Having read this one in the Spenser series a couple of times over the years, I’ve always felt it was actually one of the better entries in the series in its own way. This time around only reaffirmed my opinion of it.
Like Stardust, Walking Shadow begins with Spenser doing a favor for the dreadful Susan Silverman, and there’s too much of her, but she’s a bit easier to take here, and the story as it unfolds gradually becomes better and better, punctuated by a scene reminiscent of a western saloon gunfight, where, rather than allude to how good Vinnie is, or give us an after-the-fact accounting, Parker shows us in real time that when it comes to being a gun-hand, Vinnie has no equals.
Spenser and Susan buy a house in Concord to renovate in this one, and there’s some fun lighter moments surrounding the work, including moments with Hawk and Vinnie and Pearl. On a much more substantive end of the spectrum, in Walking Shadow, though the moment is brief, we get to see Hawk at his most emotionally distant, bordering on heartlessness. The moment happens when Hawk plays on and manipulates a young black woman’s affections just to get Spenser into a room where a supposedly kidnapped sexpot is being kept — or perhaps just hiding out.
It’s a rare such moment at this point in the series. While the actual deed isn’t shown by Parker, it is alluded to in a way that leaves no doubt in the reader’s mind just what he’s capable of. It is Hawk in reality rather than the romanticized version of him Parker writes and uses in such entertaining fashion. The quick, almost throwaway scene is all the more stark because of the prior introduction of tiny but lovable Mei Ling, whom Spenser has brought to Port City to help translate for him in his interactions with the Chinese; they have no desire to speak with a low fan.
Mei Ling is adorable, and by this point in the story, it is obvious something is happening between her and Hawk. But Hawk still uses the pretty girl clerking at the hotel in an implied sexual manner. It is one of the few times at this point in the series we get a real insight into Hawk that isn’t romanticized or formulaic. It is one of a lot of little moments in Walking Shadow that tend to make this one more than the sum of its parts. Written on the heels of the excellent Paper Doll, Parker seemed to be on a roll here.
Someone is being stalked in the Port City Theater company, and since Susan is on the board, Spenser comes down to look into it and help out. He doesn’t find any stalker at first, but he does find a cop named DeSpain, who might be as tough as Spenser and Hawk. And there’s a real sexpot among the players in a production as pretentious as Susan Silverman. Then there’s a theater benefactor named Rikki Wu, gorgeous and self-involved. Port City turns out to be a hornet’s nest of people smuggling, Chinese gangs, infidelity and maybe one real whack job.
After one of the theater players, Craig Sampson, is murdered on stage, Spenser begins questioning people. He’s getting nowhere until Rikki Wu’s husband threatens Spenser, warning him to stay clear of Port City or be killed. Enter Hawk and Vinnie, stir in a kidnapping, a couple of very serious and nearly successful attempts on Spenser’s life, Chinese gangs, people smuggling, conflicting stories of love both requited and unrequited, and one very tough cop running the town whom Healy happens to know, and you’ve got a lot going on, none of which adds up. Spenser’s frustration is palpable:
“I was back and forth in Port City so much I felt like a carrier pigeon. We were back there again, with Mei Ling, in the Puffin Muffin, on a rainy Saturday and I was tired of it. I was tired of the drive. I was tired of not working on the house in Concord. I was tired of the rain. I was tired of being about a step and a half behind. I was tired of not seeing Susan. I was tired of Hawk and Vinnie following me around. I missed Pearl.”
This one has not only a deadly confrontation to conclude it, but one of the more enjoyable wrap-ups of any book in the series. In the acknowledgements, Parker recommends Chinatown: A Portrait of a Closed Society, by Gwen Kinkead as an informative source. There is just enough scattered bits and pieces about Chinese culture to keep the narrative entertaining as always. A really good one in the series, not as flashy as some, but perhaps with more substance. Good stuff.