Gothic Appalachian Literature examines the ways contemporary Appalachian authors utilize gothic tropes to explore the complex history and contemporary problems of the region, particularly in terms of their representation of economic and environmental concerns. It argues that across Appalachian fiction, the plight of characters to save their homes, land and way of life from the destructive forces of extractive industries brings sharply to bare the histories of colonization and slavery that problematize questions of belonging, ownership and possession. Robertson extensively considers contemporary manifestations of the gothic in Appalachian literature, arguing that gothic tropes abound in fiction that focuses on the impacts of extractive industries that connect this micro-region with other parts of the Global North and Global South where the devastating impacts of extractive industries are also experienced socially, economically and environmentally.
An intriguing and thorough introduction to the Appalachian Gothic. It’s a subgenre that I was never aware even existed but am now totally convinced of. The supernatural and grotesque material that Appalachian authors often draw on qualifies it as gothic, not to mention the fact that the region itself is ‘othered’. Robertson’s analysis is extremely relevant, examining the Anthropocene and situating a majority of the works in our post-Trump moment. Most importantly, Robertson warns against generalizing the South and Appalachia as white, far-right, and uneducated—not only because this contributes to the erasure of BIPOC and queer identities in the region, but also because these stereotypes rarely turn to challenge those who are complicit in the issues that define the area.
“The inability to see beyond stereotypes of the region comes from an unwillingness to see the monstrous in all its reality, a reality that gothic Appalachian literature continues to expose.”