De is known for her 'sensational writings' and she sells. I read some of her work and sometimes I feel struck by the sort of 'naming' that is imposed on the body of her work. She is often portrayed as a frivolous writer but I guess so many times in her novels, I find very like-like portrayals of (Indian) life. 'Second Thoughts' is one such novel.
The story is of a young woman Maya, who gets married to an upper-middle-class banker from South Bombay. Since the marriage is an arranged one, she only gets to know her husband after marriage. It is an amazing story, and difficult too as the issues it deals with are not easy ones to pin down, more so when the setting is Indian. As the story unfolds, one doesn't really find much fault with her husband, he is busy and often working hard, inviting people over for dinners and wanting his wife to be a good host and so forth. Just a regular suburban guy.
Maya feels stifled in her marriage, even though there is nothing violent or alarming in it. But the marriage just drains her slowly by its mundanity, but she cannot really locate, or at least talk about her elusive, 'unnameable' problem. Besides this, she has been adamant about being a good wife. She starts her life like a regular Indian girl, all set to make a success of her married life, but she keeps failing. She cannot ignore the indifferent nature of her husband. He is there, but not really there.
Though De leaves it to our imagination the reasons for her husband's indifference. She only makes very subtle suggestions. He is not someone who is chasing other women, or who is disloyal to in any way. Since Maya cannot place the reason herself, she feels 'less' about herself. As a reader, one only thinks of two things; either her husband is gay or impotent. However, in the story De does not spell any of this out, she only hints that there is no joy in their relationship. In bed, he often turns his back on her. And this gnaws her.
This makes her lonely housewife with a lot of time at her disposal. Her neighbor's college-going son Nikhil starts flirting with her and she responds to him. At one instance, Nikhil tells her that he is always hungry. It is funny that culturally married women in India are called aunties, no matter what their ages are, by young men like Nikhil. In this case, Maya is just a few years older than him, and in no way can be his aunty. Of course, these are subtle ways to desexualize female bodies.
I guess the whole story, in a very nuanced way, tells us what is rotten with the Indian society, and how it stifles women by ignoring her (sexual) needs, and somehow imposing on her 'unspoken' restrictions not to articulate such needs at any cost. Obviously, such codes not only harm women, it infects the entire society, though, in different ways.