Where The Dead Sleep is the second book in the Ben Packard series by American author, Joshua Moehling. Two deaths in Sandy Lake in early September keep Acting Sheriff Ben Packard busy in entirely different ways. Sheriff Stan Shaw, the man who appointed him, has finally succumbed to cancer, and the chair of the board of county commissioners informs Ben that his position will be up for election in November.
While many in the town expect he will put himself forward as a candidate, campaigning as the new, gay guy, kowtowing to the commissioners for funds if he wins, and being at the whim of the voters at the end of each term, doesn’t appeal; he’d prefer detective work to paperwork; bureaucracy and personnel. But the pressure from colleagues and friends, including Stan’s widow, intensifies when their worst-ever deputy, a lazy man whose only encyclopaedic knowledge is town gossip, throws his hat in the ring.
The shooting of Bill Sanderson keeps Ben and his team well occupied: within hours he realises he has a case involving two sisters, a family fortune, a shared husband and an angry best friend. He’s also trying to discover what the victim did with the twenty thousand dollars he withdrew from a joint account.
He gets to do plenty of detective work, but despite potential suspects having alibis that are shaky, vague or non-existent, there’s nothing solid enough to pin down any of them. But as bits of information slowly filter in, Ben is quite convinced that the widow knows a lot more than she’s telling. A narrow miss at an expensive lake residence has Ben wondering if the bullet might have been intended for him. And then there’s another murder…
Sequels can be hit or miss, but Moehling is on a winner here: this one is tightly plotted, includes money and gambling and theft and infidelity, and has enough red herrings and distractions to keep the reader guessing right up to the dramatic climax. Ben Packard is a complex and appealing character, a diligent cop who acts with integrity while trying to keep his sexual preferences and a certain traumatic family incident under the town’s radar.
Moehling again gives the reader plenty of support characters with good intentions tempered with very human flaws, and a couple of really nasty characters whose attitude will chill to the bone. Mentions made of the case in the series debut will count as spoilers for first-time readers of Moehling’s work.
There is a generous dose of humour, some of it quite dark, both in the dialogue and the people and situations Ben has to sort out. The final pages will intrigue the reader into eager anticipation of the third book, on which, it is fervently hoped, Moehling is hard at work. Addictive crime fiction.
This unbiased review is from an uncorrected proof copy provided by NetGalley and Poisoned Pen