“I was a scrawny thing, my hair often frizzy from leaning over cauldrons, my hands burned and scarred from one too many experiments. I did not care to dress in the latest fashion or wear my hair in braids, and I found friendship frivolous. I had a reputation among the court, even then. And that was before.”
To Poison a King is utterly unique, completely captivating, and unlike anything I’ve read before. The story is branded as a fairy tale, though it’s not a retelling. It’s told from Selene’s point of view, and the story reads as if Selene is recalling a tale for the reader. As exampled in the quote above, S.G. Prince uses this structure to drop hints or foreshadow future events, never allowing the reader to know too much at once, but promising more to come.
The heroine, Selene, has always felt different. This is in part because of her hands, which are scarred from her work as a healer, herbworker and up-and-coming royal physician, but also because of who she is as a person—confused by social norms, awkward at times, and overly devoted to her potions and experiments. She’s also easily influenced by her mother, to whom Selene often compares herself. While Selene is small and awkward, Persaphe is a “golden goddess,” beautiful and blessed by the love of the court.
“My mother was a glowing idol for whom the seas parted. She had never been a victim.”
The parallels Selene draws between herself and her mother play a large role in the story. Selene must overcome years of subtle abuse by her mother to uncover her own power. This is all, of course, while Selene is also coming to grips with her role in the king’s poisoning, which she carried out under Persaphe's instructions for mysterious reasons.
Despite many strong plot elements, this book is mainly character driven. S.G. Prince focuses on the story of Selene and Elias through the framework of a royal palace touched by magic. Some of the events are out of the character’s control, but much of what happens to Selene is either due to her own action or lack of action. In this way, S.G. Prince forms the narrative.
After the poisoning, King Elias loses the use of his legs and must use a wheelchair. This becomes another main theme of the novel—Elias sees this change as a weakness and spends most of the story working to walk again. Selene helps him to this goal, yet she does not believe a wheelchair makes him weak.
"I waited until he met my eye; I wanted him to know I meant this with all my heart: 'We are more than our bodies.'"
The romance is a strong element in this book, though it never overpowers the story. In fact, for the first half of the book, there’s no romance at all. Even if you know it’s eventually coming, it's truly the slowest burn and will still make you wonder, will they or won’t they? S.G. Prince takes that question all the way up until the very last chapter.
"I said, 'A moment ago, you told me you were angry with yourself.'
He gave a slow nod.
'If something has upset you, it is my responsibility to know it. I am your physician.'
'You,” he said, “are more than just my physician.'"
In all, this story is about a girl, a mistake, and what lengths she will go to right her wrongs. It’s also about friendship and loyalty. "To Poison a King" left me with a bittersweet feeling after finishing it. The characters, places, and their struggles are so unforgettable that I didn't want the story to end. S.G. Prince’s writing style is beautiful, descriptive, and engrossing, keeping me hooked throughout the book. Despite the slower pace, it allowed me to fully appreciate the author's talent. This is a book to be treasured, savored, and reread multiple times.
**Content Warnings**
Suicide attempt, attempted rape, sex