I never write or leave bad reviews, but I'm making an exception with this one. SPOILER ALERT*
I love the Jack Reacher books and opened this one with a ton of excitement already built up. Then page one was pure setting with elaborate descriptions of buildings/rooms, written in passive voice with too many short, choppy sentences. Page two contained more of the same. It displayed all the thrills of an accounting business meeting minutes—and didn’t improve. Previous Reacher books start with our hero in the midst of something interesting. Why start this one with something so mind-bogglingly dull?
Half the fun of Reacher books is his unique and unpredictable personality. The way he plays with numbers in his head, running through primes, seeing codes in chaos. That’s not in this book. The way he assesses a scene before he has to kick some ass, telegraphing minimal moves for maximum damage, sometimes with anecdotes from past teachers or past fights. That’s not in this book, either. The way he has flashbacks of previous cases, former bad guys he’s put away, or heart-warming memories of his family, as odd as they were, that are pertinent to the current plot. None of that in No Plan B. The way he’s always got a sarcastic or witty comeback. Not in this story. In previous books, Reacher can wake himself up when he wants to. In this book, someone had to wake him up once. Why? No clue. It wasn’t explained. In previous books, if Reacher decided to kill a bad guy (it happened a few times), he chose a quick bullet to the head. In No Plan B, Reacher goes for the most over-the-top violence that was inconsistent with his character. Reacher is one-dimensional now, with none of the charm or wit I’d expect, and it was the same-old plot of a female victim who has no advocate, so Reacher steps up. I like that about him, but in this story, I didn’t feel the same connection to the victim, and I really didn’t feel that he did, either. The only thing that made the victim truly sympathetic was the existence of a small child, yet we never got to meet her. Reacher didn’t even bother to check on her and see that she was properly taken care of. He goes through the motions to have something to do with no real passion behind his investigation.
With all that fun stuff missing, what did this story have? A lot of cardboard bad guys (two separate groups) that were all bland, uninteresting, and sounded the same. There were at least four different points of view, but I had trouble telling them all apart—and for some reason, they kept repeating dialogue. The story had the standard violence usually found in a Reacher book, but instead of Reacher’s moves being innovative, quirky, or just surprising, most of the fight scenes were the standard ‘knock them out with one punch’. Only one of the antagonists gave Reacher a physical challenge. And to thoroughly crush my suspension of disbelief, one of the antagonists used chloroform on a rag multiple times to knock out his victims—one of the worst tropes in the industry! Google it. Chloroform takes about five minutes to knock someone out, and the entire time, they’re most likely fighting against their attacker. This antagonist also used a thoroughly brutal method of killing, which normally I wouldn’t mind in a Reacher novel (they’re supposed to be full of violence), but this was too over-the-top for me. Napalm? Really? Burning victims alive? That was just gross.
Reacher had a civilian side-kick this time. Hannah. I loved the concept of Reacher working with someone who wasn’t an old Army co-worker, but sadly, the relationship between Reacher and Hannah never developed. Hannah was as one-dimensional as the bad guys, so I never learned to care for her beyond “she’s a good guy” kind of thing. Same with the teenage kid side-character. Why was he there? He served no purpose, other than to pad out another subplot. And he wasn’t interesting.
The climax in the last fifty pages was uninspired and unbelievable. I can maybe buy a black-market ring selling the organs of prisoners, but why was a junior reporter the only person to notice the incredibly high death rate of prisoners? And come on! A prison full of guys talented enough to create forgeries of famous works of art or computer geniuses? That’s totally unbelievable. I’d maybe believe the prison warden found ONE guy who had that much artistic or technical talent, but an entire wing of the prison? Nope. Lastly, Reacher didn’t have anything to do with catching the prison baddies. The other set (the napalm guys) caught the prison guys and had them all strung up by the time Reacher arrived. All he did was rescue one victim from the prison. The hero is supposed to catch all the bad guys on his own, not watch from the sidelines while someone else wraps them all up. The ending was thoroughly disappointing.
The last three Reacher books have been awful, but this one read like a first draft with no edits. I’m not sure I’ll read the next one.