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Plautus: The Darker Comedies. Bacchides, Casina, and Truculentus

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The plays translated in this volume represent everything one would not expect either from the third-century B.C. playwright Plautus or from Roman comedy in general.

A common theme in all three comedies is the triumph of women over men. In Truculentus, prostitutes snare all of the men in the play; in Bacchides, the victims include fathers and sons. In Casina, Plautus creates a fantasy that turns traditional social and sexual roles upside down. The plays' mordant, cynical treatment of the normal plots and casts of Roman comedy, their dark humor rooted in homosexuality, oedipal encounters, cruelty, larceny, and prostitution, and their pervasive lack of romance or sentimentality have alternately puzzled and offended the few audiences that have seen them since the Renaissance.

Now these unusual plays have been rescued from obscurity in the best possible way—through performance. James Tatum's translations, revised from actual productions, demonstrate that these are among the most entertaining and theatrically effective of Plautus's comedies. The speakable, performable scripts, along with Tatum's introduction, notes, and critical essays summarizing his own experiences in producing them, make this a gold mine for troupes wishing to produce these classics on the contemporary stage as well as for students of classical drama.

224 pages, Paperback

First published June 1, 1983

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About the author

Plautus

1,881 books115 followers
Titus Maccius Plautus (c. 254 – 184 BC), commonly known as Plautus, was a Roman playwright of the Old Latin period. His comedies are the earliest works in Latin literature to have survived in their entirety. He wrote Palliata comoedia, the genre devised by the innovator of Latin literature, Livius Andronicus. The word Plautine refers to both Plautus's own works and works similar to or influenced by his.

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126 reviews1 follower
May 17, 2007
This is a fantastic, very performable translation by Tatum of three of Plautus' comedies. They are called darker because they all involve themes such as slavery, prostitution, and general manipulation of others. Modern audiences are often surprised at the raunchiness of these comedies. I love these translations because they are so successful at retaining the the life and relevance of this ancient work.
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