The New York Times bestselling author of Life After Death, delivers her most compelling and enlightening story yet about young, deep love, the ways in which people across the world express their love, and the lengths that they will go to have it.Powerful and sensual, Midnight is an intelligent, fierce fighter and Ninjutsu-trained ninja warrior. He attracts attention wherever he goes but remains unmoved by it and focuses on protecting his mother and sister and regaining his family’s fortunes. When Midnight, a devout Muslim, takes sixteen-year-old Akemi from Japan as his wife, they look forward to building a life together, but their tumultuous teenage marriage is interrupted when Akemi is kidnapped and taken back to Japan by her own father, even though the marriage was consummated and well underway. “There’s not one drop of inferiority in my blood,” Midnight says as he first secures his mother, Umma, and sister, Naja, before setting off on a global journey to reclaim his wife. Midnight must travel across three countries and numerous cultures in his attempt to defeat his opponent. Along this magnificent journey he meets people who change him forever, even as he changes them. He encounters temptations he never would have imagined and takes risks that many a lesser man would say no to, all for the women he loves and is sworn to protect.
Sister Souljah (born Lisa Williamson) was born in 1964 in New York City. She attended Cornell University's advanced placement summer program and Spain's University of Salamanca study-abroad program. She later majored in American history and African studies at Rutgers University. Her travels and lectures have taken her all over America, Europe, and Africa. In the mid-1980s, she founded, in cooperation with the United Church of Christ, the African Youth Survival Camp, located in Enfield, North Carolina, for children of homeless families. In 1992, her rap album, 360 Degrees of Power, and video, "Slavery's Back in Effect," catapulted her to national attention. She lives in New York with her husband and son.
Classic series! an urban love story that is both intense and passionate...captivating,exciting,powerful and exotic scenery..another thing to going for this book its well written (paperback!)
After reading the posts, I have to say that it's obvious that a lot of the people who read Midnight, were offended by the depiction of American women because they saw themselves in the characters. The black characters in the book weren't put downs, they were very realistic of people we all know and see everyday. Don't get mad at SS if you had sex with half your neighborhood, fight and make fools out of yourself in the street, and disrespected yourself. We all know that not every Black woman acts this way, but lets be honest, the ones that do, get way more attention than the ones who don't. Also, one of the Sudanese characters clearly stated that he felt all American females were trash, not just the Black ones. I liked that this book forced me to take a good look at myself, and my community growing up, and I now see why other cultures consider Black Americans to be clowns. Some of us do act clownish. What I don't understand is how the same people who expressed that they were so offended by Midnight, somehow managed not to be offended by the characters in CWE.
I did not enjoy this story. I hung in there and completed it because I like Sister Souljah as a writer and was curious about the character Midnight. The Midnight that I admired in The Coldest Winter Ever differs greatly from the character in Midnight and the Meaning of Love. He comes off rather hypocritical, obnoxious and vain. The storyline was not believeable either. It's obvious that Sister Souljah cared about this book and its characters. She also did a ton of research. I honestly felt like I was back in Japan while reading this book, but the storyline falls incredibly short. I also wonder about the way Americans, specifically African American women were portrayed in this story. The only African American female character in the story came off like she was about to audition in a Tyler Perry movie, while the Sudanese, Japanese and Korean women came off as beautiful, intelligent and resilient.
I expected more from such a great writer and was disappointed.
I think the author is trying to teach some lessons here, but I don't think they are ones I need. Trust, mainly.
I cannot wrap my mind around the idea that the main character is, what? 16? He's married and seemingly lacking in flaws while maintaining humility and also is highly desired by every lady in the world. He Knows What To Do. Apparently.
It's like . . . she's writing this book to prove a point. That's what it feels like. It's all right to do that, naturally, but I think it would have been more effective had she been a little more subtle about it.
Plus, the way women are treated makes me itch. I've been on a feminist kick, these days. The mother is the saintly caretaker, Bangs is the whore, Akemi is the bride, Naja is the guileless little princess, yeah, uh-huh, whatever. It's cliche and inaccurate. At least the male characters are that way, too.
You have to check your cynicism at the first page if you are going to enjoy this book all the way through. To have a young man be as flawless as Midnight stretches credulity to the point of extreme humor. When you see how perfect this young man is it moves the book into fantasy and takes away all suspense and tension. Souljah can be very descriptive in her writing and while this is normally a positive, she manages to annoy the reader with excess detail about minutiae. The things that Midnight does and thinks through for someone his age is just incredible. It's hard to take this book seriously and believe me I tried. I even considered that Souljah may be trying to inspire young brothers by holding Midnight as the epitome of what young, serious and focused young men can accomplish, but you have to add some type of failure, shortcoming, defect, etc. to see how one recovers from that. Unfortunately that never happens in this could-have-been-great novel.
I think she showed her complete writting skills in this book... I was on a journey from day one... I must admit I didn't read "Midnight: A Gangster's Love Story" right away... I was told that the book had nothing to do with "Winter." I wasnt disappointed tho because I went in reading that it was a completley different book. I fell in love with the character instantly because of his beliefs... he made me look at myself as a woman and not change me but he gave me a reflection of myself in some cases... Midnight taught me a lot or should I say Sister Souljah did. Her book was informative, sexual, a great love story, it made me as woman be able to see out of the eyes of a man and how he viewed a woman... and i respected him and couldnt be mad at the way he viewed women and how they portray himself... he wasnt american... he showed me other cultures and gave me a better understanding... and man without morals is nothing at all....
I loved all the books but this last one was by far my favorite... There is no other writer like Sister Souljah....
So this is one of those books i recommend for the urban 16-25 demographic. But really anyone of any ethnic background and any age and read it an enjoy it. It's long, so if you're not a reader it might take you a while to read it, but i read it in a day (what can i say your girl likes to read). Starting with the cover i knew this was a book that i was going to like. I also read the first Midnight book, and i've read every book by Sister Souljah she has four altogether and another on the way. Something like a part two, for the Coldest Winter ever that tells the story of Winters younger Sister. But back to this review. This is one of those sequels that can actually stand on its own. I loved Chiasa's character the most. In my opinion she showed the most character development, and she had the best personality. Of course i liked Midnight's character. In a way i wish most young men had his personality and values. What i loved the most about this book is that you learn things about the japanese and korean culture. The story flowed really nicely and it held my attention from start to finish. The only thing i would fault it for is i wanted to read more about Bangs, but maybe that're is going to be another story. It also showed some ties to the coldest winter ever that the first book lacked. I'm hoping that she writes one more book on this character because there is still more that went down between this book and the coldest winter ever, only time can tell. But i loved this book, i plan on reading it again and maybe i'll have a better review when it's fresh in my mind.
wow, where do i begin? this book was even worse than the first (if that is at all possible). way too long for absolutely no reason and the entire story took place in japan and korea which did not fully make sense. the novel begins with backtracking from where the last book left off for over 100 pages! come on! there are so many issues i had with the book from the sharing of midnight between 2 wives as well as the justification of it due to the islamic faith. it seemed to come out of left field. some parts of the novel seemed to have been written by someone else because the voice of midnight changed dramatically in the middle of the book. there is a scene towards the end in which midnight states "i am happy both of my wives are not black american women, otherwise they would be fighting over me and using violence..." once again, african american women were portrayed as heartless hinds who have no self-control or respect for themselves or anyone else.
there were some parts that were beautiful, in terms of the love between akemi and midnight, but the entire plot seemed to lack full development. the last 100 pages is absolutely ridiculous and unbelievable and fantasy driven. i cannot believe i have spent time reading over 1100 pages between book 1 and 2. seriously, if you prefer writing quality and reality, do not read this... oh yeah, the ending seems rushed and abrupt. bleh...
*hands book over to random student*
p.s. i LOVED chiasa's character. she kept me reading... :-)
I read this book last Summer and I have to say that it is simply amazing!!!I had to jion this discussion after reading the other reviews smh I am so disappointed. No Direspect (pun intended lol) but seriously? I can understand not liking the book but to insult Sister's Souljahs writing is just well..it's insulting. Any one who appreciates literture will clearly understand the accomplishment and growth that was acheived by S.S with this FICTION novel.It is excactly what fiction is suppose to be....She has stepped out of the realm of "street writers" and into one of accomplished Authors. If she continues on this path she will be able to stand besides the likes of Toni Morrion, Alice Walker, ect..... It is sad that too many of our own people will miss out on the African American literary movement that is taking place. There are others that are breaking ground as well Tracy Brown to name one. Please take a deeper look my people...............The irony of the Harlem Renissance is that most of the people surrounded by it didn't even know it was taking place. We have got to do better. It is not about liking a book or a story. It is about realizing that there are other cultures in this world that live differently than we do and there are many that veiw us in unfavorable ways not because of the color of our skin but because of the way we conduct ourselves......I have friends and clients from all over Africa and the saddest thing that I hear across the board is that when they came here they were treated the worst not by White people but by African-Americans! The same discrimination that we face on a daily, the stereo types and suspions we place on them and they pity us for it. They pity the lack of honor that is shown to our women, our elders, and our family structures as a whole....They understand that everyone is not the same and we do too but to be honest we need to check our selves. Fiction though false gives us the oppurtunity to see things from others perspectives and to learn new things..do that. Its true of the fiction of the past as well as today.....read more, think more, and then read a little bit more....peace
I'm not going to go into all of the reasons of why I did not like this book because it would take more time and this book has already robbed me of to much. Simply put, the book was to long, 200 of the 613 pages were just not necessary. There is a such thing as a author being to descriptive. I do not enjoy reading five pages about a river or things that have nothing to do with the characters. But the main reason I dislike this book is because after reading both books I am no closer to knowing how Midnight hooked up with Ricky, or what he really thought about Winter or any of the millions questions I had about the Coldest Winter Ever. I am left with more questions now about Midnight then when I started reading his story. Which I sincerely believe is a story about somebody else completely, Sister Souljah just wanted to sell the books so she attached Midnights name. Playing us all for fools because she knew how badly we loved Coldest Winter Ever but she couldn't deliver that. Which is cool, do you, make your money but I can say with no regret that this is the last book I am reading by Sister Souljah.
If I didn't remember what literary inspiration felt like...author extraordinaire Sister Souljah reminded me yesterday when I finished reading her novel "Midnight and the Meaning of Love." I felt great. Refreshed. Pensive. Motivated. Thankful. I probably sat silent for a good 15 minutes after reading the last words, just taking in the essence of the story, the power of her words, and the extreme level of gratitude for the fact that I was able to read a novel that would make me seriously consider the effect of my own words and my intentions as an author. It doesn't happen often.
Last year I wrote a review of Midnight (A Gangster Love Story), and in re-reading the review, I've remembered that her previous books had the exact same effect on me when I finished reading them. My feelings were similar, and my praise was echoed. This is her standard: greatness. Every time.
If the characters Midnight and Akemi inspired me last time with their love story...this book took my admiration to a whole other level. I have never read a character as strong as Midnight: mentally, physically, and spiritually. The way Sister Souljah has created this young Sudanese-American man with total integrity makes it difficult to understand why someone would choose to be any other way. Rooted in the disciplines of Islam, in martial arts, and in his family, Midnight is a prototype for a "strong man," caregiver, protector, and head of the family. And he still has not even reached the age of 20.
The character of the young Japanese wife of Midnight--Akemi--is so pure, so creative and genuine in her emotions that it provides a clear example of love. Authentic love, and the power of love as a raw emotion. Sister Souljah's descriptions of Akemi make you realize exactly why Midnight loves her, and literally travels the world to save her from her father (Naoko Nakamura) who has kidnapped her and brought her back to her native land.
The introduction of a new character to the story, the Japanese/African Chiasa, was an interesting surprise, and brought forth a unique outcome as she became integrated into the lives of Midnight and Akemi through translation, through comraderie, and her shared skills and training with Midnight.
So while "Midnight (A Gangster Love Story)" was indeed a great love story, this follow-up novel provided a different kind of enlightenment. I think what moved me most about reading this book was how much I was learning about various cultures, and how I truly felt as though I too were exploring the mountains of Japan, and the streets of Korea. I felt as though I too were fasting for Ramadan, and forcing myself to think like a ninja and be ultra-conscious of my surroundings and the movements around me.
These characters were so strong in their convictions, their actions, and their religion. So dedicated to their families. So tied to their culture. I was fascinated. From beginning to end.
What really caught me too was the intense look at Japanese culture, and even an introduction to Korean culture. I felt like I was there. And for the first time ever, I felt like I actually wanted to BE there. Her descriptions were so vivid, from the long flight, to the airport, and the specific details of the sounds, sights, and even smells of each city within Japan fascinated me beyond. Sister Souljah has this amazing ability to draw you into her books and into her world, and even something as unfamiliar as Asia no longer seemed like a place I didn't understand or couldn't relate to. In her descriptions, she made me want to learn for myself, and see and feel for myself.
The beauty of the Muslim faith was also brought to life through her words, and the actions of Midnight, and the thoughts and values of his beliefs, and the way they manifested into his daily decisions and ideologies. I understood why he wanted his wife to be covered and out of view from male visual consumption. I understood why (although he was traveling) he was still compelled to continue his fasting for Ramadan. I understood why he had the urge to take on a second wife, and why his religion was the guide for his decisions and practices.
Man! Sister Souljah went hard. Into everything. Like a good writer should. And it's not just the intense level of research, understanding, and descrptions that moved me...it was her choice of words. The flow of the story. The tone. The pace and composition of the sentences. The length of the book. The careful thought and planning that it took to construct Midnight's quest, and the details and intricacies of the story line. Everything!
It was never obvious. As much as it was a novel, and a quest, and a mission of love...at no point was I able to predict or pre-determine what might happen, what could happen, or what should happen. I allowed this writer to take me on the journey with full trust that I would not be disappointed with where she was leading me.
It gave me chills, because as a writer...that is your mission. To make your reader FEEL something. Whether it's self-reflection, enlightenment, or even just the pleasure of being lost in a fictional world...this book was fantastic on so many levels.
I'm gonna go back and read "The Coldest Winter Ever" and put together the pieces that I've now learned while reading the prequels to her original tale. I'll wait patiently until January when her next book is released, based on Portia Santiago!
I have a feeling that the Midnight series has another good 3-5 books forthcoming...I want to know what happens when Midnight, Akemi, and Chiasa return to New York. I want to see the relationships mature into adulthood. I want to see Midnight's younger sister Naja grow up, and develop in her brother's teachings. I want to see how the harsh environment of New York affects Akemi, and if Chiasa is brave enough to battle the every day nuisances of the city. While this book was complete on it's own...the characters were so powerful that I'm sure Sister Souljah will not allow her readers to miss a moment of their life's journey.
Written by Stacey Marie Robinson for Kya Publishing's "Urban Toronto Tales" blog.
Well its been a minute and I have been super busy and also reading this epic tale of love, loss, compromise, revenge and descriptive travels to the mystery and beauty of Asia..I know I know I know...if you read my review of Midnight: A Gangster Love Story you would think I would never read this book ever and you'd be right (ha)...but after writing that scathing review I actually met her..., yup at book signing at the DC public library and basically told her I hated Midnight the fourteen year old married "man" protagonist and how he was arrogant and way too unbelievable with his jobs and deep passionate love and marriage..She politely listened then explained herself so profoundly about the notion of child genius and how we are not used to seeing that kind of independence and strength that children of other cultures HAVE to learn young to survive--that I bought both the hated first book and this second continuation with the promise I would email her and let her know my thoughts..She inscribed my book "To Monique, An Adventure for your Soul." And honestly truthfully while sometimes I did still abhor the ignorant and biased viewpoints spewed from the cocky fifteen year old Midnight at times, I did end up enjoying this book..It completed the first book and was actually extremely engrossing with its vivid and at times lengthy descriptions of the beautiful foreign exotic lands and people of Japan and Korea. That was much appreciated, Sista Souljah describes the people and their culture in such a matter of fact, honest way that you can't help but want to travel there, want to meet them, eat their food and be a visitor to the serene cleanliness she paints for you with her words and I loved that..Okay so the plot follows Midnight to Japan to find his wife after having her taken from him in the first book..He meets people that change him, and you see real growth and maturity in him. I must say I liked alot of what he said and did for his wife Akemi which is why no matter how beautifully it was written and spoken and agreed upon the ending comes as a letdown you just want them to be together forever--just them..I respect all that the Islam faith proscribes for their followers, the religion is beautiful and poetic to read however maybe I am a jealous, possesive "American" girl but I would have major problems with their mutual arrangement, sharing what should be yours every night, in every way..I cant say much but the situation would never fly with a powerful Scorpio like me ;) Recommended only if you read the first book and are prepared for a pleasant surprise and departure from the blatant and critical views given by Midnight on America, and are ready for softer and more respectful educating remarks on other countries and their way of life..
The descriptions were long to the point of tedious and the storyline was all over the place (literally). Lets get to Midnight, a 14 year old who at this point has spent an equal amount of time in the states as he has in Sudan. However, oddly enough he remembers everyone down to exact conversations he's had with his still mysterious superhero of a father over 8 years ago.
I feel like the whole Korea book could have been removed from the story, that was 100 pages of sheer confusion and propaganda. Also, it was obvious Midnight's feelings toward Chiasa were more lust than love. I feel like he cheated her out of the opportunity to find a man that will love her or make her a "first" wife.
Did anyone else feel uncomfortable with the sex scenes between these teenagers?
I'm just not sure what to make of this book. I went into it thinking it'd be really great Young Adult Lit for/about black youth and Muslim youth in America (or elsewhere) because I'd heard about Sister Souljah a while ago and vaguely recalled people singing her praises. I think she came to my undergrad to speak or something while I was there... I might be making up this memory, but I do recall students reading her memoir and speaking highly of it. So I had high expectations.
Unfortunately, my expectations were not met. You'd think a story about a Sudanese American Muslim teenage Ninja from Brooklyn who must journey to Japan in order to rescue his Japanese/Korean wife from her evil, domineering father and who, along the way, meets a half Japanese half black American female Ninja who guides him through Japan would be the makings of an awesome story. You'd think. But you'd be wrong in this case. I found myself forcing myself to read this book because it was so darn boring. It has all the right elements -- intrigue, near death experiences, good teens who outsmart bad adults, international travel, even religious undertones (okay, so they're not really undertones -- more like overtones) -- and yet it failed to grab me as a reader. Midnight spends too much time explaining himself to the reader and, as a result, I felt as if Sister Souljah was trying to bash me over the head with her message. Her message, it seems, is to portray a confident, strong, intelligent, almost super-human black Muslim teenager while also showcasing Islam as a positive religion, as opposed to the negative press it often receives. I think Sister Souljah also wanted to give readers some food for thought concerning the whole idea of polygamous marriages by showing that they can work and how they might work.
And yet the story wasn't very compelling. Naturally, one must suspend some belief when reading a story about teenagers who are able to do all of these things on their own and seem mature well beyond their years, but I felt myself suspending too much belief to the point where I found myself rolling my eyes one too many times.
It's great the author wants to portray positive images of Muslims and teens of color (Lord/Allah knows we need more positive images of Muslims and teens of color in literature!), but I was left with the nagging feeling that, while she wanted positive images of the Sudanese American characters (Midnight and his mother), the Asian characters left much to be desired. While Sister Souljah tried to break some stereotypes, she stepped right into the footprints of other stereotypes. The obedient, artistic/creative (read: in touch with her emotions and creative side in a way that Westerners possibly aren't) Asian woman who doesn't even speak English but yet somehow understands, loves, and obeys her husband? Check. The domineering, evil Japanese businessman/father? Check. Even Chiasa is very much a stereotype: half Japanese half black American, her Japanese side is the side that allows her to obey Midnight and yet her American side is the tough, street smart side. Akemi, who is full Asian (Korean) is the sweet one who can only express herself through her art and her meager English skills. Chiasa, who is half Japanese half African American, is a mix of both sweet and sassy, Eastern and Western. Sigh. The mother, Umma, is good and only good. She's an incredibly one dimensional character. Although, in all fairness, I'm sure we all know boys/men who can only view their mothers as good and only good!
I also felt like a big pervert reading all the sexually explicit sex scenes between the teenagers, but I am by no means a teen any longer, so I'm definitely not a member of the targeted demographic.
Did anyone else think it was odd that Midnight goes on and on about being a good Muslim and yet he married two women who are NOT Muslim? Chiasa expresses interest in Islam, but it seems as if Midnight just assumes Akemi will convert. And yet he mentions that it's against his religion to marry a woman who is not Muslim. Odd. Of course, his assumption that Akemi will convert and the passages leading us to believe she will are equally frustrating. Of course she'll convert! Why wouldn't she? She's an obedient Asian woman who can't speak for herself (because she doesn't speak English or Arabic)!
My last rant is a minor one, but so many of the transliterations of the Korean language drove me crazy! (Since when does "Deh" mean yes in Korean?!?!?!) The author got many of the transliterations correct, but for the others it was as if she had someone who barely spoke Korean helping her out. Again, this is a minor rant, but for some reason it bothered me. No clue how the Japanese transliterations were.
I "rolled my eyes" throughout this entire book! Something I know Midnight would not have approved of. LOL...
This book was all kinds of wrong in my opinion. I felt like I was "hate reading" like what we do when we "hate watch" bad Lifetime autobiography movies. I just could not get over the fact that he was able to do all that he does. Plus that and his "views" was just too much for me.
With saying all of this, if a part 3 comes out, I probably would be buying it because: 1. I am really trying to stick in there with Sister Souljah and this "franchise"; 2. I want to see why he ended up in jail and how he came to start working with Winter's father (the ENTIRE reason for completing this book); and 3. I am more interested in whats going to happen with Chiasa. Umma, Naja and the rest of them can kick rocks in my opinion! LOL....
Lastly, what type of 16 year olds are these!! I know they have different cultures/backgrounds than I do but damn.. They were doing a little to much adventure and traveling alone for my liking. Also I highly DOUBT that two TEENAGERS could take down such a powerful man that easily.
I am about to start reading the book about Porsha (Winter's sister) today and hopefully we get some insight on what happened to Midnight.
I'm currently reading this book and I stopped at the point where they were on their way to Korea. Lets see...I'm loving this book while I'm disliking Midnight more and more. I have no doubt in my mind that if these women knew his internal thoughts, how he saw them, and was subtly manipulating them and their interactions with others, their admiration and 'love' would disappear with a quickness. Even though he doesn't see women as sex objects only, imo he his still objectifying them by treating them as actual objects he treasures and values for his viewing only. Plus, the 'women only have an emotional state of mind' thing....smh. I wonder if his mother has the same view of women or if she has a completely different interpretation or perspective... I respect that he takes his beliefs to heart and some of his views,though wrong imo, have a point and can lead to a positive outcome. For example, Bangs reading and getting really interested in learning or his friends and how they treat the women in their lives. Sometimes I forget that he is very young and is only regarded as an equal solely based on his looks. Its not hard for me to believe someone to be younger than they appear based on height, build, personality, etc. It really ticked me off how he made Jo feel uncomfortable and ashamed in her own house and told her to put some clothes on. Especially since she seemed like someone who would have just looked at him crazy or brushed him off. I was like really?! Oh no no no no. SMH Then how dare he claim the Japanese/African girl is his when someone else is showing interest. Who is he to speak for her? Even though they seemed to have some chemistry going on he had no right to block that opportunity from her or his 'friend' for that matter. If he was really focused on finding and being with Akemi then the personal business of others would not even be a factor. They haven't even really got into their relationship and marriage yet. I like how his character gets really fleshed out from coldest winter ever, to midnight, and the meaning of love even more. It makes him more real in a sense that readers tend to fall in trap of somewhat putting a character on a pedestal. He went from being mysterious, mature, having sense, and seeming all knowing in coldest winter ever and midnight (basically being a diamond in the rough) to his flaws becoming more and more obvious simple because his inner thoughts went into more detail on his outlook of life and his faith. Still love this book, but can't stand how he regards the women in his life. I went from thinking, "wish I knew/could be friends with someone like that to nope i couldn't be around someone like that for long before I had to tell them about themselves..."
(I'M SOOOO LATE AND BEHIND IN POSTING AND UPDATING, BUT I DID TAKE NOTES WHILE READING. AT FIRST I WAS GOING TO BLEND THEM TOGETHER TOGIVE A FULL REVIEW BUT I GUESS I'LL JUST POST THEM UP. THEY'RE JUST BULLET POINTS ON MY THOUGHTS AND FEELINGS WHILE READING.)
My Notes:
Midnight Meaning of Love -switched places with Akemi so she would be pressed against female instead of male -about brooklyn block: nothing wrong with the building or sky, its about the MFs living there - knock at door same all around the world:police -gongpay (gonna find out b4 end of day if that word meant nigger) [i kno thats right! ain't gonna b too many gangpays! lol] -welcome to korea, what he was used to, they kept it real -hood fashions -belly button piercing r u fuckin serious? she needs to ask for his permission and have is approval? NEGATIVE pg452 -his reaction to man touching anemia's shoulders -his sudanese way rules all -hopefully you will allow them to stay in touch wtf? pg464 -Interesting how the men made the plans and decided how Akemi would be spending her visit -South Korean propaganda against North Korean citizens and not necessarily the government -pg467 different languages for different reasons, enemy, mother, money -not running because she prig, him loving her buck she does what he says no questions asked wtf? -different ways of seducing? just because an action, or personality of someone is attractive to you does not mean they are tempting or seducing you. that is all you and your mental. seduction and temptation is intent and the other party must b willing to b seduced or tempted. get ya mind right -never fuck with another man's wife [don't u mean wives, way to reduce someone to property] -his obsession with having only males around Akemi is ridiculous -don't like him continuously making decisions and leaving the women or his main (Akemi) out of the loop of her own life -he treasures virginity and once he takes it that person becomes his and the only way for him to have sex is to get married, so basically he's having sexual feelings about another girl and his solution is marriage so that it will b alright I can not stand how he treats these young women who are still growing and maturing like him even though I doubt he recognizes that just because he is more mature than those his age and carries himself differently doesn't mean that he isn't done -this boy has control issues, he went into a woman's cabin (who actually had common sense and spoke up for herself)who was wearing a night gown because she was going to bed and he told her (a grown ass woman) to get dressed and then threatened her with a gun because she refused…ARE U FUCKING KIDDING ME! if you have that low of self restraint around women then something is wrong with you and your mentality stop projecting midnight and see a damn shrink. just because you encounter ppl throughout your life no matter who they may be (associates, friends, etc. ) does not mean you get to automatically force and enforce your culture and beliefs on them -sleazy and easy because she's in a nightgown in the woods and surround by armed men (hmmm bodyguard or something of a higher grade or type situation never came to mind?) -its like marriage doesn't mean anything, its like a stamp or symbol that these ppl belong to you or something and you just met this chick and you talkin about you love her?! and the firt thought is marriage so no one else can get at her, or be her first, your first marriage isn't even set yet its been nothing but drama and your wife has no say in anythings she's just a yes woman it makes me think what the hell these young women are thinking to give up their culture and beliefs for his like they're caught up in the fantasy and idealizing him because he is an anomaly to them to make such serious decisions like this without thinking about what it means for the longterm, what is implied about them, the relationship, or their status, or even knowing enough about Midnight to make this decision they don't know his every thought, perceptions, or beliefs. their basing their feelings based on this image and what his sad and done for less than a fraction of a time it takes years to really know someone to know they're every thought, how they will react to certain situations, etc. and they don't even know everything about his culture/religion, its history, or his interpretation of it -pg500 i'm loving chiasa's father, i c how he raised chiasa to be independent educated teaching her the sky is the limit to be strong and be able to defend herself if need be and then its like all of this is out of the window because she meets a boy for like 5seconds and becomes 'boy crazy' -r u fucking kidding me (men will forever c women as property won't they? disappointed with how the convo turned out between Midnight and Chiasa's father) -Even though i don't like midnight i didn't like how chiasa's father ignored or was condescending towards his religion/belief/or words of wisdom cuz of his age or religion maybe both? i donno know (regarding business existing only to be able to provide for the family and without family there is no reason or drive for business or to be successful) that was smart and logical, and was deep makes you think about materialism selfishness and how ppl don't even think this way and how people have strayed from it, business became more about hoarding, material gain, and keeping wealth for selfish shallow reasons -father says with women you get insubordination couldn't get one wife to follow an order..(really and thinking that they are people to be ordered never crossed your mind as being the problem? no? so just reduce them to stereotypes you know emotional, mood swings, etc) he says he does not like what muslims represent in regards to women but at the same time he seems envious (makes think that he feels women are beings or objects created just for him that he has not figured out how to wrk yet, a toy or something that he needs to figure out to make his life better if he could just learn how to operate or control it) -can't stand how he feels no need to discuss important matters with his wife and assuming and taking for granted that she will just get with the program, he just wifed chiasa like it was nothing -pg 544 disagree with interpretation(guard the unseen imo means protect your what is usually kept private which is your genetalia, protect your sex, how does that translate into not walking around naked and uncovered to interpret one must know what the writer meant by unseen. in conditions nudity is very rare and at the LEAST the private area is always covered, breast go bare and your face body shape hair how they hell would that b unseen from the very beginning? its a given that will always be seen and it could b jus the unseen may have been covered to protect the most important areas from environmental factors but knowing the weight and meaning that they carry could mean protect from the unwanted desires of others as well. -pg560 props to midnight for real talk on american women -body giving away true emotion (FALSE!) -so you're gonna stop a woman's goals and life because her place is by your side, their world is supposed to revolve around you?
This Book shifted my soul and changed my life, it opened my eyes to how a REAL MAN that truly beleives in the women that created him will also know how to love a woman, who identify a woman who makes her self seem less of a woman and turn awwy from it, although he is only 16, and although there MAY. Just MAY not be (deep in my heart I think there is) a man on this earth that would do the things that midnight would do, we do crazy things for love, our american have just influnced us to show love in the wrong way, we dont have the confidence, or trust in our mates, or maube in people around our mate that the love between the two is so strong that all doubt and distrust is cleared, were not loved in a way that shows through actions (sister souljah words) we live in a world where just the title is a sign of victory of Love, posting pics to fb, or twitter and showing of what you do, rather than doing it because your heart has led you to it. this Book may have fiction but you cant deny the truth, these are all the facts of american men, or american women that people dont wanna face.. I cherished my value more after reading this book. made me look at everything around me, those who ever said they loved me, I also took some Tai Chi classed because of this Book. Its Amazing, 5 stars. the ending was Beautful, Chiasas Charcter was perfect, warrior princess, meets warrior and becomes his soulmate. And she's doing it all because she knows Akemi more than she feels for Midnight.geez so touching, so descriptive and so heart warming. i'd read it over and over and over.. Thanks for this sistah!
*Now that I've sat with it for awhile, I'm changing my star rating...
I struggled with this book. Not in the way that it is written, that's fine. But in my reactions to the title character. In Midnight, I instantly fell in love with him. His strength, intelligence and strong loyalty to family were refreshing. There are not many Black male characters, especially one so young, represented in literature today that have such a sense of right and wrong. If you've read my post about that book, you know what problems I had with it.
Those problems seemed to have followed me to this sequel. Midnight has finally started to build a life with his new bride, Akemi, when her disappearance pulls everything out from under him. Now he has to deal with his need to protect all of the women in his life, his mother and sister, in the States with him and his wife, who is now thousands of miles away in Japan. After making sure that his mother and sister are safe, he heads off to Japan to rescue his wife.
This is a well written, engaging book that fans of the series will definitely enjoy. However, I am still annoyed by the portrayal of African-American women and the ease with which Midnight, a teenager, is able to maneuver, MacGyver-like through foreign countries. A lot of the scenarios were just not plausible to me.
I want to first start off by saying that I believe Siser Souljah is probably the best street lit author in the game. She can write street lit in a way that is both gritty, provocative and sophisticated. I have met countless authors, both accomplished and inspiring who have said that the Coldest Winter Ever was the book that inspired them to write. I give respect where respect is due.
Now into the review. Sister Souljah has made Midnight the ideal male. He has a thug side, an intellectual side, a romantic side, spiritual side and an athletic side. Midnight is the guy that young first dream about being with and there is no doubt why Souljah chose to write to extensive novels about Midnight and not Winter or Porsche. With that being said, I find it disturbing that in nearly 1200 pages of Midnight's life, he has not found one black girl who meets his unrealistic standards. What does that say about black women, who are the most exploited demographic in literature/art, are not good enough for Midnight. he ignores them. He likes Bangs, but because she has being defiled by a relative, who does not want anything to do with her. In an interview Souljah says that she wanted to show black women that it takes more than a p%$$8 and an attitude to get a good man like midnight. i find it interesting and maybe even vain that in three novels the only person midnight shared an intimate connection with that was a black woman was one Sister Souljah(Correct me if I'm wrong). There prominent young black women that live sin the inner city, but refuse to have an inner-city mentality. They will grow up to become the next Michelle Obama and Oprah and you name it. Souljah missed an opportunity to show black women an example of a strong black woman worthy of Midnight's love. Instead she reinforced a story type that black men are quick to date outside of their race.
I will say this, Sister Souljah did her homework and the story is authentic when Midnight travels to Japan and Korea. The reader goes on a great adventure but with 600 plus pages, the reader does get jet lag with a story that could have been told in less pages.
Finally, it is a slap in the face to your loyal readers to suggest after writing two novels that does not draw a connect between Midnight and the Coldest Winter that there may be another novel. There may be a third Midnight novel that finally connects all of the dots, but the question is will there be anyone who will want to read it?
OMG! I just finished and I realized this isn't the end of Midnight's story. I honestly don't want to wait on more. I want to know now how he ended up locked up as was indicated in the first part of the first book. Please tell me there's more coming. Does anyone know? This book was so deep and opened up some new thoughts in my mind about love and one's capacity to love. Souljah is a powerful writer. Her writing is only improving in my eyes. I feel she gives just the right amount of depth to each character and thus the story itself. How diverse her character lineup is. I love this about this particular story. The details about other cultures is well placed and adds dimension to the characters making them more understandable. I for one have not had enough of Midnight nor this talented writer.
I haven't read "The Coldest Winter Ever" so I had no history on Midnight when reading the book "Midnight" but after reading "Midnight and the Meaning of Love" I can see I've missed some things about him that others may have already been aware of coming into "Midnight". However I've read some reviews where those who have read all three books still feel there are questions unanswered. I just want to know if this is it for Midnight or will there be another book to let us know what happened when they returned to Brooklyn?
Sister Souljah knows how to put her whole soul in a novel! I love this BAB cover-to-cover. From her explanations of the Muslim religion, which I have been extremely curious about, to Midnight's definition of love, this piece is jam packed with a great love story and information that makes readers admire her main character even more.
Of course, there is much scrutiny because Midnight is a 16 year old African male and some find his beliefs far fetched, over exaggerated, and/or unrealistic. I'd challenge those readers to put this piece of fiction in perspective. Just because Midnight is not the norm does not discount there are youth out there really dedicated to their religious beliefs and have not faltered. I'd also challenge those readers to dig deeper into the 'meaning' of this piece of art. Every word is purposeful and paints awesomely poetic pictures and evokes emotion. Take time to read the acknowledgments and you'd find that Sister Souljah didn't sit behind her computer and let her imagination guide her.
I recommend Midnight and the Meaning of Love to patient and truly invested Sister Souljah followers. If you are looking for the typical, fast-paced urban fiction piece, this one is not for you. However if you are looking for a story that takes you on an international adventure that delves into love, honor, and respect, then pick this piece up!
I was hesitant to buy this book after reading the first Midnight,so I read the entire thing in Barnes and Noble. Glad I didn't buy the large paperback, might get the small one if I remember. This one had even more useless and boring lectures and descriptions about subjects other than what the story is about than the first. I felt annoyed most of the time because truthfully, I kept having to skip pages where S.S. was describing in detail some kind of ninja move or something else mundane. The first book kind of left me prepared for the unlikeliness of this story. I had to keep reminding myself that Midnight is only 15 or 16 as is/are his wives. And everything he does is just accepted as if he is not a child. I understand that S.S. was trying to make a point that in other countries, children assume the roles of adults way sooner than youth here, but it was all just too fantastic. Overall, the actual story-line was alright. After TCWE, this was just amazing and disappointing how the story did not interest me much
I just finished reading this book, and wow.....I am very dissappointed in both Midnight/and The meaning of love. the books wr, at times borring, and complete fantasy. It lacked a lot of the "realness" from TCWE. I cant understand y SS wnt all the way back to whn Midnight was 14, and y she felt the need to make him such an annoyance. In his stories he was arrogant, materialistic, self rightous, and just an all out smart ass who has no flaws. I think we wr all drawn to TCWE because of its realness, even if you dnt like or agree wth her portrayal of AA , u can agree tht the story was real and captivating. However ths was nt the case wth the "midnight stories". The two stories wr very messy, each chapter felt like a different story. Thr was a lack of cohesiveness throughtout. I think SS took the misterious unique Midnight character and made him a complete fairytale......Def not what i was expecting. Is ths Midnight even the same character as the one from TCWE, or did she just decide to build a whole new story line around ths character, because im trying bt i dont c the connection.
I liked the book but at the end I couldn’t stand Midnight. He was materialistic, violent, hypocritical and I could go on and on. He past negative judgements about African American females for being scantily clad etc but never upheld his views when it came to Akemi or other Oriental Asian females. I personally thought he was way too young and immature to be married at 14, he obviously could not provide for these two women and him also falling in love with Chiasa so quickly and easily showed his feeling about love were premature and full of lust.
It just seems it was one rule for Midnight and another rule for others. He defiantly needs to do some growing up he was far from the man he thought he was.
Took me nearly 2 months to finish this 608 page book but I finally did it!
2.5 stars. What started out so promising and interesting quickly turned into an annoying game of cat and mouse that stretched out for way too long. I grew weary of this story by the time I made it to page 300 or so. I initially really liked Midnight but by the end I absolutely couldn't stand him.
You really have to have the patience to finish this book and the effort to enjoy it. It took more out of me than it should have. I probably won't finish this trilogy.
Once again I thought this was going to tell me what happened with him working for Santiago but it didn't. I get more about the landscape and blah about a country overseas that has nothing to do with how he started his criminal career with Santiago. All you're left with is more questions, not to mention the fact it took almost ten years for Midnight to be published then another three for this one. I read Coldest Winter Ever back in 03, when I heard about Midnight I read Winter again so I could enjoy it. Now that I've read all three I can't say I'll read another because I don't see the point.
I get it, he loved Akemi so much he'd travel thousands of miles, fight whoever and do whatever to get her back. In all honesty, I could care less! He's fourteen for crying out loud! Because of the age it makes reading the love scenes a bit uncomfortable. Of course, he falls for Chiasa in little to no time, he did the same thing with Akemi but let him tell it women are the "emotional creatures". I'm pretty sure he's not the first 14-year-old who gets his first piece of tale and thinks/believes he's in love. All the stuff that happened overseas was so out there I had to force myself to keep reading the book.
I understand he's very mature for his age but what does this have to do with him flushing all that he believed in down the drain to start working for Santiago? I get that this book is way before Winter but it left me with more questions than I had before I read the first one. Like what happened after they returned to NY? Why did he end up back in the projects after they had a house? When did his mother die and how did Naja almost get molested? Where was Chiasa, Akemi and the babies? Why was he trying to get with Souljah if he was married to them which seems way out of character for him in the first place? After all the killing he did how did he end up in jail.
Because these stories were supposed to tie in with the Midnight in Winter I have to say I hated them both. They left far too much still unanswered and took away from the character of Midnight you read about in Winter. If the stories were separate from Winter then I could see it being entertaining with how this story ended. I'd even give them both at least 4 stars even with it being far fetched it was a good read. Because they're not, it's just frustrating, I feel like the old bait and switch routine has been pulled on me.
I understand things happen that can change your life from the time of your adolescence to adulthood but we never find out what happened. With all that being said I have to say that any book that makes you feel anything is a good book. So I have to give this 3 stars.
If Sister Souljah is going to do anything in her books, she is always going to educate readers on what Blackness looks like outside of the American context. The cultural references and statements of wisdom made Midnight and the Meaning of Love a wonderful read. The brief appearance from Santiago was enough connection to the Coldest Winter Ever for me. The ending definitely leaves you wanting another book.
Here are some of my favorite quotes from the book.
"No one can remain married today because they are not married to the one they love, they are married to their sacrifice."
"A mother will sacrifice all that she has for her gift from God, including her freedom, her dignity, her possessions, and even the food from her mouth."
"A comrade is like-minded, trained in a similar skill, going for the same goal, loyal to the same rules. She is an asset to the mission. A comrade places the mission in the first position. She places the mission before her heart and before her personal need and wants."
"I thought about what a man or nation had to do wrong in order for it to be justifiable to drop a two ton bomb on them."
"What about the innocents? How many innocent people could be murdered in pursuit of the actually guilty parties?"
"I wondered why the wicked had been so successful all over the globe."
One large difference for me is that Midnight was strong in the first book within the confines of Brooklyn. There were definitely unrealistic aspects to the story. However in this book, the unreal is taken to a whole new level! A 16 year old boy takes on more responsibility as a man to travel to Japan to get his wife from her high powered and wealthy father?! Then he gets another wife at 16?! I'm ignorant of Islamic culture, but really?
Then again fiction is meant to be an escape and it may just be the close mindedness and jadedness of an American woman as Midnight may describe it.
Even still, if Sister Souljah chose to write another book to continue the saga of Midnight, I would be right there on publication day ready to devour it.
Had to complete this one before the year runs out. It's probably my last piece of fiction for the next six months.
I loved the story, loved the twists and the adventure-laden tapestry Sistah Souljah produced. However, I stick to the prequel, "Midnight: A Gangster Lovestory" (see my review) as my favorite of the two. Where Book 1 presented an adolescent working his way through immigration into a new culture and assuming his role as head of his family, consisting of his mother and younger sister, Book 2 painted the picture of an over-confident, arrogant and even insecure teen. Midnight still knew what he wanted and stood for what he believed in but his character developed from one who'd acknowledge that people are different, and believe in different things to one who looked down on others with different views, beliefs and mannerisms. His not-so-subtle regards of women as inferior being, meant to be led and guided at all times struck a nerve.
This cover certainly had a lot more to give but these were the things that stood out the most for me, especially since I was looking forward to falling in love again, as was with the first book. It almost ruined this latter for me but I can't deny Sistah Souljah's talent in weaving a story around three continents and sharing great lessons through words only she knows how to concoct.
I read these books based on the strength of “Coldest Winter Ever”, the gold standard of the Urban Fiction genre. Clearly, my loyalties were misplaced. When I read the first “Midnight” book, I couldn’t believe that Sister Souljah had written such stupid and ill conceived book, after the gritty brilliance of “Coldest Winter Ever”. The second installment of “Midnight” makes me feel even stronger that she has lost her way and her mind. The plot is impossible, the character Midnight is easy to root *against* because he is arrogant, self absorbed and a hypocrite. The treatment of African Americans and description of “ghetto” behavior, without any context of the long history racism in America, is disingenuous and dangerous. At a time when the diaspora needs to come together, the misinformed and downright silly prejudices such as what is written here, work against the very coalitions that our people need. You may say to yourself, “this is a piece of fiction”, but as life imitates art, this book demonstrates how Black and brown people are pitted against each other in ways that do us all a disservice. Sister Souljah, with her progressive Black radical background, should be ashamed.