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423 pages, Paperback
Published March 17, 2023
You might know Death by many names, but in this book, he's a debonair gardener named Mot. Every person and creature has a rose in Death's garden, and when he snips a rose off, it ends that being's life.
When Cloth (there's a reason why she's named thus) wakes up in Death's abode, she learns that she's the first ever person not to pass on even after her rose has been snipped. But the cutting has resulted in her losing all her memories.
Mot offers her relief, promising her that he'll help her move on, but only if she helps him by hunting and killing three thieves who've stolen their life roses from his garden.
Can Cloth trust Death? Will she be able to kill just to be set free? Why is she the only soul who hasn't passed into what's beyond death?
The story comes to us in a limited third person perspective mostly of Mot and Cloth.
⚠ MAJOR COMPLAINT: The one thing that irked me the most was the use of contemporary language for the characters. Considering that Mot was an Eternal and Cloth was... well, can't tell you much but she was certainly not from the contemporary time frame... it was annoying to see them use vernacular such as "freak out" or "gaslighting." I can understand why the dialogues weren't made more historical, but at least such terms that are so clearly modern could have been avoided.
⚠ MAJOR COMPLAINT: I would have liked fewer references to physical beauty and its appeal or lack thereof, though one of the ending scenes attempts to repair the damage caused. The constant body-shaming that Santiago undergoes was not funny but offensive. Even Cloth is ridiculed multiple times by referencing her flat chest. Sorry to say this, but whenever any anatomical references came up, my mind chimed, “Male author alert!”
⚠ MINOR COMPLAINT: I could have done without the cigarette smoking. Seeing a fantastical entity such as Death smoke was way too revolutionary a writing choice for me, though some might like this quirky character trait.