A disappointing sequel that, overall, felt a lot less deliberate than its predecessor. The pacing was slower, the writing sloppier, and the sex... well, it was boring.
The complexities of the first book—as absurd as they were—at least carried some weight. There was enough depth to the main character's actions and emotions that suspension of disbelief came easy. This one felt rote. Almost inconsequential, like the author was just trying to move things along without putting in the work to make the reader feel something.
The characters are a lot more high school. Yeah, it's a stupid thing to complain about considering the genre (not that they attended class all that much), but it was a tiring departure from Resurrection. Rebellion felt altogether more juvenile without the relief of teenagers acting more adult than the adults.
I thought Saint's irrational jealousy was a disservice to the relationship developed throughout the previous book. The progression of him "getting over" it was an afterthought at best. The resolution between Harlow and Galen played out with none of the delicious tension I know Davis is capable of. The thing with Theo... don't even get me started.
Lo's anger was too performative. As it was, it seemed like she spent most of this book operating on feeling over fact. There were little reminders of her initial motivations sprinkled throughout the narrative, but it wasn't enough to make it seem like anything she did was in her best interest. Her trust in the boys wasn't believable; it felt like a contrivance to further the love story.
I get this is a romance series. But for me, a disconnect between a character's thoughts and actions is usually a sign of lazy writing. Its obvious Harlow is not meant to be an unreliable narrator, and the frustrating thing is it would not have been difficult to evolve her affections in a realistic way. The puzzle pieces are there, they just don't fit together.
I will admit that I'm not really sure whether I enjoyed the first book so much I overlooked its composition. Both have the same editor, but Rebellion has a verbosity that I found very tedious. Sometimes you need to kill your darlings (“even when it breaks your egocentric little scribbler’s heart”), and a good editor should be able to help with that. Words are fun, but clear writing is more evocative. Commas are great, but short sentences provide impact.
Maybe it's a stylistic choice, and that's totally fine. To each their own. But, at the very least, the person you're paying should pick up on dropped punctuation, semantic repetition, redundant phrases, and unnecessary tense changes. Tension "bled into the air" three times, for crying out loud. Tension is dead, dude—you killed it.