the exact words and that wasn't the exact show.
so what else? rhythm. oh yeah - this is what really made me want to write about her book. not just the 'breezy' pace of delivery, but also the rapid transition between episodes within the stories, and their variation in pattern. Here's more from our on-the-spot-anchor, Gloria:
"Well, Velcro, I'm here in Sunnyvale, where Lisick's first story is set. We have an introductory overview from the standpoint of the current moment, from an author who is aware of herself and us, and a slow jump back to the moment of the story. Following a seemingly-isolated vignette, we have a genial summary of habitual action, a transformative encounter, and the resultant epiphanies. So that's story number one.
Story number two seems to repeat this pattern, with a short scene in detail, a longer summary of idle time, and then a longer scene that spans two nights. More concise, this story does away with the introductory overview, and the summary conclusion.
Story number three develops this pattern with a longer scene at the start, a quick summary in the middle, and then a long scene at the end that only covers a few hours.
Story number four does away with the established template, and even its variations, with one long summary punctuated by instants of dialogue.
That's all for now, Velcro. I'll follow-up with further updates as events unfold. For KGR radio, I'm Gloria LaBelle in Sunnyvale."
Thanks, Gloria. And now, a word from our sponsors.
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Next up on KGR radio, we have a report on a public health crisis - the abuse of 'Sudden Insight' in narrative prose. For more on this story, we turn to Zeuner Valve, live in San Francisco.
"Thanks, Velcro. Clever, refreshing, and amusing - these are all characteristic we're used to find in the users of Sudden Insight. But pompous? Overwrought? Patronizing? We look now at the life of B., our annonymous subject, to learn how a gift can turn into a curse. B.:"All I want to say is, it's really nice of her to come down from her throne and deign to hang out with us art dorks, chess nerds, and science geeks. It's so nice of her to find out that we're interesting and complicated people, too. How lucky we are."