Four titans sleep beneath the earth. Only one fae can keep them from waking.
Silbrey is an orphaned wood nymph, taken from her forest home and raised in the corrupt city of Penderyn. The fae child grows up unaware of who she is, what she can do, and the calling of her kind.
Under the control of a cruel guildmaster, Silbrey is trained as an assassin. As an adult, she escapes her violent past to start a new life and a family. But a tragic death brings her back to the familiar cobbled streets to seek revenge.
This dark path leads Silbrey to uncover an even darker An ancient evil will wake the titans and break the world. Silbrey must travel with her daughter across a war-torn land to defeat that evil.
What begins as a fairy tale transforms into a multi-generational epic fantasy about love and loss—and a woman with a strange connection to nature.
The Dryad's Crown is an emotional, coming-of-age fantasy debut. The first volume in a gritty saga, set in the immersive world of Efre Ousel.
Booklife describes the story as "a fantasy unlike any other."
David Hopkins is a fantasy novelist with an interest in Shakespeare, medieval history, fairy tales, and myth. He is the author of The Dryad’s Crown, a story set in the vast world of Efre Ousel. BookLife described The Dryad's Crown as "a welcome, inventive, humane fantasy, set at the scale of a single fascinating life."
David has been a regular contributor to D Magazine, Smart Pop Books, and Fanboy Radio. He has written op-eds for the Dallas Morning News and Chicago Tribune, comic books and graphic novels in a variety of genres, and even a few D&D adventures.
David is married to artist and designer, April Hopkins. He has two daughters, Kennedy and Greta, and a dog named Moose.
My SPFBOX review of The Dryad's Crown is published at Before We Go Blog.
“Ausdre lost the fey child. She screamed and clawed at the ground of the muddy riverbank. She screamed until her voice gave out. All that remained were deep involuntary inhalations, and then she gagged on the mucus gathering in the back of her throat.”
The Dryad’s Crown is the ambitious multi-generational epic fantasy by David Hopkins centered on an orphaned tree nymph, Silbrey. As a young girl, she was adopted by a priest, Timon, who raised her under the name Piper but never paid too close attention to her. Silbrey is unaware of her past, knowing only the origin story conveyed to her by her guardian.
Eventually Silbrey wanders away and becomes an assassin in a world full of corruption. Her transformation from sheltered youth to deadly killer happens rather abruptly, as does her subsequent settling into a more benign family life.
One of the highlights of The Dryad’s Crown is the beautiful interior artwork by Daniel Irving Decena. These detailed illustrations truly enhance the reading experience, bringing many of the most touching scenes vibrantly to life.
Taking a sentence or paragraph at a time, the writing in The Dryad’s Crown is all technically sound and well-polished. However, the novel gave me whiplash with its shifting tone, involving jarring changes in storyline or focus every few pages. The Dryad’s Crown tries to be everything at once: a sprawling epic fantasy with a large pantheon of gods, a whimsical fairy-tale about an orphaned child, an assassin’s revenge story, and a borderline cozy family drama. All of this is interspersed with some rather ill-fitting romantic scenes.
While I admire the author’s ambitious approach, The Dryad’s Crown just ends up pulling in too many disparate directions at once. Hence, this is unfortunately a cut from SPFBOX.
Alright, first, major props to the audiobook narrator. I adored her voice. Seriously top-notch. Moving on.
The Dryad's Crown proved to be quite the literary odyssey. I was intrigued by the cover, but I had no idea just how skilfully woven this tale would be. Hopkins created a world teeming with lush landscapes and intriguing characters. The narrative's denouement, marked by a profound exploration of world-building, adds a layer of depth that elevated my overall reading experience.
Hopkins' prowess in depicting vibrant battles is a standout feature, and he balances it perfectly with the intricacies of character dynamics. Speaking of the cast, I really appreciated the diverse ensemble of characters. The portrayal of robust, dynamic female protagonists won me over and transcended conventional fantasy tropes. Hopkins' dedication to character arcs manifests in a multigenerational cast that encourages readers to invest emotionally in their evolving trajectories.
Another thing Hopkins did well was adeptly balancing the grandeur of epic fantasy with a welcoming accessibility, making the novel appealing even to those less inclined toward the genre's traditional conventions.
The narrative's pacing maintains an enthralling rhythm. I loved how it was divided into books, almost like I was reading an epic TV series. Finally, I can't conclude this review without mentioning the prose, which is top-notch.
The Dryad’s Crown emerges is more than a mere adventure; it serves as a celebration of diversity and boundless imagination, charting a course beyond traditional fantasy norms. Whether an aficionado of epic fantasy or a newcomer to the genre,I think you'd enjoy the captivating and refreshing escapade, immersed within the enchanting meticulously crafted universe.
A huge thank you to the author for sending me the audiobook. The narrator, Lindsey Dorcus, was outstanding! Her voice was a beautiful fit for this world. If epic sage fantasy is your thing, I highly recommend it. I love books like this and I was completely surprised by it.
It has a lore feel to it being told from the beginning of Silbrey's life, but it jumps to the past of other characters or the history of the world. It's epic and unique. I loved it. The world building has a fairytale feeling with myth and legends. I was deeply invested in the characters and how the time passing molded them in the end. All the characters' stories are intricately woven together to a beautiful ending, and I'm looking forward to book 2!
David Hopkins is a modern day bard, with as poetic as his prose is within The Dryad’s Crown. I really felt like I was sitting in front of a campfire while an elder was sharing fables of yore while reading.
I do believe The Dryad’s Crown is a collection of several works by Hopkins that follow Silbrey, a reluctant heroine. The chapters are cut into different periods of her life, so each could exist on its own, but does serve the storytelling more so by being read together. The subtle symbolism and story motifs pay off better.
The Dryad's Crown is a tale you have to commit to, as much that happens. Covering Silbrey's life so far, as well as many of those that even just temporarily touch her light. It is vast, and encompassing of the world of Amon and its history. Hopkins leaves no stone unturned when telling you of his creations. If anything, he teaches that there is power in a name and the meaning we give them. From Silbrey, beautiful flower, to her surrogate mother, Dahlia Tulan with her black soul, to the gods and fae even. It all means something. His world is deep, and complicated. Yet simple and beautiful. It is just a matter of what you choose to take from it.
Excellent fantasy. Definitely one I'd recommend is you love strong women. My only qualm is it suffers some from trying to stay modern at times, so some characters are held on to that would have served a better purpose or sense of fulfillment elsewhere.
Prepare yourself to step into the enchanting world of Efre Ousel in this sweeping literary epic by David Hopkins. Follow Silbrey, a lost child of the fey, raised in the shadows by a wicked guild master in the city of Penderyn where she is trained relentlessly in the deadly skillset of an assassin. As Silbrey matures, she finds it in herself to escape the corruption and start a new life and family of her own. But all soon grows dark as death seems to follow her wherever she goes. Silbrey and her family quickly find themselves tangled in events much larger and sinister: the ancient titans that sleep beneath the world. Should they awaken from their slumber, the world would break.
Before diving into this review, I would like to mention I read this book in a slightly unusual way. There is a prequel novella in this series, War of the Hounds, that I read in between chapters four and five of The Dryad’s Crown for maximum emotional impact. For those who want extra action and excitement, I do recommend this reading order.
This story, being the first installment of the series, has some very heavy world building and lore development. From early in the book readers are introduced to the variety of cultures, their respective customs, religious deities, history, and geographical locations. This continues throughout the book until the last chapters and allows for key plot factors to be revealed at precise timings. While this can seem overwhelming for some readers, I personally enjoy it when stories delve into complex world creation. One will become well acquainted with all that Efre Ousel has to offer. Hopkins also demonstrates a strong talent for descriptive writing. Whether portraying stunning landscapes or vivid depictions of battle, he weaves imagery that allows readers to clearly visualize every moment as it unfolds.
The story primarily follows Silbrey, the main protagonist, though additional character points of view are present. Readers will witness Silbrey’s transformation from a young child under the heel of Penderyn’s guild master, to an adult with children of her own. As the story progresses, a cast of supporting characters are introduced, along with a few dangerous adversaries who are more ancient than the bones of the earth. In time, Silbrey must face each of her enemies while also striving to protect her family. The character development throughout the book is layered and continues its build consistently from start to finish. Just when you think you fully understand a character, Hopkins reveals another piece of information that is important to their backstory. This approach keeps readers intrigued and gives some characters an air of mystery.
The magic system of the story centers around ancient Druid traditions, with strong connections to nature and the earth. Silbrey wields a staff created from enchanted wood of unknown origin to help her channel and focus her magical powers, amplifying their strength. In Efre Ousel, magical abilities are like a gift, leaving it in the hands of a select few. War mages, members of the magical academy, and the fey being some of the groups who possess the ability either through study or heritage. This limited distribution of power adds an extra layer of significance to magic within the world. Another unique form of “magic” that readers encounter is the mind bond that dragons possess. When they choose, dragons can speak into the mind of another being and even share their eyesight if they are in close proximity. However, this connection is rare as dragons are prideful creatures and see all other living things as inferior.
As mentioned previously, I approached this book with a unique reading style, which I believe contributed a part to my overall enjoyment of the story. However, there were many other aspects that made this book an amazing read, including the descriptive writing and rich character development. I will admit that this book took me a long time to finish, but not because of any shortcomings. I genuinely enjoy longer books, even if they require more time to complete. This story offered me so much to absorb and reflect on. Additionally, I did listen to this book in its audio format. Coming in at just under 20 hours, it is one of the longer audiobooks in my collection. The narrator, Lindsey Dorcus, did a fantastic job in her intonation, distinct character voices, and inflection. It truly made for an engaging and pleasant listening experience.
In closing, I thoroughly enjoyed The Dryad’s Crown and eagerly await the next installment of the series. This story concluded in a way that left readers satisfied, yet it is clear that the foundation has been laid for future adventures. I’m excited to see where Hopkins will take us next in the magical world he has crafted.
This is a beautiful fantasy story in a lush world! I enjoyed sinking my teeth into it. Towards the end, we get a deep dive into the fabric of the world-building which fascinated me.
Along the journey, there are numerous battles where the language and dynamic actions flowed effortlessly. David Hopkins writes the movement of his characters while they wield weapons with precision.
I did have a few issues with certain character relations or the jumps to certain plot conclusions. However, this story was such a fun read that I did not care.
The rotating characters gave us an incredible range to show the whole range of motivations. This is a strong start to an in-depth and creative world.
"The Dryad's Crown" by David Hopkins is an epic fantasy with an undercurrent of several themes: rediscovering different ways to love others, finding and accepting oneself, accepting those different from you, and sacrifice. It follows Silbrey, an orphan turned vicious enforcer for the heartless guildmaster of Penderyn. Silbrey knows little joy, only the hard purpose at the end of her staff, until she meets someone who shows her kindness. She always seems to be running, from her dark past and darker self, or toward something although she doesn't know what. Eventually, her seeking leads her to her destiny, battling the forces of evil that continually rise up to oppose peace. Her daughter Gydan seems to share that destiny, and they cross the world in their expanding mission.
The world Hopkins has built is brimming with magic, creatures such as dragons and goblins, meddling gods and magical peoples, and a history of the real mixed with the mythological. Prejudices exist, yet people seek love and connection regardless of gender and race. Unfortunately, great fear, superstition, and the hateful pillars of power prevent families from uniting and could destroy the entire world, given the chance. The story is told from an omniscient point of view, which prevented me from connecting as much as I would have liked to the main character, although I liked her spunky daughter. The language is flowery and the plot winding, culminating in an ending I did not expect.
The interior artwork and map are beautiful, done by artists Daniel Irving Decena and Francesca Baerald.
Gracious me, this was an interesting read! From a child being hacked out of a tree, to a farmer "rescuing" her, to a priest taking her in, to a guildmaster teaching her to be feared, to a marriage, Piper certainly had an eventful start to life! And thus her life was shaped, the carefree giggling little girl became a hardened indifferent assassin, one who couldn't see a way forward until Callis appeared and her perception changed. But fate is unkind, fate is cruel, and Piper's life is destroyed by the action of Dahlia, who I really really dislike intensely! Oh, Dahlia is the guildmaster... who also renamed Piper to Silbrey. And Piper/Silbrey has no idea where she's from originally, what she is, only an outlandish tale by the priest describes her origins. In all this uncertainty, one thing is certain, Silbrey can't escape Dahlia. I found Piper/Silbrey a little staid in the first few chapters, unemotionally emotional, that's to say, the author captured her outer and inner persona brilliantly, what the people around her perceive is not who we get insight to.
This book doesn't only feature Silbrey, there are many interesting and complex characters, Maricel, her lover, who initially got close to Silbrey solely to spy on her, Ausdre, a Druid living in the human realm, Gydan, Silbrey's daughter who bonds with dragons, Bren, the general and possibly a deity, and they're all connected to Silbrey. I was flummoxed at the revelation of who Maricel actually was, not at all what I was expecting. In fact, so much in this book was completely unexpected, each twist turning my mouth into a comical "o". Although the author did a magnificent job of me being almost ambivalent to Silbrey, I couldn't pinpoint if I did or didn't really like her stoic character, just intrigued to see where her path would lead, and I thoroughly enjoyed her discovering who she was, what she was and what she was capable of. I was very taken by Gydan, for all her youth, she's smart, she resourceful and she has the added benefit of taking to Dragons.
An ancient evil, thought dead, is once more on the prowl. The action is fierce and fast, immersive even, I had to catch myself from emulating the moves, so immersed was I. I enjoyed the intricate complexity of this book, the prose set out in the first few chapters were almost like a diction, precice, as though a narrator was describing facts, yet these facts were vivid, allowing me to get to grips with the characters, to understand what they were feeling, what they wanted and what their reactions were. A nicely convoluted yet captivating story, opening up a whole scope of events of love, trust, of self discovery, of new beginnings, of old enemies, of betrayal, of lies and misconceptions. A tale so powerful, of right vs wrong, of good vs evil, one can never be sure what will erupt next. As Tom the barber said at once stage in the book, "sit back and enjoy the chaos"
This is not a full review. I read through the beginning of all 300 SPFBOX contest entries. This was a book I wanted to read more of.
A fey girl born from a tree begins her life passing from one protector to another until a dangerous guildmaster takes her in after she does something inexplicable in her garden.
This has a fairytale beginning. Its prose uses the summarizing style of an oral tradition, which is underscored when the second part of the story is literally related as a bedtime story.
This style is effective for the content, which is active and magical and highly unusual. A woman hears crying in the night and goes to a tree and chops it open and finds a baby inside. She brings the baby home. Four wise people show up later…
Something bad happens, the baby turns into a fish and swims away - wonderfully free flowing magical stuff.
The setting details are spare for now, but they drift in here and there. There is enough for anyone familiar with the genre to get their bearings, but the focus of the narrative is our adventurous girl.
She is lively, that’s for sure. Though the telling of the story slows down somewhat as the narrative proper gets underway, the brief, almost perfunctory declarative narrative style continues.
I have mixed feelings about it. Coupled with the often simple sentence structure, it could begin to wear on me. On the other hand, I may adjust to it in another few chapters, especially if the story continues to be as active as it has been.
Though this hasn’t spent much time on any of its moments to really ground me in the experience of its protagonist, it is developing exceptionally well. I recommend it for the way it moves. It feels light and wonderfully creative.
This also resists explaining everything, which I have found charming. I understand what I need to for now. The story elements feel intuitive. Maybe I will understand more in time.
Though this is listed as an adult novel and is ~550 pages, its simple style and fluid narrative make it feel more like a MG or YA book (assuming our MC ages up). I say this only for descriptive purposes, not evaluative.
The uniqueness of this narrative makes it stand out to me, however it should be categorized. I recommend it especially as a study in fresh, fast, active storytelling. I’m in.
The story follows Piper, a girl who comes into the world under strange and magical circumstances, a child not born but found. She grows up pulled between care and cruelty, eventually falling under the rule of Dahlia Tulan, a guildmaster feared by all of Penderyn. Piper, renamed Silbrey, learns to fight, to kill, and to survive, carrying with her a mysterious staff that ties her to the forest and the gods. The book traces her journey from abandoned child to trained warrior to wife and mother, weaving in themes of love, power, abuse, and the weight of choices. It’s a tale about what it means to belong, and what it costs to escape.
Reading this book stirred up a mix of emotions. At times, the writing hit me hard with its blunt edges. Scenes of brutality were uncomfortable, but that discomfort made the story feel real. I caught myself holding my breath when Dahlia appeared, because the tension the author created around her was suffocating. The pacing sometimes slowed down with long descriptions, yet I didn’t mind, because it grounded me in the world. The tenderness between Silbrey and Callis was a much-needed counterweight to the violence. Their love felt believable, raw, and fragile. It gave me hope that even people shaped by cruelty can carve out something good.
What I found most striking were the ideas buried under the story. The book isn’t just about fantasy battles or guild politics. It’s about how trauma roots itself in people and how hard it is to pull free. Silbrey’s connection to her staff, to the trees, and the earth, reminded me of the ways we cling to something solid when everything else is crumbling. Hopkins doesn’t hand out easy answers. The gods don’t swoop in to save anyone. Instead, the book suggests that survival itself is sacred, and sometimes love, though messy and imperfect, is the closest thing to grace. That felt honest to me.
The Dryad’s Crown reminded me of Robin Hobb’s Farseer Trilogy with its mix of intimate character struggle, harsh mentorship, and the ache of trying to build a life in a world that feels both cruel and magical. I’d recommend The Dryad’s Crown to readers who like their fantasy with grit and heart, who don’t mind being unsettled along the way. If you’re drawn to characters who bleed, who fight, who love fiercely even while carrying deep scars, then this book will stay with you long after you set it down.
*The Dryads Crown* by David Hopkins tells the complex and multifaceted story of a woman’s life, beginning with her as a young orphan raised in a temple. The narrative starts with a myth about how she was once a fish that transformed into a girl, setting the tone for the mystical elements that permeate the book.
As she grows up, she falls under the mentorship of a guild master, who is abusive, yet teaches her valuable skills in combat. Throughout this time, strange and magical occurrences happen to her—like a staff and shield appearing out of nowhere. Eventually, she escapes the guild master, marries, and has children, only for her husband to be killed, thrusting her and her children into a war against a general’s son. The story further complicates with the involvement of a kraken controlling the guild masters, adding to the already intricate plot.
The novel covers multiple generations, following the children as they grow up and face their own challenges. While the war eventually ends, the family becomes separated, and we see the children later as adults.
In my view, I would rate *The Dryads Crown* 3.5 stars. The primary reason for this rating is the sheer amount of content and shifts in tone, which made the story difficult to follow. The book seems to blend too many genres—epic fantasy, fairy tale, assassin revenge, and romance—without fully committing to any, leading to a feeling of narrative whiplash. For instance, some character arcs, like the daughter suddenly being revealed as a god, felt confusing and underdeveloped. But the author does well on being very inclusive in their book.
While the audiobook was well-narrated, making it easier to follow the complex plot, the story itself felt overstuffed with unnecessary details. The artwork, was detailed and realistic, adding depth to the book's presentation.
Appears to have been written by an adolescent, albeit a talented one. There are barely twists and turns one couldn't see from a mile away. At times, the author does not show what the characters experience, but summarises and is often inconsistent doing so.
The names are, well, singular. Further, in scenes that involve fighting, there is one designated victor for whom things go way too smoothly. Also, what's with all the petty revenge drama? Some parts of the story are constructed like a fairy tale gone wrong.
And, finally, deus ex machina. Or the plural of that.
Set in the world of Efre Ousel, this novel follows the story of a child born of a tree, sought by druids, raised by a priest, then a guildmaster, and as she claims her independence into adulthood. While her perspective is paramount and anchors the novel, threads of the stories of those she has been close to are woven throughout which enriches her story and expands on it.
The novel is both epic and intimate, with exceptional characters (particularly the female characters), excellent pacing, beautiful world-building, and a legendary/mythic framework.
I cannot overstate how much I loved reading this novel. The prose has a lyric quality, and I loved how various elements myth, legend, and folklore (that I'm familiar with) were hinted at and woven through the story. The whole novel felt original, yet familiar.
The writing style reminds me of Charles de Lint's in that both authors have an ethereal wistful quality to their prose that I find both haunting and mysterious.
This was a comfort read for me - I can see myself coming back to this book over and over again. I loved reading it. I couldn't get enough at it. I am awestruck.
David’s way with words and storytelling is subtly exquisite. He slips exposition and details of his worlds into half of a sentence in a fight scene. Gender and sexuality in The Dryad’s Crown are fluid and natural in a way I wish our own world could grasp. Characters are complex yet relatable. Antagonists are hard to thoroughly hate.
The plot moves at an impeccable pace. It is a classic page-turner without feeling like it is moving too fast. Battle scenes are described with just enough detail to easily visualize the action. David takes great care with his characters while not showing any fear of plunging them into danger and grief. The world is vivid without over-embellishment, guiding the reader while allowing them space for their own imagination.
I once described David's writing as "a delicious soup of Douglas Coupland, David Lynch, Wes Anderson, and Stephen King." That still holds, but this time within a fantasy world.
I’ve been reading "The Dryad’s Crown" novellas for a few years now, and I had eagerly awaited each release along the way. I’m happy to see them now unified in one volume. From the outset, it's clear that Hopkins has refined the text to ensure a seamless narrative, rather than merely compiling the nine novellas. Efre Ousel's world bursts with vividness, its characters crafted with depth and thoughtfulness. The relationships between them are a rollercoaster of charm, engagement, and heart-wrenching moments. Hopkins masterfully weave humor throughout, ensuring it feels organic rather than forced and quippy. Following Silbrey and her family's journey over the years has been a joy. I ardently hope for more tales from Efre Ousel. A definite recommendation for those who cherish stories about family and fantasy.
Having read War of the Hounds, I knew to expect a well-told and inventive story, but I am genuinely blown away. There’s so much going on here and it’s absolutely incredible.
The influences and themes are manifold—there’s some Shakespeare, some classic myth, some fairy-lore, plenty of fables and ghost-stories, modern epic fantasy, classic fantasy, revenge tales, even some pulpy/sword and sorcery influence. For me, it all worked seamlessly. I loved the way intricate worldbuilding and complex political and magical backstories were grounded in very human and personal tales. I loved the romance, the adventure, the war, the betrayal. I loved the flashbacks and the narrative asides. I loved the complexity of the story.
In short, I loved it. I cannot wait for more in this world. Definitely one of my favorite reads in recent memory.
My book club read this incredible book! It begins like an ancient fairy tale you've never heard, yet feels so familiar. The fairy tale soon becomes a fantasy epic with a fae warrior lead character. It's full of everything you want, from action to magic, to monsters to romance, and a bisexual heroine making you root for her the entire time. Fair warning: This is an ADULT title. There are a couple of "open-door" spicy scenes. Hopefully, this isn't a deal breaker for you because not only are those scenes *chef's kiss*, but the rest of this novel is must-read material! Do not pass this one up! And if you can get the audiobook, EVEN BETTER, as the narrator, Lindsey Dorcus, does an OUTSTANDING job. Don't wait. Dig into this novel and thank me later.
The Dryad's Crown is, simply put, beautiful. I am not an expert on genres, but I love to read and I like variety. That being said, The Dryad's Crown to me is a wonderful example of epic fantasy. It's a story I can easily imagine being told in poems, in song or passed around the campfire in whispers. There are epic battles, loss, sacrifice, love and plenty of mystique. It's a story that draws you in and keeps you hanging on every word until the very end. Don't expect a completely linear timeline, instead, sit back and let yourself be swept away by the story...trust me, the journey is worth it.
Thank you, David Hopkins, for the ARC, my opinions are given freely.
Overall it really enjoyed this book. I liked most of the characters. The story kept my interest. The world building was good without being so overly descriptive I zone out. My only complaint would be the pacing. There were certain parts (mainly the whole first section) I wish had more fat. The meat and the bones were good but it read like a montage. It skipped along too fast and I was glad when it slowed down a bit. It ended a little abruptly with the whole last section feeling like an epilogue and then just setup for the next book (I did not know there would be more when I started this but will definitely be reading it).
I thought it was so awesome when I won this book on Goodreads:-) not only did I receive a finished print copy, but it was autographed by author personalized for me, I got a beautiful bookmark, and a crown pin with it. It's only in the past 2 years that I've gotten into romantasy fiction (like ACOTAR and the Powerless series). This story was epic. I felt like I was actually at the settings. I loved the relationship between Silbrey and Maricel. The magic in the book was fun. Just a great book overall. 5 stars:-) I already bought a copy of The War of the Hounds and can't wait to read it:-)) I'll definitely be looking out for the next novel Summer Sword. Thanks David for writing this series!
This book was amazing. The world the author creates is so deep and beautiful and really pulls you in for the ride. There were so many components and if you really put energy and focus in, it will have a profound effect on you. The mythical creatures in this world are well detailed and interesting to read about. The main character, Silbrey, was interesting to read about and I loved following her and her families journey.
Wonderful book! Read it as an ebook and was pleasantly surprised by the length. Long but paced well and tells the story of a complete life. Immersive and exciting but very human and knew when to breathe. Loved all the characters, even the ones I hated. Atmosphere reminded me of The Name of the Wind (but minus the things that annoyed me about The Name of the Wind) and Deerskin. Looking forward to the follow up!
3.5 stars Silbrey is born in a tree and she is cared for to some degree by many different people over her lifetime, one of whom turns her into an assassin but she eventually quits her "mothers" service to marry and have children, when her husband is killed her life unravels fast and she learns all the stories people have told her about her childhood were true. She is the only fae capable of keeping the titans from waking and destroying the world. This was interesting but the character development felt a bit lacking for me, at least until the final chapter which is essentially the start of the next story.
Hopkins ability to create a world and characters is absolutely amazing. The characters and locations are so vivid that you're left feeling like you know these places and these people as well as you do your own hometown. The storytelling is fresh, well paced, and draws you along through the entire book without a lull.
I do so love a happy ending! This book is LONG but it is a great read. The character arcs are fantastic and the world building is awesome. Hopkins' writing style is not my favorite, but the story was so good that I couldn't stop reading it. This is epic fantasy in its best form: long (and not divided into a bunch of short books just for the heck of it) with a very satisfying ending.
The story had SUCH promise but honestly, the writing, I just couldn't. I love a good world building but there were parts that had way too much detail and some that needed more. I really struggled to not DNF this book. I did finish it and I'm glad that I did but I don't think I'll be continuing the series. At least not at this point.
This was an awesome book. Very cool world with great characters. The story was easy to read and had just the right amount of back story to flesh everything out nicely. It looks like David has more titles in the coming years and I’m very excited to see where he takes the story next!!
The sole reason for the 3 star review is the fact that I had a hard time liking the main character. To invest myself into the story, I need that “in” of really caring about what happens to the focus of the story.
Otherwise, the character arc was well done, and the pace of the story likewise.