3.5 stars
Cleopatra Fox is out of mourning for her grandparents and thrust into the social whirl. Having bested Lady Bunbury, Aunt Lillian is eager to push Cleo and Flossy to attend all the balls of the season. In spite of Cleo's protests she does not ever plan to marry, she goes along with her family's plans to attend a ball at Lady Bunbury's, if only to support Flossy who has stiff competition from Lady Bunbury's chosen debutante, Amelia Livingstone. Cleo is shocked to discover the dead body of a man in the library, bludgeoned over the head with a candle stick. The police quickly arrest a footman who was caught stealing a painting from the house but DCI Hobart isn't sure they have the right man. He enlists the aid of Cleo and Harry Armitage to look into the matter. Weeks ago, a precious painting was stolen from Lord and Lady Quorne's home and now a footman is caught stealing another painting. Are the two events connected? How do they connect to the murder? Meanwhile, Cleo's cousin Floyd is acting strangely and good detective that she is, Cleo is determined to find out why. Floyd's friend Jonathon indicates he'd like to be more than friends with Cleo! How can she convince him she will NEVER marry ANYONE and if she did, it wouldn't be Jonathon, why they simply wouldn't suit! Can Cleo solve the murder? Can she convince everyone she means never to marry? When someone starts spreading rumors Cleo is a bluestocking, her wish may just come true.
I listened to this on audio book and mostly got the gist of it. It got more complicated than I expected in the second half and I had to go back and read the e-book to fully understand what was going on. The mystery kept me guessing and I never got whodunit! That was a big surprise. I don't think the mystery was as complex as the previous ones but it deals with some mature issues I don't think Flossy would understand and Cleo may have read about but I don't think she would understand either. I also took exception to Aunt Lillian's rejoinder that the girls were old enough to know where babies came from. Really? In the Victorian era? Would she even say that out loud. The romantic subplot is a nice slow burn romance but it can never be so where is this going? I don't like the romance to drag on forever or star-crossed lovers.
Cleo is not such a clever sleuth or as liberal as she thinks she is. She's rude, badgering suspects, barging in where she doesn't belong and snooping in people's personal belongings. Cleo is not all that nice to the servants either. She thinks they're her friends and when Harmony reveals she'd betray her employer for money if she needed to, Cleo is shocked but I wasn't. Cleo is dismissive of her so-called friends. She doesn't understand what it means to have to work as a servant and takes them away from their jobs just because she wants to snoop. She is remarkable tolerant and understanding of the gay men in the story. She doesn't bat an eyelash and just wonders out loud that there are clubs for that sort of thing? Isn't that illegal? When she encounters a man in women's clothing, she does blink but doesn't judge - so long as he isn't a murderer.
When someone spreads rumors Cleo is a bluestocking, it doesn't bother her at all. Dear, sweet Flossy worries it will ruin her prospects but Cleo IS a bluestocking. That's not a bad thing, only in the eyes of men who want to control women. An educated woman is a thinking woman and one who won't let a man control her but demand equal rights! GASP! Some of Flossy's friends are pro-female education and curious about Cleo while the pretty debutantes with no brains in their heads are jealous and rude. I think Cleo protests too much about her lack of interest in marriage and her relationship with Harry. They're more than friends! They have good chemistry when they're exchanging banter while investigating. Quiet moments are awkward because neither can address their true feelings. This relationship can not be and Harry knows it, Cleo knows he knows it and she knows it too, even if part of her hopes for more. In spite of their chemistry, I don't think they're suited. Harry is a good man but he's stubborn and hot-headed sometimes. He still doesn't quite see Cleo as an equal because of her gender and class. He treats her like an annoying little sister sometimes, someone he has to humor because she's spoiled and not as an equal - quite yet.
Jonathon isn't right for Cleo either. He's a typical spoiled young man of his time. He sees a challenge in Cleo and seems to like the challenge. Most women fall at his feet because of his future title and good looks. He isn't as wealthy as he appears. Harry hints the family is in some minor financial difficulty. Cleo is not an heiress and not the way to fortune. Jonathon is insufferably rude to Harry. Partly because he's a snob and partly because he's jealous. I think he's a bad influence on Floyd, even if he claims to be trying to get Floyd out of trouble.
This author seems to be a fan of Regency romances. Cleo quotes Elizabeth Bennet upon seeing Jonathon's family home and no Regency romance is complete without a gambling brother subplot. In this case, a gambling cousin. Cleo is incredibly naïve to think she can help Floyd out of this. She needs Mr. Darcy and of course she has one, he just has to be motivated to try to help.
Aunt Lillian is becoming more addicted to her tonic. When she takes it, she's bright eyed, vivacious and engaged but only for a limited time. She's a little too "gay" (to use a period term that has nothing to do with the men who sleep with other men) when she's on her tonic and too low when she's not on it. Cleo can see it and even Flossy realizes her mother is becoming addicted but there's nothing they can do about it. I believe Aunt Lillian does have Cleo's best interests at heart but she doesn't understand what Cleo wants because she chose a different path from her sister. She didn't understand her sister's choices and so she'll never understand Cleo. Plus she's from a different generation when women were brought up to be ornaments to society and not independent.
The debutante of the season, Amelia Livingstone, is the spoiled only daughter of a wealthy, new money man. She's vapid and silly and truly believes she's prettier and more accomplished than everyone else. Lady Bunbury has chosen to give all her awards (accolades) to this one girl which feeds her ego. However, now there's a rumor going around that Amelia gave up her virtue and therefore, she's now a social pariah. Amelia is obtuse and like Cleo, I would almost feel bad for her but she is so awful, she deserves her social ostracism. Her father's money can't save her reputation but did he commit murder for her? He certainly makes a case for it one drunken evening. I do believe he killed Mr. McDonald for spreading rumors (which may be true) about his baby girl and ruining her future.
Ambrose McDonald certainly deserved what he got. It was a matter of time before SOMONE killed him. He was truly beyond a cad - something way worse. McDonald was a man who relished power and control and used information as a weapon against others. He had affairs with women and men and proceeded to blackmail everyone he had dirt on or ruin them. Did he have dirt on Mr. Livingstone or was Amelia really THAT dumb? She'll probably end up with a social disease and that will be the end of her. Mr. McDonald was truly nasty.
The police arrested a footman, one Reggie Smith, for stealing a painting. They assume Mr. McDonald caught Mr. Smith in the act and was killed in retaliation. The situation is complicated. Smith and McDonald were friends or lovers, depending on who you ask, at one point. Is this a case of a wronged lover killing his former love for dumping him? Mr. Smith was an artist. Was he also a forger and the painting he stole a forgery he was replacing in exchange for the original or an existing forgery? What about the painting stolen from Lord and Lady Quorne's on March 30th? Mr. Underwood is Mr. Smith's neighbor and friend. He's snippy and unhelpful when questioned but is not match for Cleo and Harry. They ferret out his secrets. The landlady likes both Smith and Underwood. She's very sweet and nurturing so they must be charming and/or friendly towards her. Chapman, the Mayfair Hotel's Steward also attends the Portland Club. What does he know about McDonald and Reggie Smith? He's snippy and snobby towards Cleo and not very friendly. He is entitled to his secrets though and Cleo's snooping is very much not appreciated or OK in anyone's book! She confirmed what she already knew, which is private, personal information. She should have left him to Harry.
Lady Bunbury is catty. She's desperate to keep her social position and will stop at nothing in order to do so. Aunt Lillian got the best of her once and she's determined not to let it happen again. Lady Bunbury has a lot of skeletons in her closet. Could she have murdered McDonald for trying to blackmail her? She doesn't have any money but was there something else he was after? Lord and Lady Bunbury will lie in court to save face and happily watch another man hang for a crime he didn't commit. They're shallow, cruel and very typical of their time and place. Lady Quorne is massively vapid. She values her painting and her cat, her social status but not much else. Is there a connection between her painting and the Bunburys'? Who is she? Where did she come from? Is there someone from her past who stole the painting? Lady Trelor is a widow and businesswoman. She owns an art gallery that caters to the elite. Good for her! Yet I don't like her. She's a little too eager to plop clues and alibis in Cleo and Harry's faces. Is she hiding something? Is she behind the art thefts? She knew the victim and together they were last seen studying the Bunburys' painting. What were they up to?
Who is Jane Eyre, the maid hired by the catering firm to help at the Bunburys' party? She was last seen with the victim, he passed something to her. Why did she give a false name? Where is she? The Bunburys' maid, Annie, may hold the key to the mystery. First, Cleo has to get Annie away from the Bunburys', which isn't so hard to do since they are broke. Annie is shy and needs some coaxing to gossip about her betters.
I really like Cleo's new friend, Miss Hessing. She's not so much shy as she is dominated by her horrible mother who won't let her daughter speak for herself. Miss Hessing is kind and helpful. I hope her romance works out! I think her choice is a little too immature right now but hopefully he'll grow up and everyone can live happily ever after- with MRS. Hessing in America far far away. Cassandra Morris, a secretary at Searcy's catering could also be a friend for Cleo. She's educated and works for a living which is admirable and seems kind. However, Cleo is jealous when she realizes Miss Morris is attracted to Harry. He could do worse. I don't see her being friends with Cleo if Harry chooses to court her. Obviously I do not like Dutch, the gaming hell man who holds Floyd's debts. He's charming but in a sleazy way and I think Cleo is playing with fire!
I like the narrator for the audiobooks. Her voice is pleasing, although too old to be Cleo, and she does a good job pitching her voice for the male characters and an excellent job with the accents.
This series gets better as it goes along. I'm invested in the romantic subplot more than the main mysteries. I'll probably read on soon!
Content:
LGBTQ+ characters
a debutante who is not pure
adultery