As an overall work, I think The Goth House Experiment falls flat. It feels like two collections smashed haphazardly together, and I liked one collection far more than the other.
I think Sindu is at their strongest with the speculative stories. The penultimate story "The Goth House Experiment" was a good choice for the title of the collection because it's really good. I loved the writer who's haunted by the spirit of Oscar Wilde. The final story in the collection, "Miracle Boy," was also gorgeous and quite excellent. I wish this had been a complete collection of stories like these two because they were poignant, creative, and wonderful.
The first four contemporary stories were not so good in my opinion. It's hard to critique them because they felt like an exercise in processing frustrating and painful events of the last few years, but having read the last two stories in the set and Sindu's novel, Marriage of a Thousand Lies, I know they're capable of crafting complex contemporary stories with well-developed characters, hence my criticism of these.
The characters were, in my opinion, really tedious to spend time with. I'm all for unlikeable characters, but these were frustrating to me. The themes and messages of the contemporary stories were also really heavy-handed, I felt they lacked the subtlety and nuance of "The Goth House Experiment" and "Miracle Boy."
"Dark Academia and the Lesbian Masterdoc" was meant to be a skewering of the current-day reactionary and volatile politics of the TikTok generation. I think there's a lot to be said about the topic, but it was told in a very clumsy way. A topic that has a lot of nuance was reduced to a strawman, caricature of everyone's worst idea of Zoomers on the Internet.
"Patriots' Day" came really close for me. It was so close to being good, but Pamela's character was so cartoonishly evil that it tipped into melodrama, which is awful given the subject matter and the way the story ended. I think the story either needed to lean into her villainousness or be a little more grounded. At the moment, it's kinda Frankenstein's-Monster'd it's way into being hard to take seriously.
Again, "Wild Ale" came close, but was complicated. This one felt the most like a novel idea that was crushed down into a short story with a lot of unresolved tension. The ending devolved into what could have been comical hijinks, but was, again, really hard to take seriously, which is a shame.
I will say, the standout contemporary story was the very short "I Like to Imagine Daisy from Mrs. Dalloway as an Indian Woman," which was only 4 pages (3 minutes in the audibook) and was excellent. It was concise, yet still built a compelling narrative with a rich, well developed character. As I stated before, it's things like these that make "Dark Academia," "Patriots' Day," and "Wild Ale" frustrating, because I know they could be really good, yet they fall flat.