Saving Grace by Annie Jones: Steel Magnolias, It’s Not
I received this ebook from WaterBrook Multnomah Publishing Group to read and honestly review.
The following review of Saving Grace should remove any doubt that I am letting a free review copy get in the way of being honest, because to be honest, weak plot structure, confusing point of view switches, and overdone southernisms got in the way of some nice characterization, witty dialogue, and a good story.
I was all set to enjoy a good story about the friendship of four women’s friendships but felt cheated. Maybe if I had read the first book (I found out Saving Grace is a sequel only afterward.) I would have been more interested in the plot. But come on! Whether or not to restart the prayer group seems a weak vehicle for the characters to ride. And helping Grace seems like the obvious thing for good Christian women to do, not something they should have to be talked into.
And the story was confusing. Other reviewers blamed themselves for not having read the first book. This no doubt would have been helpful, and I suggest you do read it first. But the main reason for the confusion was the bewildering point of view switches. The (rather pointless) prologue sets up the book to be about Naomi and her husband, but then the point of view jumps around among the characters in no consistent, recognizable pattern, making it difficult for the reader to commit to the story.
I’ll take the author’s word that the southernisms in the story are authentic. But whether they are or not, they don’t read authentic and are as overdone as red eye gravy on grits. This too gets in the way of the story. Whenever the four women get together, not much real, character- building conversation occurs—just a lot of odd expressions get tossed around in ways that don’t advance the plot.
Now with all that negative critique out of the way (for which I am truly sorry), I loved the parts that focused on each individual woman and her man. In those passages, the point of view focuses in on one character long enough for the reader to get caught up in her thoughts and problems. There, the characters become real and the reader wants to know more. There, the excessive southern dialect gets out of the way, and the conversation is clear and true. (I especially enjoyed seeing the interaction between Ben and the endearing Lucy. I laughed out loud at several exchanges. I could really sympathize with her embarrassing faux pas and yearning for a husband and children. ) It is because of these passages that I kept reading Saving Grace and why I plan to check out other titles by Annie Jones.