Kelvin Wiltshire lives the life of a simple cook in a remote village on the far side of Trendham. The townsfolk think little of the man, and his son, and believe him to be just another refugee from the Terabinian war. On cold winter nights they share rumors of the bloody conflict and the mysterious death of Will Cartwright, the mighty mage who had the power to command storms. They like the new cook. They fear the fallen king.
But the two men are one and the same.
Haunted by nightmares from his past, Will has chosen a life of exile, hoping to erase the blood from his soul by forging a simple life. Service and family might ease his pain, but beneath his scars are deeper wounds. A queen and wife turned into a lich. Friends poisoned with hate. While he seeks peace in isolation, his absence has left a void, and an ancient foe craves a return to power.
Patient and malevolent, the enemy knows the nature of man, and anger is an oh-so-useful tool in the game of nations. As war looms, Will’s anonymity—and the life he’s built—are threatened, forcing him to choose between the friends of his past, and the friends of his present. To win, he’ll need what he left behind, the mantle of the Stormking.
Michael Manning was born in Cleveland, Texas and spent his formative years there, reading fantasy and science fiction, concocting home grown experiments in his backyard, and generally avoiding schoolwork.
Eventually he went to college, starting at Sam Houston State University, where his love of beer blossomed and his obsession with playing role-playing games led him to what he calls 'his best year ever' and what most of his family calls 'the lost year'.
Several years and a few crappy jobs later, he decided to pursue college again and was somehow accepted into the University of Houston Honors program (we won't get into the particulars of that miracle). This led to a degree in pharmacy and it followed from there that he wound up with a license to practice said profession.
Unfortunately, Michael was not a very good pharmacist. Being relatively lawless and free spirited were not particularly good traits to possess in a career focused on perfection, patient safety, and the letter-of-the-law. Nevertheless, he persisted and after a stint as a hospital pharmacy manager wound up as a pharmacist working in correctional managed care for the State of Texas.
He gave drugs to prisoners.
After a year or two at UTMB he became bored and taught himself entirely too much about networking, programming, and database design and administration. At first his supervisors warned him (repeatedly) to do his assigned tasks and stop designing programs to help his coworkers do theirs, but eventually they gave up and just let him do whatever he liked since it seemed to be generally working out well for them.
Ten or eleven years later and he got bored with that too. So he wrote a book. We won't talk about where he was when he wrote 'The Blacksmith's Son', but let's just assume he was probably supposed to be doing something else at the time.
Some people liked the book and told other people. Now they won't leave him alone.
After another year or two, he decided to just give up and stop pretending to be a pharmacist/programmer, much to the chagrin of his mother (who had only ever wanted him to grow up to be a doctor and had finally become content with the fact that he had settled on pharmacy instead).
Michael's wife supported his decision, even as she stubbornly refused to believe he would make any money at it. It turned out later that she was just telling him this because she knew that nothing made Michael more contrary than his never ending desire to prove her wrong. Once he was able to prove said fact she promptly admitted her tricky ruse and he has since given up on trying to win.
Today he lives at home with his stubborn wife, teenage twins, a giant moose-poodle, two yorkies, a green-cheeked conure, a massive prehistoric tortoise, and a head full of imaginary people. There are also some fish, but he refuses to talk about them.
I don’t know if Manning had the plans out for this book when he wrote the last book of the Art of the Adept series, Wizard’s Crown, or not.
But this book felt like a VERY well written apology for the ending of the previous book. I HATED and LOATHED the Wizard’s Crown, but reading this one paints it in an entirely different light. I wasn’t sure if I was going to pick this book up or not, just because of how much I hated the ending of the last series, but I’m glad I did.
Very well written, but dear God the anxiety and emotional roller coaster lol.
This was such a great book. The world building as always is awesome! The magic system and the characters is where the book truly stands out. I really am glad I found this series and it’s previous one. I can’t wait to read the next book. If you haven’t read the first series read it so you can read this one.
A book that begs you to take its protagonist’s problems seriously, but can’t help repeatedly derailing itself by indulging the author’s propensity for boring and unnecessary sex, rapid shifts between idealization and persecution of the protagonist, and tedious ‘cool’ scenes.
I honestly have no idea why I finished the previous series. Perhaps the best thing that can be said is that it is *novel*; when the plot and characters do rarely move, they often do things you don’t expect. That is a virtue (although many of the reviews seem to hate it). But whatever charms were in the first that kept me reading disappeared here.
There are several scenes that exist purely as a sort of vicarious power/revenge fantasy. The audience knows the enemy is totally evil and has no chance, and the only tension is ‘how will our ultra-cool heroes kill the enemy this time?’ It’s terrifically dull.
But the worst part is that so much of the book exists simply to explain why the only way for the plot to progress is plainly the way the author wanted the story to go. Rules of magic, the universe, and characterizations are plainly manipulated in order to drive the plot in one particular direction. Such nakedly constructed writing just doesn’t work: it’s artificial.
As it is, due to the indulgent excursions, gross tangents, and constant tone-deafness, the artifice here fails completely.
Review: What first struck me about this novel was that the world building failed to enhance the characters. It seemed like an affectation that failed to impress. The various “areas” were not only confusing yet also crammed into a descriptive explanation using dialogue as the vehicle. That never works as backstory filler. You need to have the world unfold along with the movement. I know, more worky.
Still, I liked the brat as he was written real to the roots of his awareness. He is introduced then summarily dismissed. The supporting characters are….meh. Just your usual OTT family/friends that happen to be hotter than a sun fart and oversexed to boot. Everyone within scratching distance of Will is an accomplished Wizard or on their way to being so. There are also numerous shifts in the plot as you progress that are flung about without a slow reveal. What you get is a sudden introduction with a rushed back story, interleaved with the circumstance. This process gets old really quick when you have to endure Sam’s pouting and demanding behavior. This standard of female presentation tends to tie-in with most of the novels beta males.
This needs a lot of editing. Is it worth it? I think so. Although a bit smug in places, there is a raw talent that needs polishing. A dose of logical progression and continuity would help immensely. The cover art is just terrible.
I was biting my nails, yelling, and laughing. This sequel to Wizard's Crown is everything I hoped it would be, and then some! The action scenes were well written and tense! It's not just action, there's love and growth and struggles that Will and his family face. I really felt their emotions. It's a beautiful story!
I really went back and forth trying to decide if I even wanted to read this book. Like the thousand of others, I absolutely fell in LOVE with the original series - The Art of the Adept. After absolutely devouring the first four books, I was devastated by the direction of the last book and after reading hundreds of reviews, chose to stop and not finish book 5...I just couldn't do it. So....was I willing to keep reading about William Cartwright after all of that?
Let me say....thank goodness I decided to take a chance. It felt in a way that Mr. Manning was giving us a reboot, even maybe a way to take a small step back in to see if it was okay, like dipping a toe in the water...and it was. It really was. Granted, I didn't finish book 5, but I read enough reviews to get the gist of what occurred in that book.
I also think that THIS book tried to explain some of the actions in that book in a different light, maybe from a different perspective. Since I didn't read it, that worked for me. I didn't have the awful memories in my mind of the events that happened. I think I gave up somewhere around the 40% mark and let me say things were already getting REALLY bad by then. I can't even imagine.....But I digress....
So, let's talk about this book. Will is living in exile. A self imposed exile and the whole first half of the book revolves around his now much simpler life and the fact that he is now a father. We got to meet Oliver and watch him grow up. We got to see Will's frustration with Oliver wanting to become a "watchman" without understanding all of his options. When in reality, it was Will's fault because he hadn't told Oliver who he (Will) really was, and what being a REAL wizard entailed.
We also get to see Sammy and boy has she grown up. Being a high fantasy book, you just knew that things could not stay that way. All could not continue to be simple and eventually Will is sucked up into the political drama of the two neighboring countries - his home country and his adopted country. AND....Oliver has grown up and is forced to face the consequences of his actions. Let me just say, that is where things REALLY took off for me.
Once things take off, the action continues to build and build and I for one was absolutely THRILLED. Finally, we get to see characters that we have grown to love, come to know and care for from the earlier series such as Tiny, Janice, Tabitha...and man oh man was it easy to fall in love with James.
If you are hesitant about starting this book, all I can say is that it is worth it. I am now going to be eagerly awaiting the next book because things are just getting interesting....
Man I'm a fool. I had no idea this was a sequel to his earlier series. I spent the first chapter or two thinking wouldn't it be crazy if this is a sequel and its Will in hiding. AND IT WAS! It's not a spoiler because if you read the synopsis it clearly lets you know that. But because I'm an idiot, I didn't read past the first sentence of the synopsis. For a brief moment in time, I thought I literally manifested this into existence. Anyways, if you're a fan of the last series, you'll love this one
I sat up until 4am to finish the book :D Fairly sure I've read all of Manning's books and have yet to find one I could put down. Love this story. Cheers.
A crazy ride and return to the world of Hercynia. Spanning decades from beginning to end, I was hooked until the very last line of the epilogue. Cannot wait for the next book!
Liked it more than the final book in the previous series and it felt a bit redeeming where parts of wizard’s crown were a bust. With no set date for the next in series, this could feel like a decent stopping place. Didn’t care too much in the last quarter of the book where it was basically a time jump. The battle felt rushed too. Better than the ending of Art of the adept series but not completely satiating
"Wizard in Exile" is the first book in Michael G. Manning’s "Wrath of the Stormking" series. This story introduces us to Kelvin Wiltshire, a wizard with a troubled past who seeks solace in anonymity. Forced to confront his history and the magic he once wielded, Kelvin's journey is one of rediscovery, redemption, and the complexities of wielding power responsibly. Note: this continues our hero's story from the "Art of the Adept" series.
Plot and Themes The plot begins with "Kelvin" living a quiet life as a cook in a secluded village. Here, he attempts to bury the traumatic memories of his past life as a powerful wizard and the loss of his wife. Manning expertly uses flashbacks to gradually reveal Kelvin’s history, creating a tapestry of past and present that enriches the narrative. The past, filled with battles and a profound loss, haunts Kelvin, yet it is these memories that shape his path forward.
The themes explored in this book include the burdens of power, the pursuit of redemption, and the inescapability of one's past. Kelvin’s reluctance to embrace his magical abilities, despite their necessity, reflects a deep inner conflict between his desire for peace and his inherent duty to use his power for good. This struggle is beautifully captured in Manning's writing, offering readers a protagonist who is both powerful and profoundly human.
Character Development Kelvin’s character development is a cornerstone of the novel. As the narrative progresses, we witness his transformation from a man running from his past to one who confronts it head-on. His interactions with other characters, including new allies and old enemies, reveal layers of his personality and history. These relationships are complex and multifaceted, adding depth to the story and providing insight into Kelvin’s motivations and fears.
Supporting characters, such as the villagers who initially accept Kelvin as one of their own, play crucial roles in his journey. These interactions highlight the contrast between Kelvin’s desire for a simple life and the inevitable pull of his magical heritage. The antagonist’s arrival thrusts Kelvin back into a world of danger and magic, forcing him to reconcile his past with his present and future.
World-Building and Magic System Manning’s world-building is both detailed and immersive. The setting, with its medieval-esque villages, ancient forests, and mystical landscapes, creates a vivid backdrop for the story. The magic system in "Wizard in Exile" is intricate and well-developed, rooted in both natural and learned abilities. Manning’s description of spells and magical battles is both thrilling and believable, grounding the fantastical elements in a coherent internal logic.
Narration and Listening Experience Tim Gerard Reynolds’ narration is a highlight of the audiobook. His skillful delivery brings the characters to life, providing each with a distinct voice and personality. Reynolds’ ability to convey the emotional weight of the narrative, from Kelvin’s grief to moments of intense magical combat, adds a layer of depth to Manning’s writing. His performance enhances the immersive experience, making "Wizard in Exile" not just a story to be listened to, but one to be felt.
Conclusion "Wizard in Exile" is a captivating start to the "Wrath of the Stormking" series, blending intricate world-building, complex characters, and a richly developed magic system. Michael G. Manning’s storytelling, combined with Tim Gerard Reynolds’ masterful narration, creates an engaging and immersive experience for fans of epic fantasy. Whether you're new to Manning's work or a longtime fan, "Wizard in Exile" promises a thrilling and emotionally resonant journey.
I very nearly didn't read this book. The previous book was so bad and annoyed me so much I had pretty much sworn off this series. I had preordered this, but it had been sitting on my virtual shelf gathering dust. But looking for a new book to read, this one popped up and I noticed it appeared to have really good reviews. The first review I read reflected my feelings, and convinced me to give it a shot:
From Dylan Diamond: "this book felt like a VERY well written apology for the ending of the previous book. I HATED and LOATHED the Wizard’s Crown.... I wasn’t sure if I was going to pick this book up or not, just because of how much I hated the ending of the last series, but I’m glad I did."
OK, so I decided to give it a shot and it was a pleasant welcome back to this world. A lot of this book felt like a slice of life with a father raising his son, Oliver, in a small rural town in a level of civilization similar to early American colonial times. The story progresses through Oliver's life from 8 up to nearly 18, with the son being completely sheltered and unaware of who his dad actually is let alone how powerful and dangerous he is. He has no idea how special his training is while growing up, nor of how much influence his father has on the surrounding area. At least at first...
This book is really about the coming of age of this boy, with the backdrop of menacing events happening afar that seem like they are worlds away but getting closer all the time. It also plays on themes of isolation and the draw of people trying to connect.
While I had guessed both of the bigger reveals at the end, their payoff was still quite rewarding, and there were several points of shock throughout that I hadn't guessed. I had felt that Manning's books lately had been way too heavy on the foreshadowing, but there was a much more subtle touch in this book.
Overall, it was nice to be back in this world and after being glued to it throughout, I'm glad I gave this book a chance.
I, like many fans, felt betrayed and cheated by the character development in the last book. I think I may have even wrote the book a 1 star review - something I'd never done before and now most certainly regret.
I read my first Michael G. Manning book (The Blacksmith's Son) back in 2013 and I remember discussing it with my then gf now fiance. Our conversation went something like this: Me: "The writing isn't amazing and it's full of errors, but I just can't seem to put it down." Her: "You're not really selling it to me. Why are you so invested?" Me: "He just... makes me care so much about the characters. Their pain feels real, their joy feels meaningful, I just have to know what's become of them. I'm not sure how he did it."
Now a decade late the writing has improved impressively, and there are obviously professional editors involved, but the core of MGM's "talent" (as our Wizards might call it) has remained. I despised the last book. It left me feeling sick and tired and sad. All feelings I was capable of experiencing thanks to the bond he built between my soul and the script of his magic. Even then, I recognized that (I'm a fool not an idiot) but I still couldnt abide by what he'd put the characters I'd loved through. Much like how Will and his loved ones could only come to understand each other's feelings through time, distance, and self-reflection; I think I needed to read a hundred pages of nothing but "Kelvin Wiltshire" screwing around in a backwater with nothing to keep him going save for a boundless love for his adopted son and committment to his duty to contend with my own feelings about the characters.
I almost didn't read this book. If you look online there will be plenty of people saying "Art of the Adept is a 4 book series, don't bother reading the 5th." These people are wrong. The 5th book is painful, but if you truly care about life and doing what is best for your loved ones you will understand that we all need to experience pain to grow. More than anything else, this series is about watching the growth of William Cartwright. Sometimes he goes through hell, sometimes his friends go through hell (or even die), but in the end he makes the most of his existence and always attempts to do the right thing. Selene's solution is a complicated one, but one he will reach it if you care to endure the journey with him through to the end of the book.
Sorry for the rambling.
Tldr: We were wrong about book 5, and it sets up the growth that Will needed to undergo in his quest to become First Wizard and defender of humanity. MGM hasn't forgotten about Selene, William will find her solution in time - even if the whole affair is a bit twisted.
Much of the old storyline has ended. While the style, world and many of the characters from Art of the Adept translate, the recipe has changed. No longer do bargain with the fae or that goddamn cat. No longer are we constantly struggling to survive. Will has grown up. He is a father now. And the first wizard. The most powerful wizard there is. This leaves Will struggling not to save himself, but to prepare and protect his loved ones as well as humanity itself. Not just from destroying itself, not just from evil outside of this world, but now also from himself.
The end of Art of the Adept was tragic and left a lot of us in shambles but Wizard in Exile delivers the resolution I was hoping for. Frankly, I find this book much better storywise than the previous one.
While this is a very slow introduction and feels like one drawn-out setup for a new series at times, and I questioned several times when I am finally going to get more epic Will-action, the wait is well worth it. I think it is pretty clear that Manning likes to plot things out in advance. Sometimes, patience is needed. But the characters, their interactions, and the worldbuilding are just immaculate.
There are so many things that made this book stand out from the Art of the Adept series. But I don't mean to spoil any further.
Personally, I can't wait for the next one. And I will reread this book and probably the previous one a few times in the meanwhile.
Really enjoyed book. Little bit of modern politics but didn't ruin the overall storyline!
The book was a surprise and even though 800 pages I read it in 2 days. The main characters were refreshing with great dialogue that kept you interested. I really like the world in plot line that the author created. It wasn't overcomplicated and yet had a good structure. The book focused a little on sexual politics that I thought really weren't necessary but it didn't kill the storyline. A lot of the story lets the reader understand that the main character in supporting cast have had a long history in many adventures prior to this book. I hope the author doesn't try to write prequels because I don't think it'll really work knowing that obviously any character in the future has survived and anyone in the past that is killed I don't think would hold that much interest anymore. I really enjoyed that the character had a rich history that he incorporated into the storytelling that felt natural and didn't leave you wondering what he was talking about. Overall the book is one of the better ones I've read this year and highly recommend it.
I have to say I really was surprised by this book. With the ending of the Magic Of The Adept series I thought he had totally self-destructed the entire series. But he managed to rebirth it from theout of the flames with this book. I was so unhappy that the series, and all his characters were ending the way The Wizards Crown was ended. And just the feeling like what was done to the characters I had grown to honestly love, experienced suddenly this huge betrayal, to who I thought these characters were, reading all the previous books up until then, and also a betrayal to the audience which i know felt it as well. The tone of previous books was so different, it felt like someone else wrote it, some Lich or something took over Manning and wrote the last book in that series. But I have to say, somehow he has managed to redeem it with this book. I have even gone back and reread Wizard's Crown now, which I had literally speed read over parts of so upset at the direction some of it took. Now because of this book, it's almost like he has reset the damage done, and I am once again eager for the next book.
Well done to the author, i think he has regained his following...
After the disaster that was The Wizard's Crown, I was hesitant to dive back into Manning's work, but reading so many positive reviews of the new series, I decided to give it a try.
It turned out to be a half-hearted attempt at backpedaling the bizarre choices of the fifth book, while retaining the weird sexual undertone. It also felt like it was barely a first draft, with typos and so much awkward dialogue. Maybe the first four books weren't as good as I remembered? Have I Mandela-Effected myself?
I was excited at first, when the point of view shifted to Oliver, hoping this new series would be a clean slate with only occasional mentions of the old plot. The first hitch was the truly annoying personality of Oliver himself, and his dumb obsession with Wardens. I realize after finishing the book that the plot needed him to become a warden, but his point of view on the subject felt artificial. Also, he is plain dumb. "No dad, I'm not even a little interested in practical immortality and power, I want to be a mercenary who dies in his twenties". I think Will is partly to blame for this, even though Will is supposed to be this big hero who uses his wealth to build the school, he completely neglects Oliver's education. He should have been teaching him about herbology and midwifery and medicine, and slowing introducing him to magic. It's no wonder he turned out to be a dumb brute who didn't even know that weather is different in other countries.
The second problem was framing this as the start of a new series, when the plot is very much just Art of the Adept book six, with all of the problems of book five either still present (or hand waved away unconvincingly). I finished the book, with all its groaningly obvious 'twists', but I don't think the excellent magic system and world building can save the idiotic dialogue and contrived plot points.
For the most part I liked the book. I wrealy have only one problem. The way author keeps changing rules for magical training. In previos books it was firmly established that the candle is needed to learn how to manipulate your personal turin, before you learn to compres it, but in this book that was midly inconvienient so author just abandonet it. There were other more realistic solutions, for example Will could have altered candle spell so anyone can see it. This is not first time author made such a change. In the first book when Arrogan trains Will it isnt clearly stated how many times Will comprest his sorce, but if you read it carefuly you will see that it hapened at least 6 times. You cant actualy get 1/8 by compresing your source 6 times (not if each compresion is same size), but if he had compresed his sorce 7 times each 1/8 of his original sorce then it wold make perfect sense, and no daubt create less of a strain on his students.
Wow! What a ride. Feels like meeting an old friend where a lot as changed but then you realise not much has changed at all. They still feel like the friend you new. I thoroughly enjoyed reading this book. The world building was on point, the character of Will has actually grown some as I know that this was a common complaint from the previous books. I loved the focus on the magic and the creative thinking it must have taken. I enjoyed seeing how some of the old characters have evolved, like Sammy for example. Will and Selene’s relationship was interesting and might annoy some people with how it goes but I didn’t have many complaints. It was interesting to get to see another country and how they operate. The new magic introduced with the country was cool if not very unique. Overall this was a fantastic read and I can’t wait for the next!
I hate you Mr Manning. I just finished and it truly is a rollercoaster of emotions! Never have I read books so mentally draining and yet I can’t put them down.
I was sure that Cora was Selene at their first meeting from the scent. If I remember rightly, the cloves and cinnamon were Selene’s iconic smells. Watching their dynamic, knowing she was Selene, was a lovely experience, especially after my PTSD from Penny and Mordecai.
it truly was a thrilling read! Please hit me up if you ever need a proofreader, or just someone to gush about your work all day long. (Like you don’t get enough of that already!)
Greetings from the UK!
P.S. If you ever even consider hurting James again, I will find you 😜
This entire review has been hidden because of spoilers.
I first discovered this series by accident. At first, when I read the details, I actually backed out. Then, when I ran out of books to read, I checked it out. I couldn't be happier with my decision. My only true regret is having not started sooner. Then again, at point in time, the fifth book had just been released. So maybe it was for the best. All that said, this is probably my favorite series of all time.
Will's journey is one I'll never get tired of reading. Every character is so well developed and realistic. The relationships are complicated and beautifully true and genuine. The tragedies are heartbreaking and devastating. I would recommend reading this entire series and committing it to memory would be wise.
Honestly, the book is so polarizing. In a lot of ways it's the worst book in the series as every single problem was obviously solvable with little actual effort, so to rachet up tension we have to infantilize our characters, and the weird dynamics reached a whole new level of subtext that made me genuinely wonder what kind of book I was reading at times.
However, the MAGIC was back to an extent that hasn't been explored since the very beginning of the series. The world building was also pretty interesting as a change of pace to a different style of the early modern period than we've seen before, but honestly, that's of secondary importance to me because I'm tempted to make a slot for this book on my shelf solely for the pins alone.
So I haven’t actually finished the book. I only got to like 5% or something. I read the previous series and remembered it having a nice story with a really interesting magic system and some decent world building. When I started reading this book I was, quite honestly, shocked.
It starts with Will‘s son doing child stuff so I wasn’t immediately put off by the, well, childish way things were phrased. Just a few pages later though, this books transforms into some kind of weird soft core porn written in the style of a ten year old boy. It’s literally that bad. I can’t even begin to understand how this book ever got published.
I stopped reading after that because even with skipping ahead I couldn’t look past the very obvious bad writing practically jumping out at me..
This was a convoluted mess. I’ll take stars of for, while this was marketed as the beginning of a new series, it became evident that you need information about prior events. I do not believe that Mr Manning, did provide enough information for me to actually understand what was going in here, to me that is not the sign of a skilled author. Also the novel felt like 4 separate stories loosely thrown together, with a bare minimum of connective tissue. Only the truth about one character was pretty much telegraphed from the get go. Was this skillful storytelling, or just predictability? I don’t know, but as I liked that development, I’m happy for Will and Korra.
This entire review has been hidden because of spoilers.
I mean, the writing still isn't amazing, this is still in guilty pleasure territory, but I think this is the best in the series so far, and I hope the author continues to improve.
What's neat about this book compared to the others is that instead of facing a monstrously powerful baddy and having to "level up" to defeat it, in this book the MC has learned from those events and has pre-emptively leveled up, he's also grown more relatable. This might sound like joke, but it's honestly a refreshing twist on the guilty-pleasure-gary-sue-competence-porn fantasy sub-genre.
This entire review has been hidden because of spoilers.
Ok, after the fifth book, in art of the adept series, I almost didn't want to read this book.
Honestly, after reading this, I can see that the emotional roller coaster of book 5 was required. The wizard in exile is a extremely well written book, the details and emotions that are throughout explain everything and bring emotions to the surface. I honestly can not wait for the next book the Daughter of the dragon.
It's not too often I go into a series that seems to be a reboot like this one, and when I do I don't seem to enjoy it. I really enjoyed the original series and honestly this was like a reward for reading it, all of the existing story translated perfectly in my opinion and the plot was satisfying and it restarted the story without testing up the ground work that had already been set.