A debut poetry collection about Earth and to Earth that contemplates imposed systems―gender, capitalism, time, wage and exploitation―and how they are mapped onto us, the trees, and the planet. Immersed in a tangled weave of contemporary life where big box stores and suburban parking lots coexist alongside the instructive silence of juniper trees and a pulsing waterfall, Our Air sketches the possibilities of eco and social interdependence during late-stage capitalism.Their inscriber, Nora Treatbaby, is a trans woman reckoning with the constraints of gender categories, when being a woman is “an implausible dream” and “an insane vibration.” With sincere curiosity and a sprinkling of levity, these poems advocate for the world-building potential available in a material commitment to gentle friendship with all networks of life on Earth.
from Philosophy similar to the way light is migratory, arriving at the moment of appearance. (5) [...] love is the porch upon which I sit and ponder the tree its antinoise which does not occur (11) [...] our aim is not to disperse things from their categories but to dissolve the tenses from which arrangement is possible (15)
from Of I still suppose that a tree can be born as though not parcel to some larger motion of forgetting and being by memory and by mouth a petal cage. (24)
from Tree what budding what woodenness is permitted in philosophy reconciled with value of that which is mere spaciousness? Such that things are their intervals, such that the thinking of things is their beauty / their expiration.
in future languages of the stem I never thought this thought (56)
Passage profits grow but cannot flower coarse road of soil cuts away from the range frees itself underneath the surface of the "plot." I am still small compared to what water perceives, and so this is the sense in which I strive to become deep. quoting a rock in the ground: "abolish chronology" (61)
some of the nuances and passages flew over my head, but i still resonated with almost everything i didn't understand. maybe it's the green lettering and repeated references to plants, seeds, and trees, but this work feels like it expands like roots, with motifs and ideas sprawling and weaving in and out of each other in a way that feels like they have no beginning or no end, like everything has always been this way. there's a strong sense of introspection across this collection, both serious and deeply unserious and funny and devastating but by the end, i felt really hopeful, feeling like i was just invited to take in a deep breath and find all the ways i'm already a part of this world.
Easily top 3 books of the year WOW. Felt wholly uprooted this morning / complete despair re: the state of the world, the state of myself. Read aloud on the train and at my dining room table and was able to access generosity for myself and an optimism and curiosity that have been startlingly lacking …… these poems are smart, funny, living, a shake. So encouraging when an object is spine, holds u. I feel less fear disguised as other weird shit. I legitttttt love to hear myself laugh out loud and murmur on the A train. Im so thankful for Nora !
Let's talk about the incredibly gorgeous and effective green ink for the type! I enjoyed some poems in this collection more than others, but definitely felt the back third was a home run.