The Poem's Heartbeat: A Manual of Prosody

by Alfred Corn

An indispensable guide for poets, readers, students, and teachers.“The Poem’s Heartbeat may well be the finest general book available on prosody.”—Library Journal (starred review)“A provocative, definitive manual.”—Publishers WeeklyFinally back in print, this slender, user-friendly guide to rhyme, rhythm, meter, and form sparks “intuitive and technical lightning-flashes” for poets and readers curious to know a poem’s inner workings. Clear, good-humored, and deeply readable, Alfred Corn’s book is the modern classic on prosody—the art and science of poetic meter.Each of the book’s ten chapters is a progressive, step-by-step presentation rich with examples to illustrate concepts such as line, stress, scansion marks, slant rhyme, and iambic pentameter. “By the book’s end,” noted a rave review in The Boston Review, “Corn, magi-teacher and impeccable guide, has taught the novice to become artist and magician.” The Poem’s Heartbeat also includes a selected bibliography and encourages readers and students to carry their investigations further.The word “line” comes from the Latin linea, itself derived from the word for a thread of linen. We can look at the lines of poetry as slender compositional units forming a weave like that of a textile. Indeed, the word “text” has the same origin as the word “textile.” It isn’t difficult to compare the compositional process to weaving, where thread moves from left to right, reaches the margin of the text, then shuttles back to begin the next unit . .

320 pages, Kindle Edition

Published March 19, 2023

About the author

Alfred Corn was born in Bainbridge, Georgia, in 1943. He grew up in Valdosta, Georgia, and received his B.A. in French literature from Emory University in 1965. He was awarded an M.A. in French literature from Columbia University in 1967, his degree work including a year spent in Paris on a Fulbright Fellowship and two years of teaching in the French Department at Columbia College.

His first book of poems, All Roads at Once, appeared in 1976, followed by A Call in the Midst of the Crowd (1978), The Various Light (1980), Notes from a Child of Paradise (1984), The West Door (1988), and Autobiographies (1992). His seventh book of poems, titled Present, appeared in 1997, along with the novel Part of His Story. Stake: Selected Poems, 1972-1992, appeared in 1999, followed by Contradictions in 2002, which was a finalist for the Oklahoma Book Award.

Corn has also published a collection of critical essays titled The Metamorphoses of Metaphor (1989), The Poem’s Heartbeat (1997), and a work of art criticism, Aaron Rose Photographs (Abrams, 2001). A frequent contributor to The New York Times Book Review and The Nation, he also writes art criticism for Art in America and ARTnews magazines.

Corn has received fellowships and prizes from the Guggenheim Foundation, the National Endowment for the Arts, the Academy and Institute of Arts and Letters, the Academy of American Poets, and the Levinson Prize from Poetry magazine.

He has taught at the City University of New York, Yale, Connecticut College, the University of Cincinnati, U.C.L.A., Ohio State University, Oklahoma State University, and the University of Tulsa.

Reviews

[Abigail Melchior · Rating 2 out of 5]

Boring and pretentious.

[Swell Versed · Rating 4 out of 5]

Although this book does not cover prosody as extensively as other books, I did enjoy and appreciate its brevity, fairly easy-to-understand language, and unique perspective on this subject. My favorite sections include: Corn's detailed comparison of poetry vs. music, and the section on rhyme, especially Corn's criteria for what makes for a good quality rhyme (e.g. multisyllabic is better than monosyllabic, pairs from different parts of speech rather than the same part of speech).

[heather]

read for my advanced poetry seminar