Prints 130 tri-toned black-and-white images scanned from negatives in the collection of the Library of Congress. Jones’s book is the first to deal exclusively with the 35mm negatives that FSA director Roy Stryker killed with a hole punch during the early years of the project (1935-39). The book brings to light destroyed or defaced photographs by Walker Evans, Ben Shahn, John Vachon, and others; it also includes two essays by Jones discussing the images and possible reasons for their suppression. Oblong 4to.; black-and-white photographs; tan cloth over boards, stamped in white; printed white label on spine. Edition of 1000 copies.
William E. Jones is an artist, filmmaker, and writer. He has published the following books: Is It Really So Strange? (2006), Tearoom (2008), Heliogabalus (2009), Selections from The Anatomy of Melancholy by Robert Burton (2009), Killed: Rejected Images of the Farm Security Administration (2010), Halsted Plays Himself (2011), Between Artists: Thom Andersen and William E. Jones (2013), and Imitation of Christ, a catalogue for the exhibition he curated at UCLA Hammer Museum in 2013. Recent books include Flesh and the Cosmos (2014) and True Homosexual Experiences: Boyd McDonald and Straight to Hell (2016). His first novel, I'm Open to Anything, was published in early 2019. Jones's writing has also appeared in periodicals such as Animal Shelter, Area Sneaks, Artforum, Bidoun, Butt, Frieze, Little Joe, Mousse, and The White Review.