An ambitious, non-fiction comic book experience depicting true stories of UFO abductions with an eye to capturing the strange essence of those encounters.
From the New York Times bestselling and multi-Eisner award-winning co-creator of Something is Killing the Children, The Nice House on the Lake, The Department of Truth.
In Blue Book, teaming with artist Michael Avon Oeming and letterer Aditya Bidikar, James Tynion IV presents what he calls his “True Weird” stories. Tales of ordinary people encountering the strange and the impossible.
Volume 1 retells the infamous case of the abduction of Betty and Barney Hill of New Hampshire in 1961 — the very first widely-publicized UFO abduction that went on to shape and influence all future encounter stories.
Collects the Dark Horse Comics series Blue Book #1—#5, originally published on Substack.
Prior to his first professional work, Tynion was a student of Scott Snyder's at Sarah Lawrence College. A few years later, he worked as for Vertigo as Fables editor Shelly Bond's intern. In late 2011, with DC deciding to give Batman (written by Snyder) a back up feature, Tynion was brought in by request of Snyder to script the back ups he had plotted. Tynion would later do the same with the Batman Annual #1, which was also co-plotted by Snyder. Beginning in September 2012, with DC's 0 issue month for the New 52, Tynion will be writing Talon, with art by Guillem March. In early 2013 it was announced that he'd take over writing duties for Red Hood and the Outlaws in April.
Tynion is also currently one of the writers in a rotating team in the weekly Batman Eternal series.
This collects Blue Book #1-5, originally published on Substack.
I was heavily into UFO stuff as a teenager but eventually outgrew it. Still, I'm a fan of Michael Avon Oeming and a book with just a black/white/three shades of blue color palette was impossible to pass up.
I fucking loved this! Tynion tells the story of Betty and Barney Hill, a couple who were allegedly abducted by aliens in 1961. Tynion sticks to the facts, not going all in on the skepticism or the believer POV when it comes to UFOs. Oeming's art is right in my wheelhouse, a minimalist affair that is extremely effective. I was already familiar with the story of Betty and Barney Hill but Tynion weaves everything together into something compelling and new.
Five out of five stars. I hope Tynion and Oeming do more of these.
Wonderful art, by the ever dependable Michael Avon Oeming. Tynion retells a pretty wellknown UFO story, and he does it adeptly, but I kept wondering what is the point here? It's not as if Tynion has some interesting take on the story, as far as I can see. Who is this for?
(Thanks to Dark Horse Books for providing me with a review copy through Edelweiss)
I’ve wanted to read this one for a long time (since it was released digitally first on Substack). This was definitely one of the best non-fiction comics I’ve ever read. The storytelling in this flows beautifully and the art to match it couldn’t be any more perfect. Issue 4 was ridiculously good and my favorite from this series! Really enjoyed this one and am excited for the hopes of more stories like this as mentioned by Tynion’s newsletter.
One of the most boring and utterly pointless books I've had the displeasure to read. I'm not exactly sure what Tynion was thinking here. To be fair, it took me way longer than I'd care to admit to realize this was supposed to be a non fiction book. I just kept wondering why they were telling the blandest ever alien encounter story. But even if this is aaan account of the original true story that shaped our collective pop culture consciousness, what's the point of telling it now ? It just makes for a cliché and uninteresting book. Not to mention the bland report like writing. There's absolutely nothing redeeming about this book. I'd seen so many incredible artists doing variants on it, I thought there had to be something. Now I just want my time back. And my sleep, I powered though this in a bout of insomnia lmao
Very different style than I was expecting. It's basically like if you took the script from a History channel documentary and made it into a graphic novel. I'm a fan of Oeming's art, but this was even more simplistic than I remember Powers being. On a fun side note I realized the year 1961 upside down still reads 1961, so there is that at least
Great start to the series using one of the most iconic alien abduction stories in American history. If you are into aliens at all you have almost certainly heard about the Hill abduction. This is a great retelling of the story with spooky atmosphere throughout highlighted by the blue color scheme. The classic communion cover alien is always so damn creepy, nightmare fuel for life. Reading this on a windy, dark Chicago night with a large plate glass window behind me was not a great idea- and tell me why RIGHT as they get into Barney’s abduction my dog bolts up and looks at the window- felt like the family in signs VAMANOS CHILDREN!
Seemingly straightforward retelling of a famous UFO abduction case-Betty and Barney Hill- that has probably a lot to answer for in modern abduction cases. Probably would have enjoyed a bit more speculation .but it has a very cool art style about it.
I liked the story because it presented me with a situation with which I was entirely unfamiliar. And Tynion relays the facts without embellishment, which I also appreciated.
So... this is labeled as non-fiction because, well, it is based on the real life experience of the protagonist couple, who allegedly had an UFO encounter in 1961. So yes, I guess you can consider this non-fiction, but also a sci-fi story, depending on what your views are when it comes to aliens.
In any case, this story was very well written, and the reader can really empathize with the main characters experiences and feelings. But also, I understand why people think there's not much of a point in retelling this anecdote of sorts, as you clearly are not going to get any kind of real conclusion, let alone any explanations for the events here retold.
But I personally enjoyed the reading, and the blue tones were just wonderful and such an apt way to present this.
Everyone loves true crime documentaries right now. There's something endlessly appealing about investigating the strange, macabre, and potentially paranormal. Yet, it feels like mainstream comics hardly tackle these subjects outside of horror and science fiction. So, James Tynion IV and Michael Avon Oeming’s Blue Book: 1961, a comic that takes some of the most famous "true" UFO stories and turns them into a series of nonfiction graphic novels, seems like a home run, right? And in some ways it is; but in other ways, it falls a bit short.
Retelling one of the most famous alien abductions of all time, Blue Book: 1961 explores the story of Betty and Barney Hill. In 1961, the couple reportedly got abducted by aliens while traveling home from a vacation in Canada. Or so the story goes. The way Tynion approaches this story proves quite interesting. At first, he follows the Hills as they’d have experienced the event. Driving along the countryside, seeing something weird in the sky, losing a bit of time, and eventually arriving home hours later than they should’ve with more questions than answers and a host of unresolved trauma.
But as the book progresses, and the Hills see a hypnotist who helps them unlock their repressed memories, things swerve closer to the realm of science fiction. Tynion takes us onboard the UFO with the Hills, fully exploring the nooks and crannies of their story. Why were they abducted? What did the aliens want with them? All questions the Hills' hypnotherapy sessions answer - if you're willing to believe it. The nice thing is that it never feels like Tynion takes a stance on the truthfulness of the Hills' story. And that adherence to neutrality is admirable. Tynion tells their story with no judgment and little embellishment. Just the facts, as they’ve been presented.
That being said, that’s also where the book stumbles a bit. Blue Book's biggest problem is that the story lacks some much-needed dramatization. It’s not that whole scenes and events need to be made up, or anything. Rather, most of the story is told by an omniscient narrator, so it's very prose-heavy, almost like reading a report. An entertaining, well-written report, to be sure. But a report nonetheless. And it doesn’t entirely feel like Tynion takes full advantage of the graphic novel medium here - except, perhaps, for the parts of the book that detail the Hills’ repressed memories. There’s nothing inherently wrong with this approach. In fact, it’s one of the things that makes Blue Book feel unique. But it's hard to avoid wishing Tynion had taken a few creative liberties here and there. Just a little touch of something.
On the other hand, Oeming’s artwork does a lot of the heavy lifting. He focuses on the emotion of the story. Lots of quiet moments and close-ups of Betty and Barney’s faces. His work in the latter half of the book, where we see the Hills’ repressed memories aboard the UFO, is quite breathtaking, too. He dives headfirst into classic sci-fi territory - with very retro designs for both the UFO and the aliens. And that mishmash of very grounded, character work and classic sci-fi imagery makes for quite a satisfying read. His use of color only adds to this enjoyable mishmash. Most of the art is done in various shades of blue, which add to both the mystery of the story and to the inherent melancholy of the Hills' experience. If you’re on the fence about reading Blue Book, Oeming’s artwork is easily worth the price of admission.
At the end of the day, Blue Book: 1961 proves enjoyable while also feeling a bit ho-hum. It’s very faithful to the Hills' story, to be sure. But that faithfulness acts as a bit of a double-edged sword as it doesn’t feel like Tynion has anything new to say here. He offers a faithful look at their experience, but little else. The artwork, on the other hand, makes the story come startlingly alive. It’s gorgeous to look at, deeply atmospheric, and keeps things moving briskly. If you’re at all interested in the subject of UFOs, and you’re not super familiar with Betty and Barney Hill, then Blue Book: 1961 is well worth a read. If you’re not, your mileage may vary.
DISCLAIMER: A review copy of Blue Book Volume 1: 1961 was provided by Dark Horse Comics and Edelweiss+. All opinions in this review are the honest reactions of the author.
James Tynion does non-fiction, recounting here the Betty and Barney Hill abduction story. One of the first such stories to cross over into mainstream media, it's always interesting to revisit, but Blue Book doesn't really offer much new or different material (aside from Michael Avon Oeming very good blue-hued art). Still, I'm interested to see where future volumes go.
This was not was I was expecting from Tynion. This is a retelling of a real world event in which a couple claim to have had a UFO sighting. The facts drive the narrative and it really presents you with what happened and allows you to draw conclusions or feelings. The art is fantastic and the color palate fits well with the straightforward story telling. While not what I am used to from Tynion, it is fun to see him use his status in the industry to bring stories to light that I may not otherwise have come across. Worth a read if you are into the weird and unknown, and if you read Tynion, chances are you like weird and unknown.
So, you're tellin' me a super advanced space-fairing race of aliens with a fucking trade route across the goddamn galaxies don't know what time is? Or the color yellow? Or that old age and death exist? Or literally *anything* about Earth, like, at all? They can't, like, scan shit from up above? Do math? Use their imagination?
I mean, I'm Mulder. I want to believe...but goddamn. Also, what the dog doin'?
I've heard Betty and Barney's story multiple times. This was the most humanizing iteration. The mostly black-and-blue art worked very well, especially to emphasize when other colors were used. The facial expressions in Oeming's art make the character's feelings very clear, and I appreciated reading about the art process and decision-making in the rear matter.
Given my irrational fear of aliens, reading this at midnight last night was a greeaaat idea. 👽🛸
I love the concept of turning alien encounter stories into graphic novels. I am also a sucker for monochrome color palettes. The writing and layouts were mediocre, though the story is inherently interesting.
I know the old adage that you're not supposed to judge a book by its cover, but I feel like said cover is one of the most important parts of comics. It's often what draws a person to even pick one up in the first place. I've been trying to branch out a bit in my comics, beyond just Star Trek and Batman, and the colors and artwork of the first issue drew me to take a flyer on this storyline. I had no idea what was really going on in it by the end, even less so with the secondary story towards the end, but I was intrigued enough to read more.
Apparently this is based on a true story of a couple from New Hampshire that have a gap in their memory from a return trip through the White Mountains. They eventually decided that they encountered extra terrestrials and began to become paranoid. The next few issues all follow different aspects of the encounter, and we see bits and pieces of what might have happened if the couple had in fact been abducted by aliens.
Each issue has a separate short story at the end, all unrelated and all extremely strange. I admit I have absolutely no idea what is happening in any of them, and I almost feel that they distract from the Blue Book story. I could completely do without these. The main story feels like an intriguing mystery with some hints of science fiction, but the extra stories seem to be designed merely to make the reader go "WTF?" by the end.
The artwork of Blue Book is simple but terrific, and the simple color pallet of blue, white, black and grey is just right for the mood of the whole story. I enjoyed the whole thing, save for the random stories at the end.
This is more of a real life documentary in comic form than a "Alien" story.
But in reality a husband and wife did encounter aliens. Or so they said. This story isn't creepy or weird, but more of a husband and wife dealing with this secret, and it getting exposed to the world. I enjoyed the insight into what they thought they say, the Aliens were done different here than most media, and I enjoyed the two leads. But it felt kind of like just reading a article online verses a comic book story.
So I believe in a spiritual reality as well as the corporeal one we experience. Perhaps annoyingly to some, that means that if we somehow had definitive proof that aliens exist in the ways these stories present them, I would still reinterpret it from the framework of my faith. Ie. So God made aliens I guess.
Therefore, when it comes to these kinds of unexplained stories, yes there is sometimes a tinge of horror, but I am mostly just curious and find it interesting to entertain these ideas. It makes for a great open-minded converstation. My favourite genre tends to be sci-fi, so perhaps that is why I can drift towards the alien discussion from time to time.
This is like a comic book version of 'Unsolved Mysteries' on Netflix. Stories of paranoia, the paranormal and speculation. The primary story depicting the alien abduction of Betty and Barney Hill of New Hampshire in 1961, is presented in a really thrilling, stylistic manner. I love the eerie, minimalist art-style and the persistent disquieting blue colours. We get some other pretty varied myths in this first volume too, taking the form of back-up stories.
At some point or another, no matter our belief system, we all have to agree there are some things we just can't explain in this world. That's why these kind of stories endure and evolve and will always reach an uncomfortable part of us, an existential place where we must confess that we are not the centre of the universe. What posture you take after that is up to you. I appreciate that Blue Book is thought-provoking in this way.
Quick disclosure, I read this as individual issues.
I've long been fascinated UFOs and other such mysteries. I'm not qualified to say any of it is true, but it is weird, and it's clear the James Tynion feels similarly.
The Betty and Barney Hill case is one of the most famous in Ufology, having been told, retold, and investigated countless times. The real question is what Tynion what brings to this particular telling.
And what he brings is an almost documentarian style. Another reviewer brought up true crime as a comparison, and it's apt. What we have here is a straightforward retelling of the events, with no sensationalism, over the top scares, or even judgment aimed at the Hills. There's enough ambiguity for the readers to make their own decisions.
There's a strong focus on how the incident, and the publishing of their testimonies, effected the Hills. It's grounds the whole thing in humanity, rather than any sci fi mysteries or scares, something that's often lost in other telling's of their story.
Some may find this to be a bit boring, but if approached as what it really is, biography and not sci fi or horror, than you'll probably have an enjoyable time.
Each issue also includes a short "True Weird" story as well (presumably collected at the back of this as yet unpublished book). These retell, well, weird and unexplained incidents throughout history that may or may not have actually happened. These are a mixed bag, and lean a bit more into the genre trappings the main story avoided.
Perhaps it's just my own resistance to non-fiction as a particularly fruitful area for comics, unless it's autobiographical (and even then, I find a lot of autobiographical comics overrated and self-indulgent), or a very occasional oddball outlier, usually with tricks to the telling (Alice In Sunderland!). But when this was first announced, I didn't altogether get why someone as buzzy as Tynion is lately would be doing a straight comics retelling of alien encounter stories. He already has Department Of Truth, which is heavily grounded in real conspiracy and mystery culture; UFOs specifically got similar remix treatment in Cornell and Kelly's recently completed Saucer Country. Having read this, I'm still none the wiser. But it is a pretty good retelling of the Betty & Barney Hill abduction incident, which, whatever the truth of it, was to prove such a precursor to the classic form of that narrative – missing time, intimate meddling, Zeta Reticuli and all. And Oeming draws the hell out of it, the black, white and blue palette not just a fun pun on the title, but deepening an eerie, nocturnal mood that also means any flash of a further colour becomes suitably, well, alien. I still don't know why it exists, but it's a good piece of work, bar maybe the rather intermittent treatment of Delsey, the Hills' Dachshund, who is very cute when she does appear, but keeps dropping out of the comic for long stretches, and whose integral role in events is somewhat sidelined.
I was pleasantly surprised by this! I stumbled upon this because my boss handed me the Fall 2023 Ingram catalogue, and found this in there. I couldn't believe there was something about Barney and Betty Hill in there, nonetheless a comic about their experience. I will admit that it was a bit short, and could've used a better ending to wrap things up. With that in mind though, I learned much more about them and I thought that this book was an excellent way to bring their story to life. So incredibly sad and terrifying, but still there are moments where you feel hope from their experience. I admire them and their bravery, especially in a time where the US was already so volatile for so many other reasons. I would highly suggest reading this for anyone who is curious about their story, or just want to see it from a new and fresh medium. I thought the extra tales at the end were fun as well, even if they did seem like a sidetrack from the main story. I really enjoyed the story involving the Elephantine Colossus. I genuinely had never heard of it until then, and now I must know more! So incredibly fascinating.
Blue Book taps into the paranormal in a rather fresh, intriguing new way from regular horror comic writer James Tynion IV, who pairs up with Michael Avon Oeming to deliver this five-issue miniseries. A re-telling of the "true story" behind the alien abduction of Betty and Barney Hill in New Hampshire, 1961, Tynion pieces together the couple's account on the UFO sighting with a fictitious narrative that fills in the gaps. A cursory search into the Hills' account on the incident shows that Tynion does his research well on the events, adding in a rather emotionally charged story that feels fitting to the encounter. Appropriately creepy and mostly engaging, Blue Book is a fun new take on the "Very Loosely Based on a True Story" concept. Oeming's artwork also works great here, with only sharp lines distinguished by a couple shades of blue for contrast. It looks a little like Darwyn Cooke's Richard Stark's Parker comics in that almost noir-esque aesthetic, though Oeming's line isn't nearly as expressive.
A fun read for anyone into UFOs and the paranormal, and a fair bit more unique than the typical horror comic of late.
This was an interesting read. This volume follows the real life story of Barney and Betty Hill, a New England couple who believed they had been abducted by aliens in the early 1960s. The story contains not only details about the alleged encounter itself, but also details about the Hills lives before and after the event, the steps they took to prove or disprove the event to themselves, and information about other people who heard their story and studied their case.
I enjoyed the art work for this series. With its limited color palette (black, white, and pale blue), these comics made me think of black-and-white film. It reminded me of watching old documentaries, or classic episodes of "the Twilight Zone." I thought it was a clever artistic choice to accompany stories of possible alien encounters.
It's definitely a good nonfiction comic, and I'd recommend it to anyone who was interested in nonfiction comics, stories about possible alien encounters, or anyone who likes the vibes of spooky classic TV like "the Twilight Zone" or "Outer Limits."