Sergeant Beef goes out in style.
At the beginning, narrator/sidekick Lionel Townsend tells us that this case is different from Beef's previous ones. For once, he's right. This one has a brooding sense of evil about it that spooks everyone involved, including Townsend and even Beef himself.
It's a murder, of course. Cosmo Ducrow was an odd man, but generous and kind-hearted with his fortune. Most observers thought he made a mistake marrying his nurse, much-younger and a dominant personality. However, he seemed happy with the imperious Freda. If she wasn't satisfied with him, he wasn't aware of it. But what if he found out?
He's brutally beaten to death and everyone in the household is a suspect. In addition to Freda, there's a nephew and his wife and Theo Grey, an old friend whose intelligence and common sense is a constant source of comfort to the pathologically shy Cosmo Ducrow. There's a rather shady estate manager, but he seems to have an alibi.
The young chauffeur also has a past, although Beef finds him useful. The Gabriels serve as cook and butler and outside there's Denton the gardener, whose wife helped in the house until she and Molly Gabriel had a fight. All of them benefit from the will, but Rudolf Decrow gets the largest cut and he's the one the local police settle on as a suspect. Why else would he have been walking around outside in the wee hours of the morning?
Convinced that Rudolf is innocent, Theo Grey hires Sgt Beef to find the real murderer. Naturally, Townsend goes along for the ride and it's a scary one.
In this complicated case, Beef comes into his own as an investigator. He still likes his beer and plenty of it and he loves a good game of darts, but he's more serious and more professional than previously. Still, he struggles to grasp all of the nuances of a situation where none of the puzzle pieces fit together. Both Ducrow's family and the police begin to wonder if Beef is up to the job, especially after there's another death. Accident, suicide, or murder?
At one point, Beef himself contemplates throwing in the towel, but that's not likely. Beef's way has always been to stick to the job until it's done. In addition to the usual stock characters that keep every mystery moving along, there are some surprises. Wise Theo Grey warns Beef that there's more to some of the family and staff than meets the eye and he's right.
Chief Inspector Stute comes from London, which is only fitting since he was involved in Beef's first case. His attitude has changed. If he's not exactly a fan of Sgt Beef, he does acknowledge Beef's special talents and he's always ready to exchange information with him. The local CID man is cooperative, if dubious, but Constable Spender-Hennessy steals the show. He's an example of the modern, well-educated police officer and you can have them as far as Beef is concerned.
Beef's methods ARE old-fashioned, but he knows that all that counts is seeing the guilty punished. If there's not enough evidence to convict a wily criminal, then you must force him to commit a crime for which there IS evidence. What about another murder?
Did Leo Bruce intend for this to be the last in the Sgt Beef series? We'll never know, but he left me wanting more. This one appeared in 1952 and many writers were finding it hard to get traditional mysteries published. Perhaps spy stories or "thrillers" sold better.
Some writers turned to other genres. When Bruce got back to writing mysteries in 1958, he used a new hero - history teacher and amateur detective Carolus Deene. I'm reading the first in that series now and Mr Deene isn't bad. But to my thinking, Sergeant Beef is a unique character and I wish his creator had stuck with him. Still, eight mysteries is better than none and I'm grateful to epublishing for making these available to me.