This book was my first foray into romance after an absence of some time filled with more scientific offerings, so perhaps I am no longer accustomed to the peculiarities of the genre. Perhaps this was genuinely a peculiar offering. In any case, my lingering impressions are of bemusement, and a little horror.
This is the first I've read in the Cynster series and possibly my first by the author, although I knew of both for some time through friends. So I am not familiar with the great host of characters mentioned who no doubt had their stories told in previous books. I am intrigued enough to want to seek out some of those titles now, because many of the ladies presented did not seem to me to have the character to carry a story anywhere near as well as Angelica, the heroine of this piece, was able to. This is not a criticism at all; I am particularly interested in reading the story of Eliza, set just before this book, as she seems a bit of a black sheep in the family and married a scholar.
In any case, it is Angelica who is important here. And she is really as good an introduction to the series as one could hope for. She was the reason for a lot of my initial goodwill for this book. She's smart and confident - when she sees Dominic for the first time at a soiree and wants to meet him, she moves in without hesitation. Mind you, she attributes the wearing of a necklace to her 'knowing' he is the man she must marry, but I gather this is a Cynster girl superstition that's been borne out enough that I guess I would apply credence to it were I part of the family.
Of course, like any girl who is 'twenty-one going on twenty-five', Angelica is reckless and rushes directly into situations without thought to protect herself, and her pursuit of Dominic allows him to inveigle her into a position where he is able to... kidnap her off to his house.
It's okay, he's not a rapist or murderer or anything like that. As soon as he can he begs Angelica to hear him out because he needs her help with...
This is complicated, so bear with me. Dominic's father was in love with Angelica's mother Celia many years ago, with the support of her family, but Celia loved another man and eloped with him. Dominic's father was gracious but kept tabs on Celia and her daughters for ever after, which understandably pissed off his eventual wife and Dominic's mother, Mirabelle. She could never get her husband to feel for her what he felt for Celia, so now she wants Dominic to kidnap one of the Cynster girls and take her to his home in Scotland, so that she'll be 'ruined'. She's stolen and hidden a special golden cup he needs to give to some bankers in England to pay off his clan's debts due his father's mismanagement, and won't return it until the ruining has taken place.
Dominic is hoping Angelica will come willingly and act out some charade to convince Mirabelle she is ruined - not that he knows what her being ruined will entail. Apparently he previously kidnapped each of Angelica's sisters with the objective of asking them the same question, but was compelled to let them go - because each became attached to another man in the process. Dominic intends to reward the girl who helps him with, of course, his hand in marriage. Like his father, he has no desire to stand in the way of the girls' true happiness. Angelica now stands as his final hope.
That was a mouthful to get out, but no discussion of this plot was going to make sense without all that information. Now for the important details. Angelica agrees to help, because she 'knows' Dominic is meant to be her husband. I actually have no problems with this reasoning because sometimes you really do just get a feeling about someone's level of sincerity, and life would be awfully dull if we were 100% focused on the rules of common sense. I also rather approve of Angelica's decision to withhold her agreement on becoming Dominic's countess. They both know she really has to do it if she's going to be running off unchaperoned pretending to be ruined, so Dominic is baffled, but Angelica wants to agree to marry for love rather than as part of a negotiation, and that seems admirable enough too.
I hold to these moments of brilliance, because after this point she and Dominic, to my view, act without common sense or evidence of growth. They take pains to slip off to Scotland without being captured by Angelica's frantically searching family. When the problems have been solved (as you know they must inevitably be) and a member of the family asks why Dominic didn't come to them for help, he points out they might have objected to him wanting to kidnap and pretend-ruin a daughter of their family, especially having done so already. Which is fair enough, however one would imagine that with the offer of marriage as part of the arrangement, and awareness of the unknown threat the decidedly unhinged Mirabelle presents to the girls, something might have been arranged. Certainly, with Angelica agreeable to the charade, it would seem to make more sense to enlist the powerful Cynsters as allies who can be useful rather than risk them popping up at the worst possible moment.
And then, the charade itself. Angelica proves herself to be quite good at divining Mirabelle's hidden agendas, yet does not attempt to work out where she may have hidden the needed goblet. The eventually-revealed location would seem to be only a small leap from uncovering Mirabelle's psyche. Angelica pushes for the charade - I rather think she enjoys the idea - and Dominic goes along with her rather than considering an alternative.
As far as character consistency goes this is great, because Angelica is described by everyone as being very bull-headed and inclined to rush into a situation. But this is not always the best technique, and nowhere in the story does it go wrong for her as it inevitably should sometimes. The kidnapping is as close as Angelica comes to consequences for her inability to look before leaping, and that was one occasion where her behaviour was only marginally foolish: she was at a party and had been given the impression by a male friend that the man she was allowing herself to be secluded with was quite safe.
Once they're off on their way to Scotland, Angelica uses sex to attach Dominic to her. They have really powerful chemistry and it works, but it feels like it shouldn't have. Moreover, it's dull reading - the overly flowery abundance of sexual encounters distracts from the connection they have in terms of working together to achieve the goals they have set together. It seems to distract from seeking alternatives to their existing plan as well - they're so busy figuring out how they can keep their liaison going once they reach their destination. I didn't really feel that the amount of book there was to read to get them to Dominic's home in Scotland was justified.
Tedium is not limited to the sex scenes. There is far too much listing of Angelica's family members by name, all standing around wondering what to do with the information they get by degrees. It turns out they could probably have solved the mystery much more quickly, but they are clearly being held back for reasons of plot.
There are plenty of 'because plot' inconsistencies, too. Angelica is told that Mirabelle has no friends; when they arrive, she appears to have one clear sympathiser. There turns out to be another enemy behind Mirabelle's plot, yet this occurs to nobody until he emerges from the woodwork, at which point his involvement is clear. Despite having no sense of awkwardness in discussing their evolving intimate life, neither of the couple suggests that Mirabelle's definition of 'ruined' might well involve Angelica's rape at Dominic's hands.
And on that note, yeah, they end up staging a fake rape and inviting Mirabelle in after to see Angelica... uh, looking raped. Which was unimaginably disturbing even if it was all make-believe. The vicious insanity of the woman is really more than I could believe with the information given. And what was even more unbelievable was how Angelica and Dominic went on about holding to their bond, and how good it was they'd been intimate before then and were prepared for the extremity of the charade, instead of acknowledging that if they'd played things a little smarter instead of rushing in, they might not have had to resort to something so awful. Dominic might as well have threatened to kill Mirabelle for holding out on him, and considering Angelica's apt realisation that Mirabelle wants Dominic to surrender his honour, that might have even motivated her to capitulate happily.
Amazingly, the end of the book sees Angelica's stupidest moment yet: she runs off to pursue the neighbouring landowner behind the whole thing alone, without stopping to enlist her family, who have turned up and taken Dominic into custody. Both she and Dominic are nearly killed as a result, Angelica only thinking to call for help at the last possible minute. While it's true that Dominic and Angelica were driven to action by the obsession of two very crazy people, I don't believe they did everything they could to avoid negative outcomes. Perhaps if the antagonists were more than caricatures whose stories were told by others, it would be easier to see why certain alternative approaches were closed.
Of course, that is the big problem with this book: it's far more plot-driven than character driven. It is as if the author has a plot and a quota of salacious scenes, and the characters must simply fall in line with this. There are characters who are well-defined - Angelica, at least - but even she shows no real agency to alter the course of the plot. She knows what must happen, and goes along with it, the only real matter of interest how directly and engagingly she does this.
I love the premise of the book: girl is suddenly kidnapped by man she believes to be 'the one'. I love the pairing involved: a very dutiful, honourable, serious fellow and a colourful, determined, calculating young lady. But the reasoning for the premise isn't made credible in the writing, and there are so many things that could have better taken the place of bemusingly florid sex scenes and long conversations that go nowhere. I would have liked to see some character interaction that would make Mirabelle's maddened quest for revenge more than just a plot device, and the same goes for the neighbouring enemy. I would have liked to understand better Dominic's feelings about his mother (although, given she taunts Angelica at one point with the size of her son's penis, maybe I don't want to understand). I guess, as a regular reader of romance, you have to come to terms with the fact that in the genre, potential in characters and plots is quite often not realised.